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Titre:
Dominique Paul : Silent Fall

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Monographie retraçant plus de dix ans de carrière de l'artiste plasticienne et de la performance canadienne, avec deux essais de Chantal Pontbriand et Ayelet D. Aldouby. Depuis 2012, Dominique Paul nous fait voyager de New York au Surinam, de la performance au studio et se penche avec humour sur nos relations de plus en plus inégalitaires avec le vivant. Les autrices nous initient avec brio aux parcours et aux expériences d'une artiste en art social. // Monograph surveying more than ten years of the Canadian visual and performance artist's career, with two essays by Chantal Pontbriand and Ayelet D. Aldouby.

Titre:
Parachute 123 : violence , psycho ,

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Text(e)s sur/ on : Franko B., David Cronenberg, Bruno Dumont, Philippe Grandrieux, Michael Haneke, Maria Marshall, Paul McCarthy, Shahryar Nashat, Orlan, Gina Pane, … Par / by : Christa Blümlinger, Tim Clark, Amelia Jones, Jean-Ernest Joos, Thomas Y. Levin, Thérèse St-Gelais, Giovanna Zapperi … '' Comment aborder le problème de la violence dans le monde quand on est artiste ? Est-ce que la violence est innommable, intraitable ? Le cinéma ou les médias nous la montrent pourtant à profusion : guerre, sexes, criminalité, tortures psychologiques et physiques. Quand est-il de la question de la représentation quand il s'agit de violence. La montrer, est-ce la recréer ou l'encourager ? Les pratiques artistiques des dernières années abordent la violence en photographie et en vidéo par exemple. L'exacerbation de la violence et sa propagation par les images provoquent des questionnements inédits. Retrouve-t-on ce questionnement en art contemporain ? Comment se montre-t-il ? Quelles formes prend-il ? /// How do artists broach the question of violence in the contemporary world? Is violence unutterable, untouchable? Cinema and the media do not cease to showcase violence in its most varied manifestations: war, sexuality, criminality, psychological and physical torture, etc. What is the status of representation when it comes to showing violence? Do representations of violent acts necessarily disseminate and recreate them? Many recent artistic practices address violence by means of photography or video. The exacerbation of violence and its dissemination by means of countless images raises new and important questions. How are such questions formulated in the field of contemporary art? How do they manifest themselves? What are their forms? '' Chantal Pontbriand.

Titre:
Parachute 122 : travail ** work

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Des textes sur_texts on : Franko B. Bruno, Kendell Geers, Philippe Grandrieux, Michael Haneke, Maria Mashall, Paul McCarthy, Rabih Mroué, Shahryar Nashat, Gina Pane, Radek Community, Fiona Tan, Wang Du... . Par_by : Christa Blümlinger, Tim Clark, Amelia Jones, Jean-Ernst Joos, Thomas Y. Levin, Frédéric Maufras, Chnatal Pontbriand, Thérèse St-Gelais, Giovanna Zapperi...

Titre:
Parachute : the anthology, vol. 1

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In 1975, a small group of enterprising, discontented members of Quebec's art community posed the question: "What do we know about contemporary art outside of Quebec, in Canada or abroad? Do we know what contemporary art exists in Montreal? How does information about art circulate?" By way of an answer, the artistically unconventional and theoretically cutting-edge magazine Parachute was launched, founded by Chantal Pontbriand and France Morin. Artists such as Jeff Wall, Bill Viola, Stan Douglas, Eija-Liisa Ahtila and many others had the first significant critical reception of their work in Parachute. Similarly, figures such as Douglas Crimp, Thomas Crow, Thierry de Duve, Georges Didi-Huberman, Hal Foster, Reesa Greenberg, Serge Guilbaut and Laura Mulvey published highly pertinent essays in the journal early on in their careers. The essays collected in this volume have been selected from the first 25 years of Parachute's publication history, from 1975 to 2000.

Titre:
Parachute : the anthology, vol. III

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Parachute was founded in 1975 by Chantal Pontbriand and France Morin. Following the previous three Parachute volumes, this last title of the Parachute anthology focuses on painting, sculpture, installation and architecture. These topics are approached from several perspectives: from new theories of aesthetic production, especially painting, to the expansion of the art world to other artistic territories during the 1980s and 1990s (Russia and South America, for instance), from the "lessons" of postmodernism to the proliferation of installation art. The essays discuss works by artists such as Lothar Baumgarten, Mona Hatoum, Guillermo Kuitca, Louise Lawler, Reinhard Mucha, Jackson Pollock, Robert Ryman, Michael Snow and Sots Art artists, and include two particularly seminal artist's essays: Dan Graham on Gordon Matta-Clark, and Jeff Wall on Édouard Manet.

Titre:
Parachute: the anthology, volume II

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The artistically unconventional and theoretically cutting-edge magazine Parachute was launched in 1975, founded by Chantal Pontbriand and France Morin. Artists such as Jeff Wall, Bill Viola, Stan Douglas, Eija-Liisa Ahtila and many others had the first significant critical reception of their work in Parachute. Similarly, figures such as Douglas Crimp, Thomas Crow, Thierry de Duve, Georges Didi-Huberman, Hal Foster and Laura Mulvey published important early essays in the journal. This second volume of writings from Parachute gathers texts around “Performance and Performativity.”

Titre:
Parachute 121 : extra-humain - sc / extra-human - cs

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Textes / texts : Chantal Pontbriand, Jacinto Lageira, Louise Provencher, Caroline A. Jones, Todd Meyers + Richard Baxstrom, Stefan Jovanovic, Eduardo Ralickas.

Titre:
Parachute : essais choisis, 1975-2000, vol. I & II

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Cette anthologie regroupe 23 textes publiés au cours des 25 premières années de la revue Parachute. Livrés dans leurs succession chronologique, ils dessinent une fresque qui retrace un quart de siècle d'histoire de l'art contemporain et de constant renouvellement de la critique d'art.

Titre:
Parachute 120 : frontières / borders

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Textes par : Kaira Marie Cabañas, Stefano Boeri, Nathalie Delbard, Christa Blümlinger, Michelle Debat, André-Louis Paré, Marc James Léger.

Titre:
Parachute 124 : violence unlimited

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Après avoir exploré les méandres de la violence interpersonnelle dans notre dernier numéro, Violence Psycho, nous abordons ici même les effets de la violence dans le contexte d'une mondialisation galopante. Violence sans fin, violence sans frontières, l'aspect illimité de la chose est flagrant. Et même, pourrait-on dire, plus il y a de mondialisation, plus il y a de violence. On peut se demander pourquoi, en chercher les fondements, rationaliser la chose, il reste que la violence tient de l'irrationnel, de la démesure et de la folie collective, à toutes fins utiles. // After having explored the meanders of interpersonal violence in the previous issue, Violence Psycho, we now focus our attention on the effects of violence in the alarmingly unbounded context of globalization. Violence without end, violence without borders; the unlimited aspect of the phenomenon is flagrant. One could say that the more globalization makes itself manifest, the more violence appears. Also, one could ponder on the reasons for this and attempt to comprehend the underpinnings of such violence and rationalize it; the fact remains: violence stems from an irrational source, from collective folly and excess, for all intents and purposes. Textes de / texts by : Slavoj Zizek, Frédéric Maufras, Guitemie Maldonado, Nicolas Exertier, Derek Conrad Murray, Kinga Araya, Rana Dasgupta, Mariella Pandolfi + Chowra Makaremi.