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Textes par : Kaira Marie Cabañas, Stefano Boeri, Nathalie Delbard, Christa Blümlinger, Michelle Debat, André-Louis Paré, Marc James Léger.
Parachute 120 : frontières / borders
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Textes par : Kaira Marie Cabañas, Stefano Boeri, Nathalie Delbard, Christa Blümlinger, Michelle Debat, André-Louis Paré, Marc James Léger.
Revues
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Cette anthologie regroupe 23 textes publiés au cours des 25 premières années de la revue Parachute. Livrés dans leurs succession chronologique, ils dessinent une fresque qui retrace un quart de siècle d'histoire de l'art contemporain et de constant renouvellement de la critique d'art.
Parachute : essais choisis, 1975-2000, vol. I & II
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Cette anthologie regroupe 23 textes publiés au cours des 25 premières années de la revue Parachute. Livrés dans leurs succession chronologique, ils dessinent une fresque qui retrace un quart de siècle d'histoire de l'art contemporain et de constant renouvellement de la critique d'art.
Théorie de l’art
Dominique Paul : Silent Fall
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Monographie retraçant plus de dix ans de carrière de l'artiste plasticienne et de la performance canadienne, avec deux essais de Chantal Pontbriand et Ayelet D. Aldouby. Depuis 2012, Dominique Paul nous fait voyager de New York au Surinam, de la performance au studio et se penche avec humour sur nos relations de plus en plus inégalitaires avec le vivant. Les autrices nous(...)
Dominique Paul : Silent Fall
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Monographie retraçant plus de dix ans de carrière de l'artiste plasticienne et de la performance canadienne, avec deux essais de Chantal Pontbriand et Ayelet D. Aldouby. Depuis 2012, Dominique Paul nous fait voyager de New York au Surinam, de la performance au studio et se penche avec humour sur nos relations de plus en plus inégalitaires avec le vivant. Les autrices nous initient avec brio aux parcours et aux expériences d'une artiste en art social. // Monograph surveying more than ten years of the Canadian visual and performance artist's career, with two essays by Chantal Pontbriand and Ayelet D. Aldouby.
Art canadien
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Des textes sur_texts on : Franko B. Bruno, Kendell Geers, Philippe Grandrieux, Michael Haneke, Maria Mashall, Paul McCarthy, Rabih Mroué, Shahryar Nashat, Gina Pane, Radek Community, Fiona Tan, Wang Du... . Par_by : Christa Blümlinger, Tim Clark, Amelia Jones, Jean-Ernst Joos, Thomas Y. Levin, Frédéric Maufras, Chnatal Pontbriand, Thérèse St-Gelais, Giovanna Zapperi...
Parachute 122 : travail ** work
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Des textes sur_texts on : Franko B. Bruno, Kendell Geers, Philippe Grandrieux, Michael Haneke, Maria Mashall, Paul McCarthy, Rabih Mroué, Shahryar Nashat, Gina Pane, Radek Community, Fiona Tan, Wang Du... . Par_by : Christa Blümlinger, Tim Clark, Amelia Jones, Jean-Ernst Joos, Thomas Y. Levin, Frédéric Maufras, Chnatal Pontbriand, Thérèse St-Gelais, Giovanna Zapperi...
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Textes / texts : Chantal Pontbriand, Jacinto Lageira, Louise Provencher, Caroline A. Jones, Todd Meyers + Richard Baxstrom, Stefan Jovanovic, Eduardo Ralickas.
Parachute 121 : extra-humain - sc / extra-human - cs
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Textes / texts : Chantal Pontbriand, Jacinto Lageira, Louise Provencher, Caroline A. Jones, Todd Meyers + Richard Baxstrom, Stefan Jovanovic, Eduardo Ralickas.
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In 1975, a small group of enterprising, discontented members of Quebec's art community posed the question: "What do we know about contemporary art outside of Quebec, in Canada or abroad? Do we know what contemporary art exists in Montreal? How does information about art circulate?" By way of an answer, the artistically unconventional and theoretically cutting-edge(...)
Parachute : the anthology, vol. 1
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In 1975, a small group of enterprising, discontented members of Quebec's art community posed the question: "What do we know about contemporary art outside of Quebec, in Canada or abroad? Do we know what contemporary art exists in Montreal? How does information about art circulate?" By way of an answer, the artistically unconventional and theoretically cutting-edge magazine Parachute was launched, founded by Chantal Pontbriand and France Morin. Artists such as Jeff Wall, Bill Viola, Stan Douglas, Eija-Liisa Ahtila and many others had the first significant critical reception of their work in Parachute. Similarly, figures such as Douglas Crimp, Thomas Crow, Thierry de Duve, Georges Didi-Huberman, Hal Foster, Reesa Greenberg, Serge Guilbaut and Laura Mulvey published highly pertinent essays in the journal early on in their careers. The essays collected in this volume have been selected from the first 25 years of Parachute's publication history, from 1975 to 2000.
Théorie de l’art
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Parachute was founded in 1975 by Chantal Pontbriand and France Morin. Following the previous three Parachute volumes, this last title of the Parachute anthology focuses on painting, sculpture, installation and architecture. These topics are approached from several perspectives: from new theories of aesthetic production, especially painting, to the expansion of the art(...)
Parachute : the anthology, vol. III
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Parachute was founded in 1975 by Chantal Pontbriand and France Morin. Following the previous three Parachute volumes, this last title of the Parachute anthology focuses on painting, sculpture, installation and architecture. These topics are approached from several perspectives: from new theories of aesthetic production, especially painting, to the expansion of the art world to other artistic territories during the 1980s and 1990s (Russia and South America, for instance), from the "lessons" of postmodernism to the proliferation of installation art. The essays discuss works by artists such as Lothar Baumgarten, Mona Hatoum, Guillermo Kuitca, Louise Lawler, Reinhard Mucha, Jackson Pollock, Robert Ryman, Michael Snow and Sots Art artists, and include two particularly seminal artist's essays: Dan Graham on Gordon Matta-Clark, and Jeff Wall on Édouard Manet.
Théorie de l’art
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Parachute was founded in 1975 by Chantal Pontbriand and France Morin. Following the previous three Parachute volumes, this last title of the Parachute anthology focuses on painting, sculpture, installation and architecture. These topics are approached from several perspectives: from new theories of aesthetic production, especially painting, to the expansion of the art(...)
Parachute: the anthology, vol 4
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Parachute was founded in 1975 by Chantal Pontbriand and France Morin. Following the previous three Parachute volumes, this last title of the Parachute anthology focuses on painting, sculpture, installation and architecture. These topics are approached from several perspectives: from new theories of aesthetic production, especially painting, to the expansion of the art world to other artistic territories during the 1980s and 1990s (Russia and South America, for instance), from the "lessons" of postmodernism to the proliferation of installation art. The essays discuss works by artists such as Lothar Baumgarten, Mona Hatoum, Guillermo Kuitca, Louise Lawler, Reinhard Mucha, Jackson Pollock, Robert Ryman, Michael Snow and Sots Art artists, and include two particularly seminal artist's essays: Dan Graham on Gordon Matta-Clark, and Jeff Wall on Édouard Manet.
Théorie de l’art
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The artistically unconventional and theoretically cutting-edge magazine Parachute was launched in 1975, founded by Chantal Pontbriand and France Morin. Artists such as Jeff Wall, Bill Viola, Stan Douglas, Eija-Liisa Ahtila and many others had the first significant critical reception of their work in Parachute. Similarly, figures such as Douglas Crimp, Thomas Crow, Thierry(...)
Parachute: the anthology, volume II
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The artistically unconventional and theoretically cutting-edge magazine Parachute was launched in 1975, founded by Chantal Pontbriand and France Morin. Artists such as Jeff Wall, Bill Viola, Stan Douglas, Eija-Liisa Ahtila and many others had the first significant critical reception of their work in Parachute. Similarly, figures such as Douglas Crimp, Thomas Crow, Thierry de Duve, Georges Didi-Huberman, Hal Foster and Laura Mulvey published important early essays in the journal. This second volume of writings from Parachute gathers texts around “Performance and Performativity.”
Théorie de l’art
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The essays in this collection were written in the first decade of the new millennium by critic, editor and curator Chantal Pontbriand. Pontbriand examines themes of being-in-common in today s world and their relation to the development of art practices. As these practices are implemented, other ways of seeing, understanding and making appear.
The contemporary, the common: art in globalizing world
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The essays in this collection were written in the first decade of the new millennium by critic, editor and curator Chantal Pontbriand. Pontbriand examines themes of being-in-common in today s world and their relation to the development of art practices. As these practices are implemented, other ways of seeing, understanding and making appear.
Théorie de l’art