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Classification:
livres
livres
Titre:
The luminous and the grey
The luminous and the grey
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$23.00
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Résumé:
The Luminous and the Grey explores the places where color comes into being and where it fades away, probing when it begins and when it ends both in the imagination and in the material world. David Batchelor draws on neuroscience, philosophy, novels, films, and artists’ writings—as well as his own experience as an artist working with color—to understand how we see and use(...)
$23.00
(disponible sur commande)
Résumé:
The Luminous and the Grey explores the places where color comes into being and where it fades away, probing when it begins and when it ends both in the imagination and in the material world. David Batchelor draws on neuroscience, philosophy, novels, films, and artists’ writings—as well as his own experience as an artist working with color—to understand how we see and use(...)
Titre:
The luminous and the grey
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Prix:
$23.00
(disponible sur commande)
Résumé:
The Luminous and the Grey explores the places where color comes into being and where it fades away, probing when it begins and when it ends both in the imagination and in the material world. David Batchelor draws on neuroscience, philosophy, novels, films, and artists’ writings—as well as his own experience as an artist working with color—to understand how we see and use colors. He considers the role of color in creation myths, industrial chemistry, and optics, and examines the particular forms of luminosity that saturate the modern city.
The luminous and the grey
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Prix:
$23.00
(disponible sur commande)
Résumé:
The Luminous and the Grey explores the places where color comes into being and where it fades away, probing when it begins and when it ends both in the imagination and in the material world. David Batchelor draws on neuroscience, philosophy, novels, films, and artists’ writings—as well as his own experience as an artist working with color—to understand how we see and use colors. He considers the role of color in creation myths, industrial chemistry, and optics, and examines the particular forms of luminosity that saturate the modern city.
Classification:
livres
livres
Publication:
février 2014
février 2014
Classification:
livres
livres
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$26.50
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Résumé:
Since its launch in 1976, the influential journal of art history and criticism October has not had one image reproduced in color. Well-known contemporary Scottish artist and writer David Batchelor playfully rectifies this situation in the series of delightful, exuberant and colorful drawings (2012 13) that transform every page of the magazine s first issue (Summer(...)
$26.50
(disponible sur commande)
Résumé:
Since its launch in 1976, the influential journal of art history and criticism October has not had one image reproduced in color. Well-known contemporary Scottish artist and writer David Batchelor playfully rectifies this situation in the series of delightful, exuberant and colorful drawings (2012 13) that transform every page of the magazine s first issue (Summer(...)
Titre:
The October colouring-in book
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$26.50
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Résumé:
Since its launch in 1976, the influential journal of art history and criticism October has not had one image reproduced in color. Well-known contemporary Scottish artist and writer David Batchelor playfully rectifies this situation in the series of delightful, exuberant and colorful drawings (2012 13) that transform every page of the magazine s first issue (Summer 1976). Disrupting October s orderly monochromatic universe and textual clarity, Batchelor engages a carnival-like play of form and color on each page in abstract compositions of circles, triangles and rectangles of brilliant transparent color and opaque black planes
The October colouring-in book
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Prix:
$26.50
(disponible sur commande)
Résumé:
Since its launch in 1976, the influential journal of art history and criticism October has not had one image reproduced in color. Well-known contemporary Scottish artist and writer David Batchelor playfully rectifies this situation in the series of delightful, exuberant and colorful drawings (2012 13) that transform every page of the magazine s first issue (Summer 1976). Disrupting October s orderly monochromatic universe and textual clarity, Batchelor engages a carnival-like play of form and color on each page in abstract compositions of circles, triangles and rectangles of brilliant transparent color and opaque black planes
Classification:
livres
livres
Publication:
juillet 2015
juillet 2015
Classification:
livres
livres
Titre:
Chromophobia
Chromophobia
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$24.95
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Résumé:
The central argument of "Chromophobia" is that a chromophobic impulse – a fear of corruption or contamination through colour – lurks within much Western cultural and intellectual thought. This is apparent in the many and varied attempts to purge colour, either by making it the property of some 'foreign body' – the oriental, the feminine, the infantile, the vulgar, or the(...)
$24.95
(disponible sur commande)
Résumé:
The central argument of "Chromophobia" is that a chromophobic impulse – a fear of corruption or contamination through colour – lurks within much Western cultural and intellectual thought. This is apparent in the many and varied attempts to purge colour, either by making it the property of some 'foreign body' – the oriental, the feminine, the infantile, the vulgar, or the(...)
Titre:
Chromophobia
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$24.95
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Résumé:
The central argument of "Chromophobia" is that a chromophobic impulse – a fear of corruption or contamination through colour – lurks within much Western cultural and intellectual thought. This is apparent in the many and varied attempts to purge colour, either by making it the property of some 'foreign body' – the oriental, the feminine, the infantile, the vulgar, or the pathological – or by relegating it to the realm of the superficial, the supplementary, the inessential, or the cosmetic. Chromophobia has been a cultural phenomenon since ancient Greek times; this book is concerned with forms of resistance to it. Writers have tended to look no further than the end of the nineteenth century. David Batchelor seeks to go beyond the limits of earlier studies, analysing the motivations behind chromophobia and considering the work of writers and artists who have been prepared to look at colour as a positive value. Exploring a wide range of imagery including Melville's 'great white whale', Huxley's reflections on mescaline, and Le Corbusier's 'journey to the East', Batchelor also discusses the use of colour in Pop, Minimal, and more recent art.
Chromophobia
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Prix:
$24.95
(disponible sur commande)
Résumé:
The central argument of "Chromophobia" is that a chromophobic impulse – a fear of corruption or contamination through colour – lurks within much Western cultural and intellectual thought. This is apparent in the many and varied attempts to purge colour, either by making it the property of some 'foreign body' – the oriental, the feminine, the infantile, the vulgar, or the pathological – or by relegating it to the realm of the superficial, the supplementary, the inessential, or the cosmetic. Chromophobia has been a cultural phenomenon since ancient Greek times; this book is concerned with forms of resistance to it. Writers have tended to look no further than the end of the nineteenth century. David Batchelor seeks to go beyond the limits of earlier studies, analysing the motivations behind chromophobia and considering the work of writers and artists who have been prepared to look at colour as a positive value. Exploring a wide range of imagery including Melville's 'great white whale', Huxley's reflections on mescaline, and Le Corbusier's 'journey to the East', Batchelor also discusses the use of colour in Pop, Minimal, and more recent art.
Classification:
livres
livres
Publication:
octobre 2000, London
octobre 2000, London
Classification:
livres
livres
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$54.95
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Résumé:
This monograph is the first for David Batchelor's Found Monochromes series. Since 1997, the London-based artist has been photographing single square and rectangle planes of uninterrupted white that he passes as he walks through London and places he visits. The images are informal and impromptu; shot from a uniform distance, the white planes are seen on a variety of(...)
$54.95
(disponible sur commande)
Résumé:
This monograph is the first for David Batchelor's Found Monochromes series. Since 1997, the London-based artist has been photographing single square and rectangle planes of uninterrupted white that he passes as he walks through London and places he visits. The images are informal and impromptu; shot from a uniform distance, the white planes are seen on a variety of(...)
Titre:
David Batchelor: found monochrome Vol.1
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$54.95
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Résumé:
This monograph is the first for David Batchelor's Found Monochromes series. Since 1997, the London-based artist has been photographing single square and rectangle planes of uninterrupted white that he passes as he walks through London and places he visits. The images are informal and impromptu; shot from a uniform distance, the white planes are seen on a variety of backdrops: brick walls, car doors, metal fences and more. They are the backs of signs, number plates that have lost their number, empty billboards or faded messages. This body of work references the once radical tradition of monochrome paintings practiced by Malevich, Rodchenko, Yves Klein, Ad Reinhardt, Ellsworth Kelly and others. Found Monochromes Vol. 1 brings together the largest group of photographs from Batchelor's series, accompanied by a conversation between the philosopher Jonathan Ree and the artist.
David Batchelor: found monochrome Vol.1
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Prix:
$54.95
(disponible sur commande)
Résumé:
This monograph is the first for David Batchelor's Found Monochromes series. Since 1997, the London-based artist has been photographing single square and rectangle planes of uninterrupted white that he passes as he walks through London and places he visits. The images are informal and impromptu; shot from a uniform distance, the white planes are seen on a variety of backdrops: brick walls, car doors, metal fences and more. They are the backs of signs, number plates that have lost their number, empty billboards or faded messages. This body of work references the once radical tradition of monochrome paintings practiced by Malevich, Rodchenko, Yves Klein, Ad Reinhardt, Ellsworth Kelly and others. Found Monochromes Vol. 1 brings together the largest group of photographs from Batchelor's series, accompanied by a conversation between the philosopher Jonathan Ree and the artist.
Classification:
livres
livres
Publication:
septembre 2010
septembre 2010
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
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$28.95
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Résumé:
Artists surveyed include: Joseph Albers, Mel Bochner, Daniel Buren, Carlos Cruz-Diez, Robert Delaunay, Sonia Delaunay, Jimmie Durham, Helen Frankenthaler, Paul Gauguin, Donald Judd, Wassily Kandinsky, Paul Klee, Yves Klein, Kazimir Malevich, Piero Manzoni, Henri Matisse, Henri Michaux, Beatriz Milhazes, Piet Mondrian, Barnett Newman, Kenneth Noland, Hélio Oiticica, Paul(...)
$28.95
(disponible sur commande)
Résumé:
Artists surveyed include: Joseph Albers, Mel Bochner, Daniel Buren, Carlos Cruz-Diez, Robert Delaunay, Sonia Delaunay, Jimmie Durham, Helen Frankenthaler, Paul Gauguin, Donald Judd, Wassily Kandinsky, Paul Klee, Yves Klein, Kazimir Malevich, Piero Manzoni, Henri Matisse, Henri Michaux, Beatriz Milhazes, Piet Mondrian, Barnett Newman, Kenneth Noland, Hélio Oiticica, Paul(...)
Titre:
Colour: Documents on comtemporary art
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$28.95
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Résumé:
Artists surveyed include: Joseph Albers, Mel Bochner, Daniel Buren, Carlos Cruz-Diez, Robert Delaunay, Sonia Delaunay, Jimmie Durham, Helen Frankenthaler, Paul Gauguin, Donald Judd, Wassily Kandinsky, Paul Klee, Yves Klein, Kazimir Malevich, Piero Manzoni, Henri Matisse, Henri Michaux, Beatriz Milhazes, Piet Mondrian, Barnett Newman, Kenneth Noland, Hélio Oiticica, Paul Signac, Ad Reinhardt, Gerhard Richter, Aleksandr Rodchenko, Bridget Riley, Mark Rothko, Yinka Shonibare, Jessica Stockholder, Theo van Doesburg, Vincent van Gogh, Victor Vasarely, Rachel Whiteread. Writers include: Theodor Adorno, Roland Barthes, Charles Baudelaire, Jean Baudrillard, Walter Benjamin, Charles Blanc, Jacques Derrida, Thierry de Duve, Umberto Eco, Victoria Finlay, Joris-Karl Huysmans, Johannes Itten, Julia Kristeva, Claude Lévi-Strauss, Jacqueline Lichtenstein, Maurice Merleau-Ponty, John Ruskin, Adrian Stokes, Ludwig Wittgenstein. About the Editor: David Batchelor is an artist and writer who has exhibited widely in Europe and America. Senior Tutor in Critical Theory in the Department of Curating Contemporary Art at the Royal College of Art, London, he is a frequent contributor to such journals as Artforum and Frieze and the author of Minimalism and Chromophobia.
Colour: Documents on comtemporary art
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Prix:
$28.95
(disponible sur commande)
Résumé:
Artists surveyed include: Joseph Albers, Mel Bochner, Daniel Buren, Carlos Cruz-Diez, Robert Delaunay, Sonia Delaunay, Jimmie Durham, Helen Frankenthaler, Paul Gauguin, Donald Judd, Wassily Kandinsky, Paul Klee, Yves Klein, Kazimir Malevich, Piero Manzoni, Henri Matisse, Henri Michaux, Beatriz Milhazes, Piet Mondrian, Barnett Newman, Kenneth Noland, Hélio Oiticica, Paul Signac, Ad Reinhardt, Gerhard Richter, Aleksandr Rodchenko, Bridget Riley, Mark Rothko, Yinka Shonibare, Jessica Stockholder, Theo van Doesburg, Vincent van Gogh, Victor Vasarely, Rachel Whiteread. Writers include: Theodor Adorno, Roland Barthes, Charles Baudelaire, Jean Baudrillard, Walter Benjamin, Charles Blanc, Jacques Derrida, Thierry de Duve, Umberto Eco, Victoria Finlay, Joris-Karl Huysmans, Johannes Itten, Julia Kristeva, Claude Lévi-Strauss, Jacqueline Lichtenstein, Maurice Merleau-Ponty, John Ruskin, Adrian Stokes, Ludwig Wittgenstein. About the Editor: David Batchelor is an artist and writer who has exhibited widely in Europe and America. Senior Tutor in Critical Theory in the Department of Curating Contemporary Art at the Royal College of Art, London, he is a frequent contributor to such journals as Artforum and Frieze and the author of Minimalism and Chromophobia.
Classification:
livres
livres
Publication:
mars 2008, London/Massachusetts
mars 2008, London/Massachusetts
Sujet:
Théorie de l’art
Théorie de l’art
