Start, stop.
$25.00
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Résumé:
Cette publication est en lien avec une exposition en deux volets sur la rythmicité ses déploiements, ses variations et ses mouvements conçue par Christof Migone sur une période de deux ans. Douze artistes y ont participé. La publication documente non seulement ces deux manifestations, mais est animée par la même proposition. Le rythme est au coeur de chacune des(...)
Start, stop.
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Prix:
$25.00
(disponible sur commande)
Résumé:
Cette publication est en lien avec une exposition en deux volets sur la rythmicité ses déploiements, ses variations et ses mouvements conçue par Christof Migone sur une période de deux ans. Douze artistes y ont participé. La publication documente non seulement ces deux manifestations, mais est animée par la même proposition. Le rythme est au coeur de chacune des interventions des collaborateurs à savoir l'artiste et écrivain Christof Migone, le philosophe André-Louis Paré, le poète Steve Savage et d'autres artistes.
Art canadien
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Résumé:
In Sonic Somatic, the sound artist and theorist Christof Migone looks at sound art's overlap with other disciplines through its particular uses of articulation. Articulation is explored here in all of its guises: its negation as silence, its interruption in stuttering and its somatic ramifications in the human body. Migone looks at French playwright and poet Antonin(...)
Sonic somatic: performances of the unsound body
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$25.00
(disponible sur commande)
Résumé:
In Sonic Somatic, the sound artist and theorist Christof Migone looks at sound art's overlap with other disciplines through its particular uses of articulation. Articulation is explored here in all of its guises: its negation as silence, its interruption in stuttering and its somatic ramifications in the human body. Migone looks at French playwright and poet Antonin Artaud's writings, with their implications of strangled speech and glossolalia; American composer Alvin Lucier's groundbreaking 1969 recording “I Am Sitting in a Room”; Erik Satie's looped composition “Vexations”; Marina Abramovic's confrontational performance “Rhythm 0”; Adrian Piper's “Untitled Performance for Max's Kansas City”; Herman Melville's short story “Bartleby, the Scrivener”; Bob Connolly and Robin Anderson's documentary film First Contact; and of course the work that most looms over this topic: John Cage's paradigm-shifting 1952 composition “4'33” .”
Acoustique
$22.00
(disponible en magasin)
Résumé:
is first monograph on sound artist Christof Migone tracks his work since the mid-80s: a weaving together of multiple media, from radio to telephone to digital objects, that has formed a stunning and highly dynamic practice, one that combines an acute sonic sensibility with performative usages of the body, video, and voice.
Christof Migone: sound, voice, perform
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Prix:
$22.00
(disponible en magasin)
Résumé:
is first monograph on sound artist Christof Migone tracks his work since the mid-80s: a weaving together of multiple media, from radio to telephone to digital objects, that has formed a stunning and highly dynamic practice, one that combines an acute sonic sensibility with performative usages of the body, video, and voice.
Acoustique