$16.95
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Résumé:
In 1968, toward the end of a decade that witnessed civil rights protests, the escalation of the war in Vietnam, and an expanded notion of artistic practice (epitomized by "Happenings"), Yvonne Rainer presented her evening-length work, The Mind is a Muscle. A choreographed, multipart performance for seven dancers, interspersed with film and text, this major work was built(...)
Yvonne Rainer: the mind is a muscle
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$16.95
(disponible sur commande)
Résumé:
In 1968, toward the end of a decade that witnessed civil rights protests, the escalation of the war in Vietnam, and an expanded notion of artistic practice (epitomized by "Happenings"), Yvonne Rainer presented her evening-length work, The Mind is a Muscle. A choreographed, multipart performance for seven dancers, interspersed with film and text, this major work was built upon a backbone of variations on Rainer's dance solo, Trio A. In this extended illustrated essay exploring The Mind is a Muscle, Catherine Wood examines the political and media context in which Rainer chose to use the dance-theatre situation as her medium and analyzes Rainer's radical approach to image-making in live form. Catherine Wood is Curator of contemporary art/performance at Tate Modern.
Théorie de l’art
$45.00
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Résumé:
The architectural interventions of London-based artist Pablo Bronstein (born 1977) explore the relationship between classical architecture and contemporary urbanism. A Is Building, B is Architecture presents a retrospective of Bronstein’s work as well as the first survey of his architectural drawings.
février 2014
Pablo Bronstein: A is building, B is architecture
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$45.00
(disponible sur commande)
Résumé:
The architectural interventions of London-based artist Pablo Bronstein (born 1977) explore the relationship between classical architecture and contemporary urbanism. A Is Building, B is Architecture presents a retrospective of Bronstein’s work as well as the first survey of his architectural drawings.