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The issue had its inception within a notion of idiolects and personal vocabularies, and later went on to encompass notions of the subjective editorial process of speech, abstractions of speech, and logic and mathematics as means of subjective categorisation.
janvier 2009, Amsterdam
F.R.David, A for orses (not for asses)
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The issue had its inception within a notion of idiolects and personal vocabularies, and later went on to encompass notions of the subjective editorial process of speech, abstractions of speech, and logic and mathematics as means of subjective categorisation.
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F.R. David is a journal published twice-yearly by the Appel arts centre, Amsterdam. F.R. David focuses on the status of writing in contemporary art practice. Writing as a mode that informs and feeds, supports and describes, backs up and interprets, comments and reflects upon contemporary artistic production. Writing as the core material of a number of visual artists but(...)
Théorie de l’art
février 2008, Amsterdam
F.R. David «Stuff and nonsense» Winter 2008
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Résumé:
F.R. David is a journal published twice-yearly by the Appel arts centre, Amsterdam. F.R. David focuses on the status of writing in contemporary art practice. Writing as a mode that informs and feeds, supports and describes, backs up and interprets, comments and reflects upon contemporary artistic production. Writing as the core material of a number of visual artists but equally as a mode that exists parallel to or in service of the visual.
Théorie de l’art