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Titre:
Imogen Cunningham

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Résumé:
This publication celebrates the rich diversity of this modernist pioneer, covering Cunningham’s entire seven-decade career--from her abstract shots of plants and nudes and optical illusions created using techniques such as inverted positive/negative images and double exposure, to her iconic portraits for Vanity Fair of artists, dancers, actors, musicians and writers such as Man Ray, Alfred Stieglitz, Martha Graham, Frida Kahlo, Gertrude Stein, Morris Graves and Merce Cunningham. The selection also includes many rarely reproduced works, plus essays by Celina Lunsford, curator of the exhibition, Jamie M. Allen and Marisa C. Sánchez, an illustrated chronology and selected bibliography.

Titre:
Dépaysé

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Résumé:
Like a journey into the heart of urban solitude and its periphery, Serge Clément’s work draws the viewer into an intimate relationship with the image. As the images accumulate, they create an imaginary density of timeless fragments. For Clément, photography has always been closely related to the book, particularly along the idea that an image refers to other images. On one hand, it signifies that an image is a leaky container with smoke, fog, streams and rivers, reflections, and streets running across the image. On the other, Serge Clément constantly questions the power of the photographic image to capture reality. A certain street, a certain perspective, this deserted place, the passers-by are not tied to a clearly identifiable world, but belong to the abstract universe of an essentially imaginary city. It is not important to know whether the place in question is Montreal or Tokyo, the viewer may rather lose himself between several places.