livres
Architecture 2000 and beyond
$44.95
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Résumé:
This classic of prediction, written in 1969, has now been brought up-to-date, the prophecies judged, and the omens extended to 2030. The success rate of Jencks' forecasts and his method of combining expert prediction with structural analysis make this book an important contribution to the art of conjecture. Not only did he predict a series of innovations that(...)
Architecture 2000 and beyond
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Prix:
$44.95
(disponible sur commande)
Résumé:
This classic of prediction, written in 1969, has now been brought up-to-date, the prophecies judged, and the omens extended to 2030. The success rate of Jencks' forecasts and his method of combining expert prediction with structural analysis make this book an important contribution to the art of conjecture. Not only did he predict a series of innovations that have changed the world, such as the Internet, but he identified six main architectural traditions that continuously transform over time. This provides a method of gauging what are likely to be the future movements in architecture, a useful and fascinating tool for speculation.
livres
août 2000, Chichester
$72.95
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Résumé:
Landforms are a fast-developing art form that enjoy a wide following today, because of their multiple uses and their enveloping beauty. As formal landscapes that often arise from necessity - recycling a coal site for human use or making new use of excess earth - they are a pleasure to walk over and through. In this collection of his recent work, Charles Jencks explains(...)
The universe in the landscape: landforms by Charles Jencks
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$72.95
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Résumé:
Landforms are a fast-developing art form that enjoy a wide following today, because of their multiple uses and their enveloping beauty. As formal landscapes that often arise from necessity - recycling a coal site for human use or making new use of excess earth - they are a pleasure to walk over and through. In this collection of his recent work, Charles Jencks explains his particular approach to the landform. Like the prehistoric earthworks of Britain that have been an inspiration, such as Stonehenge, his landforms contain cosmic symbolism, and they draw together sculpture, epigraphy, water, gardens, scrap metal and architecture. They address perennial themes - identity, patterns of nature, death and the power of life - but in a contemporary way, based on the insights of science. So Jencks portrays universal aspects of DNA, the spacetime warp of a black hole, the extraordinary way cells divide and unite and some basic forms of life. In this publication Jencks seeks to define a new landscape iconography based on forms and themes that may be eternal, in the sense that they crystallise nature's laws, some of which have been recently discovered. To see a world in a grain of sand was a poetic quest of William Blake and, in a different sense, to find the universe in a ritual landscape was a goal of prehistoric cultures. Jencks allies these spiritual affinities with the view of science that stresses the common patterns that underlie all parts of the cosmos, thus making them like our home planet, and the universe in a landscape.