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Michel Butor's 'Description of San Marco' (1963) is an unusual book; an unorthodox intermingling of overheard dialogue from the Venetian square in question, thick descriptions of persons and buildings, along with sober historical information. In the original, each genre of information is assigned a distinct typography of its own, hence interacting like voices in a play.(...)
Description of San Marco by Michel Butor
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Michel Butor's 'Description of San Marco' (1963) is an unusual book; an unorthodox intermingling of overheard dialogue from the Venetian square in question, thick descriptions of persons and buildings, along with sober historical information. In the original, each genre of information is assigned a distinct typography of its own, hence interacting like voices in a play. Six decades later, the artist Giovanna Silva stumbled upon an English translation of the French essayist's queer text in an archive at the New York Public Library. Returning to Venice, she cast her eye to the square and its surrounds, an iconic space at once populated by signs of contemporary life, but also astonishingly unchanged.
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Giovanna Silva: Napoli
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Italian photographer Giovanna Silva (born 1980) highlights the decorative forms that populate the chromatic landscape of Naples. The result is part anthropological and costume study, part photographic research on urban architectures and part artistic reflection on a historical event.
Giovanna Silva: Napoli
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Italian photographer Giovanna Silva (born 1980) highlights the decorative forms that populate the chromatic landscape of Naples. The result is part anthropological and costume study, part photographic research on urban architectures and part artistic reflection on a historical event.
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Giovanna Silva : Saudiscapes
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Saudi Arabia had been inaccessible to ordinary visitors for about ten years, until fall 2019, thereinafter it has been possible to enter the country with an electronic tourist visa. In the suspended time that preceded this event, the architecture firm Schiattarella Associati invited photographer Giovanna Silva and curator Emilia Giorgi to set off on a journey—both(...)
Giovanna Silva : Saudiscapes
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Saudi Arabia had been inaccessible to ordinary visitors for about ten years, until fall 2019, thereinafter it has been possible to enter the country with an electronic tourist visa. In the suspended time that preceded this event, the architecture firm Schiattarella Associati invited photographer Giovanna Silva and curator Emilia Giorgi to set off on a journey—both physical and mental—in the country, trying to unearth the often minute and hidden traces of past buildings and historical tradition in the cities of Riyadh and Jeddah, now at the center of vast operations of redefinition, from an architectural, urban and social point of view. "Saudiscapes" is a project initiated by Schiattarella Associati, curated by Emilia Giorgi, and with the photographic contribution by Giovanna Silva.
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Giovanna Silva : UN
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A photographic diary by Giovanna Silva guiding us through the United Nations Office headquarters in Geneva.
Giovanna Silva : UN
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A photographic diary by Giovanna Silva guiding us through the United Nations Office headquarters in Geneva.
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Islamabad today
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In 1962, the architecture practice Ponti Fornaroli Rosselli was commissioned to design and build part of the Ministries area of the new capital of West Pakistan, Islamabad, which was under construction according to Constantinos Doxiadis and Robert Matthew's master plan. Fifteen hundred architecture drawings and less than two years later, the buildings were completed. At(...)
Islamabad today
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In 1962, the architecture practice Ponti Fornaroli Rosselli was commissioned to design and build part of the Ministries area of the new capital of West Pakistan, Islamabad, which was under construction according to Constantinos Doxiadis and Robert Matthew's master plan. Fifteen hundred architecture drawings and less than two years later, the buildings were completed. At some moments, five thousand workers were on site at the same time. Project manager Alberto Rosselli declared that the idea was not to transfer their Western knowledge to Pakistan, but to create a new Pakistan. Moved by this incredible project, where the personal stories of the Ponti and Rosselli families crossed paths against a backdrop of architectural and political history, Giovanna Silva traveled to Islamabad in 2020 with Paolo Rosselli, nephew of Gio Ponti and son of Alberto Rosselli. Silva's photographs show the buildings in their everyday public function, with a focus on the spaces as performed by their users. The book also features archival images of the building site and construction, and a narrative text by Paolo Rosselli tracing the story of the project and his reactions during his first visit to his father’s work in Islamabad.
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The Milanese photographer and long-distance traveler captures the light (and visual contrasts) of Rome while walking through the city. Giovanna Silva arrived in Rome in January of 2020 and immediately set off walking. Following the suggestions of her personal guides – artists, writers, intellectuals, Romans of all shapes and idioms – she began to get to know the city. She(...)
Giovanna Silva: Roma, never walk on crowded streets
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The Milanese photographer and long-distance traveler captures the light (and visual contrasts) of Rome while walking through the city. Giovanna Silva arrived in Rome in January of 2020 and immediately set off walking. Following the suggestions of her personal guides – artists, writers, intellectuals, Romans of all shapes and idioms – she began to get to know the city. She returned to certain places over and over again, overtaken by meticulous and neurotic attention, moved by an unexpected passion for light. Tucked between her photographs is a text by Alberto Savinio about the magic of walking and discovering a foreign place.
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