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Why would two talented and employable young graphic designers start up their own practice without any clients, in the midst of a recession, and in a city brimming with world-renowned designers? "Karlssonwilker inc.'s tellmewhy" is the improbable story of such a ventureor act of bravura or insanityon the part of Hjalti Karlsson and Jan Wilker, and offers a telling,(...)
octobre 2003, New York
Karlssonwilker inc.'s tellmewhy : the first 24 months of a New York design company
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Why would two talented and employable young graphic designers start up their own practice without any clients, in the midst of a recession, and in a city brimming with world-renowned designers? "Karlssonwilker inc.'s tellmewhy" is the improbable story of such a ventureor act of bravura or insanityon the part of Hjalti Karlsson and Jan Wilker, and offers a telling, humorous, and always human insight into the workings of a young startup design studio, showcasing every project they did in their first two years. A book as iconoclastic as their designs, tellmewhy features fresh stories of karlssonwilker's ordinary office and its less-than-romantic tales about rooftop parties, battles with immigration, missed meetings, and money problems. Despite these storiesand because of otherskarlssonwilker has produced an impressive body of design work in two short years. Tellmewhy shows the happy endings, including signage for a Philadelphia restaurant, logo designs for a New York fashion house, and CD packaging for both independent and major music labels. And it presents unrealized designs, like an ad campaign for a TV network. All share the designers' creative and humorous take on design. Karlssonwilker intersperses these examples with its singular illustrated diagrams, faux flow charts linking the partners' biographies, work, social lives, and whatever comes to their unique minds. A foreword by former employer Stefan Sagmeister recalls karlssonwilker's start in his design office.
Nozone x: forecast
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Conspiracy theories, pending Ice Ages, potential revolutions, viral epidemics, and other doomsday prophecies: wherever you look–from the cover of Time magazine to the weird weather outside your window–the message seems universal: the Earth our children inherit will certainly be nothing like the one we currently inhabit. UN reports and newspaper articles are illustrated(...)
septembre 2008, New York
Nozone x: forecast
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Conspiracy theories, pending Ice Ages, potential revolutions, viral epidemics, and other doomsday prophecies: wherever you look–from the cover of Time magazine to the weird weather outside your window–the message seems universal: the Earth our children inherit will certainly be nothing like the one we currently inhabit. UN reports and newspaper articles are illustrated with dry charts and graphs predicting technological, economic, and ecological transformations that are already dramatically altering the way we live. Forecast revisualizes these abstractions about everything from our environment to our waistlines, from the stock market to the Middle East through the eyes of cartoonists and graphic designers who have made comics with a conscience: Ward Sutton imagines a nation divided into a red and a blue zone; Paula Scher maps out the Northern Hemisphere of 2100; Elizabeth Amon interviews New Yorker journalist Elizabeth Kolbert on global warming; and Tom Tomorrow looks back on the legacy of Bush-Cheney. Ultimately, Forecast is an optimistic book: using humor, it encourages all of us to take responsibility for predictions of the future and to take action to affect change. Forecast is the latest installment of Nozone. Featured in the Cooper Hewitt's Design Triennial, Nozone is a decade-old political graphic design and comics zine, edited around a theme. Nicholas Blechman is principal of Knickerbocker Design in New York City and art director of the New York Times Book Review. He is the editor of Empire and co-author of Evil, both published by Princeton Architectural Press. Blechman is publisher of the award-winning political underground magazine Nozone.
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In the fall of 2007, Lebbeus Woods (1940-2012), long admired for his visionary architecture and mastery of drawing, began a blog. Part forum and part public journal, the eclectic mix of articles, drawings, anecdotes, poetry, interviews, and photographic essays explored topics ranging from architectural theory and criticism to education and politics. Amassing more thanv(...)
Slow manifesto: Lebbeus Woods blog
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In the fall of 2007, Lebbeus Woods (1940-2012), long admired for his visionary architecture and mastery of drawing, began a blog. Part forum and part public journal, the eclectic mix of articles, drawings, anecdotes, poetry, interviews, and photographic essays explored topics ranging from architectural theory and criticism to education and politics. Amassing more thanv three hundred entries by its end in the summer of 2012, it is regarded by many as the most comprehensive and accessible archive of Woods's prodigious creativity. Slow Manifesto: Lebbeus Woods Blog, an edited volume of the blog's centerpiece entries, stands as a fragmentary essay on the nature of architecture that will be dear to architects, students, and thinkers everywhere.
Théorie de l’architecture