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Architect, designer, writer, skier, racing driver and stunt pilot, Carlo Mollino placed photography in a wholly privileged role in the pantheon of his languages and interests. He used it at a means of expression, producing works that were both classical and experimental, and as a fundamental instrument for the documentation of his work and his daily life. From a(...)
Carlo Mollino: photographs 1934-1973
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Architect, designer, writer, skier, racing driver and stunt pilot, Carlo Mollino placed photography in a wholly privileged role in the pantheon of his languages and interests. He used it at a means of expression, producing works that were both classical and experimental, and as a fundamental instrument for the documentation of his work and his daily life. From a theoretical point of view, he provided an important impulse to the historic and aesthetic study of this means, contributing to its transition into the system of art. With over 450 illustrations, this book fully investigates the relationship between Mollino and photography, from his first architectural shots to the Polaroids of his later years, placing him within the history of the discipline.
Monographies photo
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In retracing the Viaggio photographic archive in Italy, a collection of 220 photographs from a 1984 project organised by pioneering contemporary photographer Luigi Ghirri, Nicola Nunziata presents a multi-layered book that considers the notion of landscape. Rereading the original images in terms of individual and shared experience, memory, and aesthetics, he investigates(...)
Nicola Nunziata: how what exists exists. Viaggio photographic archive
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In retracing the Viaggio photographic archive in Italy, a collection of 220 photographs from a 1984 project organised by pioneering contemporary photographer Luigi Ghirri, Nicola Nunziata presents a multi-layered book that considers the notion of landscape. Rereading the original images in terms of individual and shared experience, memory, and aesthetics, he investigates their substance formats, materials, surface textures, colours, marks and traces, signatures of the authors in order to divulge the singular details that express the history they hold, and thereby reflect upon the sense of transformation on a global scale in the period when they came into being.
Monographies photo
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The first series ever realised by Italian photographer Olivo Barbieri, Flippers derives from his discovery of an abandoned, derelict pinball machine factory, and marks the starting point of his observations on visualising the superficial, which would lead to his artistic engagement with the uncertainty of the world’s surface. The fragmented pinball machines act as a(...)
Olivo Barbieri: flippers 1977-1978
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The first series ever realised by Italian photographer Olivo Barbieri, Flippers derives from his discovery of an abandoned, derelict pinball machine factory, and marks the starting point of his observations on visualising the superficial, which would lead to his artistic engagement with the uncertainty of the world’s surface. The fragmented pinball machines act as a cultural reminder, a throwback to the flashing momentum of the 1960s and ’70s, with rock music, science fiction, movie stars, and flower power. Published in its entirety for the first time, the pinball project was a formative experience for the photographer in his early years. Includes an interview with Barbieri and Francesco Zanot.
Monographies photo