Recherche

Titre:
Bridget Riley drawings: From the artist's studio

Actions:

• Acheter ce livre

Prix:
$50.75
(disponible sur commande)

Résumé:
Devoted exclusively to the artist’s works on paper, ''Bridget Riley drawings: From the artist’s studio'' explores the importance of these works not only as a means of visual experimentation but as works of art in their own right. Throughout her working life, Riley has preserved works of particular significance, creating an archive that records her constant artistic inquiry and development. The studies presented in the book are drawn entirely from this personal collection, with Riley’s own input. They demonstrate the artist’s progression from early figurative works, through the monochrome geometry of the 1960s, to the examination of color that has characterized the second half of her long career. The choice of work explores the themes that have absorbed Riley in different periods and highlights key influences: the importance of life drawing to her and the significance of artists such as Seurat and Mondrian. The book illustrates—literally and figuratively—the story of a productive and constantly experimental career, underpinned by drawing.

Titre:
Picasso: Cut papers

Actions:

• Acheter ce livre

Prix:
$67.00
(disponible sur commande)

Résumé:
Spanning the full career of Picasso (1881–1973), from his first cut drawings made in 1899 at nine years of age through to the 1960s with works he made in his eighties, ''Picasso cut papers'' features some of the artist’s most whimsical and intriguing works made on paper and in paper, alongside a select group of sculptures in metal, wood and ceramic. Although Picasso rarely sold or exhibited his cut papers (or papiers découpés) during his lifetime, he signed, dated and archived them just as he did all his works. They were simply part of a more private studio practice, often made for family or as models for his fabricators. The first publication to focus solely on Picasso’s cut papers, this book features many works reproduced for the first time with newly commissioned photography, alongside new scholarship on a little-known aspect of one of the 20th century’s most pivotal practices, which contribute to the ongoing discourse surrounding innovation and abstraction at the roots of modern art. Also featured is a photo section that surveys Picasso’s engagement with cut paper and sculpture over the decades and documents his practice of cutting paper, both in and out of the studio.

Titre:
The Franklin D. Murphy sculpture garden at UCLA

Actions:

• Acheter ce livre

Prix:
$39.95
(disponible sur commande)

Résumé:
For nearly thirty years, starting in the 1960s, Franklin D. Murphy was a dominant figure in the cultural development of Los Angeles. As chancellor of UCLA and later as chief executive of the Times Mirror company, Murphy channeled more than a billion dollars into the city's universities, museums, concert halls, and libraries. The Franklin D. Murphy Sculpture Garden, one of his landmark projects, is also one of the UCLA campus's great treasures. Standing as a model for sculpture gardens internationally since its dedication in 1967, the Murphy Garden features seventy-two important modern and contemporary sculptures in a five-acre site designed by landscape architect Ralph Cornell. This fully-illustrated catalog documents the entire Murphy Garden collection and provides a scholarly entry for each artist – a sampling of which includes Deborah Butterfield, Alexander Calder, Henri Matisse, Joan Miró, Henry Moore, Isamu Noguchi, Auguste Rodin, and David Smith. Three essays–by Victoria Steele, Cynthia Burlingham, and Marc Treib – focus respectively on the role of Franklin Murphy in the garden's planning and execution, the acquisition of the sculptures, and the garden's significance within the history of sculpture garden design. Published by the Hammer Museum, University of California, Los Angeles.

Titre:
The idea of north: the paintings of Lawren Harris

Actions:

• Acheter ce livre

Prix:
$54.95
(disponible sur commande)

Résumé:
Lawren Harris was a founding member of the renowned "Group of Seven" artists' group, who believed that the Canadian landscape was central to the foundation of a national identity. Focusing on Harris's most important work of the 1920s through the early 1930s, this monograph features a selection of major works that are as iconic in Canada as those of Georgia O'Keeffe and Edward Hopper in the U.S. His remarkable use of color, light, and composition resulted in powerful scenes that reflect his progress toward a universal vision of nature's spiritual power.