Architecture and objects
$35.99
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Résumé:
This first book on architecture by the founder of object-oriented ontology (OOO) deepens the exchange between architecture and philosophy, providing a new roadmap to OOO’s influence on the language and practice of contemporary architecture and offering new conceptions of the relationship between form and function. Thinking through object-oriented ontology—and the work of(...)
Architecture and objects
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$35.99
(disponible sur commande)
Résumé:
This first book on architecture by the founder of object-oriented ontology (OOO) deepens the exchange between architecture and philosophy, providing a new roadmap to OOO’s influence on the language and practice of contemporary architecture and offering new conceptions of the relationship between form and function. Thinking through object-oriented ontology—and the work of architects such as Rem Koolhaas and Zaha Hadid—enables the exploration of new concepts regarding the relationship between form and function.
Théorie de l’architecture
Immaterialism
$13.95
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What objects exist in the social world and how should we understand them? Is a specific Pizza Hut restaurant as real as the employees, tables, napkins and pizzas of which it is composed, and as real as the Pizza Hut corporation with its headquarters in Wichita, the United States, the planet Earth and the social and economic impact of the restaurant on the lives of its(...)
Immaterialism
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$13.95
(disponible en magasin)
Résumé:
What objects exist in the social world and how should we understand them? Is a specific Pizza Hut restaurant as real as the employees, tables, napkins and pizzas of which it is composed, and as real as the Pizza Hut corporation with its headquarters in Wichita, the United States, the planet Earth and the social and economic impact of the restaurant on the lives of its employees and customers? In this book the founder of object-oriented philosophy develops his approach in order to shed light on the nature and status of objects in social life. While it is often assumed that an interest in objects amounts to a form of materialism, Harman rejects this view and develops instead an "immaterialist" method. By examining the work of leading contemporary thinkers such as Bruno Latour and Levi Bryant, he develops a forceful critique of "actor-network theory." In an extended discussion of Leibniz’s famous example of the Dutch East India Company, Harman argues that this company qualifies for objecthood neither through "what it is" or "what it does," but through its irreducibility to either of these forms. The phases of its life, argues Harman, are not demarcated primarily by dramatic incidents but by moments of symbiosis, a term he draws from the biologist Lynn Margulis. This book provides a key counterpoint to the now ubiquitous social theories of constant change, holistic networks, performative identities, and the construction of things by human practice. It will appeal to anyone interested in cutting-edge debates in philosophy and social and cultural theory.
Théorie/ philosophie
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What is an object? This question was addressed by Graham Harman, the originator of object-oriented philosophy and a central figure of speculative realism, in a lecture at Moderna Museet in Stockholm. Providing a thorough exposition of the object from an ontological standpoint, and putting forward a concept of the object beyond reductionism, Harman declares an approach(...)
Artful objects: Graham Harman on art and the business of speculative realism
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$25.95
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Résumé:
What is an object? This question was addressed by Graham Harman, the originator of object-oriented philosophy and a central figure of speculative realism, in a lecture at Moderna Museet in Stockholm. Providing a thorough exposition of the object from an ontological standpoint, and putting forward a concept of the object beyond reductionism, Harman declares an approach that brings together philosophy and the arts where an object is not reducible to its components or effects and must instead be approached obliquely or indirectly. The lecture was held on the occasion of "Sculpture after Sculpture," an exhibition of work by Katharina Fritsch, Jeff Koons, and Charles Ray. In the exhibition hall with the show’s thirteen sculptures, thirteen questions about the object were posed to Graham Harman by interlocutors from the worlds of art, business studies, and philosophy.
Théorie de l’art