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Titre:
Modern management methods: architecture, historical value, and the electromagnetic image

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$47.95
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Résumé:
Modernists of the early twentieth century were transfixed by the X-ray—a means of seeing through skin into systems of bones and tissue. What, nearly a century later, can X-rays reveal about the systems of modernism itself? 'Modern Management Methods' asks how the value of a building is produced through instruments of expertise, management ideologies, and historical narratives.

Titre:
Climates: architecture and the planetary imaginary

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$39.00
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Résumé:
This book is a collection of essays at the intersection of architecture and climate change. Neither a collective lament nor an inventory of architectural responses, the essays consider cultural values ascribed to climate and ask how climate re? ects our conception of what architecture is and does. Which materials and conceptual infrastructures render climate legible, knowable, and actionable, and what are their spatial implications? How do these interrelated questions offer new vantage points on the architectural rami? cations of climate change at the interface of resiliency, sustain-ability, and ecotechnology? 'Climates' also contains a dossier of precedents for thinking about architecture and climate change drawn from a number of leading practitioners. New approaches to understanding climate in architecture make this book invaluable.This publication is a project by The Avery Review, a journal produced by the Of?ce of Publications at Columbia University's Graduate School of Architecture, Planning and Preservation.

Titre:
Columbia in Manhattanville. Renzo Piano. Diller, Scofidio + Renfro.

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$25.00
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Résumé:
In 2003, Columbia University began planning an expansion into neighboring Manhattanville, the site of the soon-to-open campus designed by the Renzo Piano Building Workshop and Skidmore, Owings & Merrill. The story of the project is a complex one—a university bursting at the seams, the changing imperatives of research facilities, large-scale investment in underground infrastructures, a controversial use of eminent domain, the commissioning of celebrated architects, and a remarkable campaign of community engagement all combining to reshape the public face of a venerable institution. Bringing together conversations with the architects and planners designing the Manhattanville campus, the educators who will inhabit its buildings, and essays from urban and architectural historians, this book both documents the making of Manhattanville and engages the contested history of public planning and the private university.Featuring contributions from Amale Andraos, Carol Becker, Elizabeth Diller, Steven Gregory, Maxine Griffith, Tom Jessell, Robert Kasdin, Laura Kurgan, Reinhold Martin, Lois Mazzitelli, Philip Palmgren, Charles Renfro, Marilyn Taylor, and Anthony Vaccione.