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Classification:
livres
livres
Prix:
$62.00
(disponible sur commande)
Résumé:
Oskar Hansen’s (1922–2005) theoretical concept of “open form” was developed in the context of international debates around late-modern architecture in the 1950s. Open form assumed that no artistic expression is complete until it has been appropriated by its users or beholders. In the following decades, the concept became a key principle of performance and film art, and(...)
$62.00
(disponible sur commande)
Résumé:
Oskar Hansen’s (1922–2005) theoretical concept of “open form” was developed in the context of international debates around late-modern architecture in the 1950s. Open form assumed that no artistic expression is complete until it has been appropriated by its users or beholders. In the following decades, the concept became a key principle of performance and film art, and(...)
Titre:
Open form: Space, interaction, and the tradition of Oskar Hansen
Actions:
Prix:
$62.00
(disponible sur commande)
Résumé:
Oskar Hansen’s (1922–2005) theoretical concept of “open form” was developed in the context of international debates around late-modern architecture in the 1950s. Open form assumed that no artistic expression is complete until it has been appropriated by its users or beholders. In the following decades, the concept became a key principle of performance and film art, and led to the development of process-oriented and interdisciplinary artistic techniques. Hansen’s concept revolutionized the traditional means of artistic communication. This publication examines the impact of Hansen’s ideas within contemporary visual culture and the redefined role of the viewer since the 1960s.
Open form: Space, interaction, and the tradition of Oskar Hansen
Actions:
Prix:
$62.00
(disponible sur commande)
Résumé:
Oskar Hansen’s (1922–2005) theoretical concept of “open form” was developed in the context of international debates around late-modern architecture in the 1950s. Open form assumed that no artistic expression is complete until it has been appropriated by its users or beholders. In the following decades, the concept became a key principle of performance and film art, and led to the development of process-oriented and interdisciplinary artistic techniques. Hansen’s concept revolutionized the traditional means of artistic communication. This publication examines the impact of Hansen’s ideas within contemporary visual culture and the redefined role of the viewer since the 1960s.
Classification:
livres
livres
Publication:
mars 2015
mars 2015
Sujet:
Théorie de l’art
Théorie de l’art
