5 Résultats
Classification:
livres
livres
Prix:
$55.00
(disponible en magasin)
Résumé:
In September 1976, a curtain of shimmering white was unfurled across the hills of rural northern California, running unbroken for 24.5 miles from Sonoma County to the Pacific Ocean. The artistic vision of Christo and Jeanne-Claude's Running Fence was 18 feet high and traversed the private properties of 59 ranchers. Although it remained in place for just two weeks, the(...)
$55.00
(disponible en magasin)
Résumé:
In September 1976, a curtain of shimmering white was unfurled across the hills of rural northern California, running unbroken for 24.5 miles from Sonoma County to the Pacific Ocean. The artistic vision of Christo and Jeanne-Claude's Running Fence was 18 feet high and traversed the private properties of 59 ranchers. Although it remained in place for just two weeks, the(...)
Titre:
Christo and Jean-Claude: Remembering the running fence
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$55.00
(disponible en magasin)
Résumé:
In September 1976, a curtain of shimmering white was unfurled across the hills of rural northern California, running unbroken for 24.5 miles from Sonoma County to the Pacific Ocean. The artistic vision of Christo and Jeanne-Claude's Running Fence was 18 feet high and traversed the private properties of 59 ranchers. Although it remained in place for just two weeks, the process of planning it consumed nearly four years, and the installation required helicopters, barges, lawyers, and more than 300 Bay Area students and workers. Illustrated throughout with graphic representations and photographs, Christo and Jeanne-Claude recounts how two artists who were complete strangers to the area gradually enlisted the support of entire communities in order to make their vision a reality.
Christo and Jean-Claude: Remembering the running fence
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$55.00
(disponible en magasin)
Résumé:
In September 1976, a curtain of shimmering white was unfurled across the hills of rural northern California, running unbroken for 24.5 miles from Sonoma County to the Pacific Ocean. The artistic vision of Christo and Jeanne-Claude's Running Fence was 18 feet high and traversed the private properties of 59 ranchers. Although it remained in place for just two weeks, the process of planning it consumed nearly four years, and the installation required helicopters, barges, lawyers, and more than 300 Bay Area students and workers. Illustrated throughout with graphic representations and photographs, Christo and Jeanne-Claude recounts how two artists who were complete strangers to the area gradually enlisted the support of entire communities in order to make their vision a reality.
Classification:
livres
livres
Publication:
avril 2010
avril 2010
Sujet:
Land Art
Land Art
Classification:
livres
livres
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$32.99
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Résumé:
Première traduction française d'un ouvrage incontournable de la théorie de l'art. Ici est rassemblé les quatre essais initialement publiés entre 1976 et 1981, une postface véhémente publiée en 1986 et un cinquième essai qui en constitue la conclusion. L'auteur identifie dans ces essais le cube blanc de la galerie comme pôle complémentaire du tableau moderniste, il(...)
$32.99
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Résumé:
Première traduction française d'un ouvrage incontournable de la théorie de l'art. Ici est rassemblé les quatre essais initialement publiés entre 1976 et 1981, une postface véhémente publiée en 1986 et un cinquième essai qui en constitue la conclusion. L'auteur identifie dans ces essais le cube blanc de la galerie comme pôle complémentaire du tableau moderniste, il(...)
Titre:
White cube, l'espace de la galerie et son idéologie
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$32.99
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Première traduction française d'un ouvrage incontournable de la théorie de l'art. Ici est rassemblé les quatre essais initialement publiés entre 1976 et 1981, une postface véhémente publiée en 1986 et un cinquième essai qui en constitue la conclusion. L'auteur identifie dans ces essais le cube blanc de la galerie comme pôle complémentaire du tableau moderniste, il développe également une véritable dramaturgie de la perception, où l'espace d'exposition est le laboratoire d'un art qui ne se conçoit plus sans sa relation au spectateur.
White cube, l'espace de la galerie et son idéologie
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$32.99
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Résumé:
Première traduction française d'un ouvrage incontournable de la théorie de l'art. Ici est rassemblé les quatre essais initialement publiés entre 1976 et 1981, une postface véhémente publiée en 1986 et un cinquième essai qui en constitue la conclusion. L'auteur identifie dans ces essais le cube blanc de la galerie comme pôle complémentaire du tableau moderniste, il développe également une véritable dramaturgie de la perception, où l'espace d'exposition est le laboratoire d'un art qui ne se conçoit plus sans sa relation au spectateur.
Classification:
livres
livres
Publication:
décembre 2008, Zürich
décembre 2008, Zürich
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$34.95
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Résumé:
When does an artist's creation become art, and where? Does it occur in the solitary confines of an artist's studio or does it require the context of an art gallery's white cube? What is the relationship between these two culturally charged spaces? How does the site of art's presentation shape the meaning and determine even the very possibility of its existence?
$34.95
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Résumé:
When does an artist's creation become art, and where? Does it occur in the solitary confines of an artist's studio or does it require the context of an art gallery's white cube? What is the relationship between these two culturally charged spaces? How does the site of art's presentation shape the meaning and determine even the very possibility of its existence?
Titre:
Studio and Cube: on the relationship between where art is made and where at is displayed
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$34.95
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Résumé:
When does an artist's creation become art, and where? Does it occur in the solitary confines of an artist's studio or does it require the context of an art gallery's white cube? What is the relationship between these two culturally charged spaces? How does the site of art's presentation shape the meaning and determine even the very possibility of its existence?
Studio and Cube: on the relationship between where art is made and where at is displayed
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Prix:
$34.95
(disponible sur commande)
Résumé:
When does an artist's creation become art, and where? Does it occur in the solitary confines of an artist's studio or does it require the context of an art gallery's white cube? What is the relationship between these two culturally charged spaces? How does the site of art's presentation shape the meaning and determine even the very possibility of its existence?
Classification:
livres
livres
Publication:
avril 2008, New York
avril 2008, New York
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$45.95
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This volume brings together much of Brian O’Doherty’s most influential writing, including essays on major figures such as Edward Hopper, Mark Rothko, and Andy Warhol, and a substantial follow-up to his iconic ''Inside the White Cube''. New pieces specifically authored for this collection include a meditation on O’Doherty’s various alternate personae—most notably Patrick(...)
$45.95
(disponible sur commande)
Résumé:
This volume brings together much of Brian O’Doherty’s most influential writing, including essays on major figures such as Edward Hopper, Mark Rothko, and Andy Warhol, and a substantial follow-up to his iconic ''Inside the White Cube''. New pieces specifically authored for this collection include a meditation on O’Doherty’s various alternate personae—most notably Patrick(...)
Titre:
Brian O'Doherty : collected essays
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$45.95
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This volume brings together much of Brian O’Doherty’s most influential writing, including essays on major figures such as Edward Hopper, Mark Rothko, and Andy Warhol, and a substantial follow-up to his iconic ''Inside the White Cube''. New pieces specifically authored for this collection include a meditation on O’Doherty’s various alternate personae—most notably Patrick Ireland—and a reflection on his seminal ''Highway to Las Vegas'' from 1972, penned after a return visit in 2012. The texts, many of which have been unavailable in print, are insightfully introduced by art historian Anne-Marie Bonnet and complemented by forty-five color illustrations of artwork discussed in the essays as well as documentary photographs of O'Doherty and other major art-world figures.
Brian O'Doherty : collected essays
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$45.95
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Résumé:
This volume brings together much of Brian O’Doherty’s most influential writing, including essays on major figures such as Edward Hopper, Mark Rothko, and Andy Warhol, and a substantial follow-up to his iconic ''Inside the White Cube''. New pieces specifically authored for this collection include a meditation on O’Doherty’s various alternate personae—most notably Patrick Ireland—and a reflection on his seminal ''Highway to Las Vegas'' from 1972, penned after a return visit in 2012. The texts, many of which have been unavailable in print, are insightfully introduced by art historian Anne-Marie Bonnet and complemented by forty-five color illustrations of artwork discussed in the essays as well as documentary photographs of O'Doherty and other major art-world figures.
Classification:
livres
livres
Publication:
juin 2018
juin 2018
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
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$46.00
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Résumé:
Spanning four continents and six countries, this book introduces "new art landscapes" that fuse architecture, the reuse of found structures, environmentalism, and artistic experimentation. Through words and pictures, readers explore six institutions--Olympic Sculpture Park, Seattle, USA; Raketenstation Hombroich, near Neuss, Germany; Benesse Art Site in Naoshima, Japan;(...)
$46.00
(disponible sur commande)
Résumé:
Spanning four continents and six countries, this book introduces "new art landscapes" that fuse architecture, the reuse of found structures, environmentalism, and artistic experimentation. Through words and pictures, readers explore six institutions--Olympic Sculpture Park, Seattle, USA; Raketenstation Hombroich, near Neuss, Germany; Benesse Art Site in Naoshima, Japan;(...)
Titre:
White cube, green maze: new art landscapes
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$46.00
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Spanning four continents and six countries, this book introduces "new art landscapes" that fuse architecture, the reuse of found structures, environmentalism, and artistic experimentation. Through words and pictures, readers explore six institutions--Olympic Sculpture Park, Seattle, USA; Raketenstation Hombroich, near Neuss, Germany; Benesse Art Site in Naoshima, Japan; Inhotim, near Belo Horizonte, Brazil; Jardin Botanico, Culiacan, Mexico; and Grand Traiano Art Complex, Grottaferrata, Italy--dedicated to the experience of culture and nature. Integrating vegetation and non-linear sequences of spaces, the sites offer multiple experiences enticing the visitor to circulate between and within buildings. The sites are depicted with architects' plans and sketches, historical photographs, and maquettes and sketches by key installation artists. Raymund Ryan's essay discusses important historical precedents and considers the defining characteristics of "new art landscapes" through descriptions of each of the projects. Brian O'Doherty offers an artist's critical perspective, while Marc Treib situates the projects in the history of landscape design Architects under consideration include such established masters as Tadao Ando and Alvaro Siza Vieira as well as emerging practices such as Tatiana Bilbao and Johnston Marklee.
White cube, green maze: new art landscapes
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Prix:
$46.00
(disponible sur commande)
Résumé:
Spanning four continents and six countries, this book introduces "new art landscapes" that fuse architecture, the reuse of found structures, environmentalism, and artistic experimentation. Through words and pictures, readers explore six institutions--Olympic Sculpture Park, Seattle, USA; Raketenstation Hombroich, near Neuss, Germany; Benesse Art Site in Naoshima, Japan; Inhotim, near Belo Horizonte, Brazil; Jardin Botanico, Culiacan, Mexico; and Grand Traiano Art Complex, Grottaferrata, Italy--dedicated to the experience of culture and nature. Integrating vegetation and non-linear sequences of spaces, the sites offer multiple experiences enticing the visitor to circulate between and within buildings. The sites are depicted with architects' plans and sketches, historical photographs, and maquettes and sketches by key installation artists. Raymund Ryan's essay discusses important historical precedents and considers the defining characteristics of "new art landscapes" through descriptions of each of the projects. Brian O'Doherty offers an artist's critical perspective, while Marc Treib situates the projects in the history of landscape design Architects under consideration include such established masters as Tadao Ando and Alvaro Siza Vieira as well as emerging practices such as Tatiana Bilbao and Johnston Marklee.
Classification:
livres
livres
Publication:
septembre 2012
septembre 2012
Sujet:
Jardins
Jardins
