Kati Horna
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The photographic oeuvre of Kati Horna (1912-2000) spans decades, geographical boundaries and visual practices. Horna witnessed the fall of the Austro-Hungarian Empire; the outbreak of World War I, which ousted her from Budapest--after which she moved to Berlin, then Paris; and the Spanish Civil War, after which World War II prompted her final move to Mexico, her adopted(...)
JUAN MANUEL BONET
ESTRELLA DE DIEGO
PETAR BAKI
JEAN FRANÇOIS CHEVRIER
NORAH HORNA
ÁNGELES ALONSO ESPINOSA
Monographies photo
août 2014
Kati Horna
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$65.00
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The photographic oeuvre of Kati Horna (1912-2000) spans decades, geographical boundaries and visual practices. Horna witnessed the fall of the Austro-Hungarian Empire; the outbreak of World War I, which ousted her from Budapest--after which she moved to Berlin, then Paris; and the Spanish Civil War, after which World War II prompted her final move to Mexico, her adopted country. It was in Mexico that Horna found her artistic community, among the Surrealist ex-pats Leonora Carrington, Remedios Varo and Edward James. Even as a war photographer, she appropriated Surrealist photomontage, developing an original, intimate style of photojournalism.
Monographies photo
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This publication presents legendary American photographer Berenice Abbott's work in three categories: her portraits, photographs of the city and scientific photographs. The opening section presents Abbott's portraits of mold-breaking individuals who changed the world from the mid-1920s onward such as Djuna Barnes, the New Yorker's Janet Flanner, Jean Cocteau and James(...)
Berenice Abott: portraits of modernity
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This publication presents legendary American photographer Berenice Abbott's work in three categories: her portraits, photographs of the city and scientific photographs. The opening section presents Abbott's portraits of mold-breaking individuals who changed the world from the mid-1920s onward such as Djuna Barnes, the New Yorker's Janet Flanner, Jean Cocteau and James Joyce. The second part offers a portrait of New York which takes into account Abbott's relations with and her fascination for the work of Eugène Atget by including an introductory group of his photographs, which she printed from his negatives. The third and final section focuses on Abbott's scientific photographs, which she started to produce in the late 1940s.
Monographies photo
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On the occasion of the joint exhibition On Reality by Cristina Iglesias and Thomas Struth, Ivorypress presents Constructions of the Imagination, with an essay by Estrella de Diego. It is an exhibition which, in the words of Estrella de Diego 'raises the essential question of gaze, a subject that is directly applicable to the works of both artists: how should we judge what(...)
Cristina Iglesias / Thomas Struth : constructions of the imagination
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On the occasion of the joint exhibition On Reality by Cristina Iglesias and Thomas Struth, Ivorypress presents Constructions of the Imagination, with an essay by Estrella de Diego. It is an exhibition which, in the words of Estrella de Diego 'raises the essential question of gaze, a subject that is directly applicable to the works of both artists: how should we judge what we see? To what extent is it being reconstructed by our memory or imagination? How can you turn reality on its head based on the story being told?'