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Contemporary visual culture has been dominated by futuristic utopian and dystopian ideas that reflect a longing for a seamless interface between the virtual and real, as well as a desire for a release from the constraints of space and time. Constructed around both speculative predictions and creative scientific arguments, these ideas contribute to a pervasive visual(...)
Facing forward: art & theory from a future perspective
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Contemporary visual culture has been dominated by futuristic utopian and dystopian ideas that reflect a longing for a seamless interface between the virtual and real, as well as a desire for a release from the constraints of space and time. Constructed around both speculative predictions and creative scientific arguments, these ideas contribute to a pervasive visual rhetoric that influences our sense of things to come. Delving into the importance of these perspectives and the art that both results from and shapes them, this volume is a spirited exploration of the interface between art and theory in the twenty-first century.
Théorie de l’art
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The High Line, an innovative promenade created on a disused elevated railway in Manhattan, is a new “hot” iconic landmark, but is it a model of urban revitalization or a bellwether of gentrification? A diverse group, including planners and architects directly involved in its design, assess it critically, exploring its aesthetic, economic, ecological, symbolic, and social impacts.
Deconstructing the High Line: postindustrial urbanism and the rise of the elevated park
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Résumé:
The High Line, an innovative promenade created on a disused elevated railway in Manhattan, is a new “hot” iconic landmark, but is it a model of urban revitalization or a bellwether of gentrification? A diverse group, including planners and architects directly involved in its design, assess it critically, exploring its aesthetic, economic, ecological, symbolic, and social impacts.
Théorie de l’urbanisme