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livres
livres
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$55.95
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A fully illustrated 200- page book produced by The Museum of Contemporary Art, Los Angeles, and distributed by Distributed Art Publishers, New York. The publication includes essays by the organizing curators Grant Arnold (Vancouver), Connie Butler (Los Angeles) and Jessica Bradley (Toronto), and guest writers Lynne Cooke (New York), Diedrich Diederichsen (Berlin), Sara(...)
$55.95
(disponible sur commande)
Résumé:
A fully illustrated 200- page book produced by The Museum of Contemporary Art, Los Angeles, and distributed by Distributed Art Publishers, New York. The publication includes essays by the organizing curators Grant Arnold (Vancouver), Connie Butler (Los Angeles) and Jessica Bradley (Toronto), and guest writers Lynne Cooke (New York), Diedrich Diederichsen (Berlin), Sara(...)
Publication:
janvier 1900, Toronto
janvier 1900, Toronto
Titre:
Rodney Graham : a little thought
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A fully illustrated 200- page book produced by The Museum of Contemporary Art, Los Angeles, and distributed by Distributed Art Publishers, New York. The publication includes essays by the organizing curators Grant Arnold (Vancouver), Connie Butler (Los Angeles) and Jessica Bradley (Toronto), and guest writers Lynne Cooke (New York), Diedrich Diederichsen (Berlin), Sara Krajewski (Seattle) and Shepherd Steiner (Vancouver).
Rodney Graham : a little thought
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Résumé:
A fully illustrated 200- page book produced by The Museum of Contemporary Art, Los Angeles, and distributed by Distributed Art Publishers, New York. The publication includes essays by the organizing curators Grant Arnold (Vancouver), Connie Butler (Los Angeles) and Jessica Bradley (Toronto), and guest writers Lynne Cooke (New York), Diedrich Diederichsen (Berlin), Sara Krajewski (Seattle) and Shepherd Steiner (Vancouver).
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livres
livres
Publication:
janvier 1900, Toronto
janvier 1900, Toronto
Classification:
livres
livres
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$59.95
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Résumé:
Wallace’s work has played an important role in contemporary art over the past 50 years, from his early experiments with minimalism to his production of serial photographic tableaux and his subsequent juxtapositions of photography with monochrome painting. Consistently demonstrating conceptual rigour and aesthetic innovation, Wallace’s work can be considered a reflection(...)
$59.95
(disponible sur commande)
Résumé:
Wallace’s work has played an important role in contemporary art over the past 50 years, from his early experiments with minimalism to his production of serial photographic tableaux and his subsequent juxtapositions of photography with monochrome painting. Consistently demonstrating conceptual rigour and aesthetic innovation, Wallace’s work can be considered a reflection(...)
Titre:
Ian Wallace : at the intersection of painting and photography
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Wallace’s work has played an important role in contemporary art over the past 50 years, from his early experiments with minimalism to his production of serial photographic tableaux and his subsequent juxtapositions of photography with monochrome painting. Consistently demonstrating conceptual rigour and aesthetic innovation, Wallace’s work can be considered a reflection of his position as social historian, critic and educator, with influences as far reaching as film and literature, the role of the institution, architecture, urban development, gender relations, environmentalism and civil disobedience. Organised in clear, concise sections that mirror the intersecting motifs that are present throughout Wallace’s practice : Minimalism, Narrative, Text Works, The Street, The Museum and The Studio, At the Intersection of Painting and Photography features essays that chart Wallace’s career over the past five decades by Daina Augaitis, Jeff Derksen, Diedrich Diederichsen, Stan Douglas, Jessica Morgan, Christine Poggi, Kathleen Ritter and William Wood. The book also includes a selection of five essays by the artist himself and an annotated chronology by Grant Arnold, providing the perfect introduction to Wallace’s lasting career and marking his influence on contemporary art today. A comprehensive publication exploring the oeuvre of Canadian artist Ian Wallace, At the Intersection of Painting and Photography accompanies a major survey of Wallace's work at the Vancouver Art Gallery, opening in October 2012.
Ian Wallace : at the intersection of painting and photography
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$59.95
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Résumé:
Wallace’s work has played an important role in contemporary art over the past 50 years, from his early experiments with minimalism to his production of serial photographic tableaux and his subsequent juxtapositions of photography with monochrome painting. Consistently demonstrating conceptual rigour and aesthetic innovation, Wallace’s work can be considered a reflection of his position as social historian, critic and educator, with influences as far reaching as film and literature, the role of the institution, architecture, urban development, gender relations, environmentalism and civil disobedience. Organised in clear, concise sections that mirror the intersecting motifs that are present throughout Wallace’s practice : Minimalism, Narrative, Text Works, The Street, The Museum and The Studio, At the Intersection of Painting and Photography features essays that chart Wallace’s career over the past five decades by Daina Augaitis, Jeff Derksen, Diedrich Diederichsen, Stan Douglas, Jessica Morgan, Christine Poggi, Kathleen Ritter and William Wood. The book also includes a selection of five essays by the artist himself and an annotated chronology by Grant Arnold, providing the perfect introduction to Wallace’s lasting career and marking his influence on contemporary art today. A comprehensive publication exploring the oeuvre of Canadian artist Ian Wallace, At the Intersection of Painting and Photography accompanies a major survey of Wallace's work at the Vancouver Art Gallery, opening in October 2012.
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livres
livres
Publication:
octobre 2012
octobre 2012
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$66.00
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Résumé:
Through the Forest collects over 100 works, dating from 1978 to the present, that emphasize Graham's interpolations in cultural history—in the forms of appendices, bookmarks and exhibition devices in the style of Donald Judd. This monograph also premiers Graham's first incursion into painting.
$66.00
(disponible sur commande)
Résumé:
Through the Forest collects over 100 works, dating from 1978 to the present, that emphasize Graham's interpolations in cultural history—in the forms of appendices, bookmarks and exhibition devices in the style of Donald Judd. This monograph also premiers Graham's first incursion into painting.
Publication:
mai 2010
mai 2010
Titre:
Rodney Graham: Through the forest
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$66.00
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Résumé:
Through the Forest collects over 100 works, dating from 1978 to the present, that emphasize Graham's interpolations in cultural history—in the forms of appendices, bookmarks and exhibition devices in the style of Donald Judd. This monograph also premiers Graham's first incursion into painting.
Rodney Graham: Through the forest
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$66.00
(disponible sur commande)
Résumé:
Through the Forest collects over 100 works, dating from 1978 to the present, that emphasize Graham's interpolations in cultural history—in the forms of appendices, bookmarks and exhibition devices in the style of Donald Judd. This monograph also premiers Graham's first incursion into painting.
Classification:
livres
livres
Publication:
mai 2010
mai 2010
Classification:
livres
livres
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$55.95
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Résumé:
The first book to look extensively at conceptualism in Canada, published to accompany a touring exhibition. The most transformative art movement of the late 20th century, conceptual art became a global phenomenon long before it was popularized by a new generation of artists and institutions in the early 21st century. Its various manifestations in Canada, however, have(...)
$55.95
(disponible sur commande)
Résumé:
The first book to look extensively at conceptualism in Canada, published to accompany a touring exhibition. The most transformative art movement of the late 20th century, conceptual art became a global phenomenon long before it was popularized by a new generation of artists and institutions in the early 21st century. Its various manifestations in Canada, however, have(...)
Publication:
janvier 2012
janvier 2012
Titre:
Traffic : conceptual art in Canada, 1965-1980
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The first book to look extensively at conceptualism in Canada, published to accompany a touring exhibition. The most transformative art movement of the late 20th century, conceptual art became a global phenomenon long before it was popularized by a new generation of artists and institutions in the early 21st century. Its various manifestations in Canada, however, have remained a limited concern, a whispered art history circulated among artists and writers primarily in alternative publications and artist-run centres. Traffic: Conceptual Art in Canada 1965-1980 is the first publication and exhibition to track the complex, rigorous and diverse manifestations of conceptual art in the country. Presenting work by more than 90 artists, Traffic examines the particular local and geographic needs and interests enacted by individual artists, collectives and art communities from across the country. The book includes essays by six curators, a conversation with an international group of scholars, an annotated chronology and many reproductions of conceptual artworks produced in Canada. Co-published by the Vancouver Art Gallery, Art Gallery of Alberta, Justina M. Barnicke Gallery (Hart House, University of Toronto), Leonard & Bina Ellen Gallery (Concordia University) and Halifax, INK
Traffic : conceptual art in Canada, 1965-1980
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$55.95
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Résumé:
The first book to look extensively at conceptualism in Canada, published to accompany a touring exhibition. The most transformative art movement of the late 20th century, conceptual art became a global phenomenon long before it was popularized by a new generation of artists and institutions in the early 21st century. Its various manifestations in Canada, however, have remained a limited concern, a whispered art history circulated among artists and writers primarily in alternative publications and artist-run centres. Traffic: Conceptual Art in Canada 1965-1980 is the first publication and exhibition to track the complex, rigorous and diverse manifestations of conceptual art in the country. Presenting work by more than 90 artists, Traffic examines the particular local and geographic needs and interests enacted by individual artists, collectives and art communities from across the country. The book includes essays by six curators, a conversation with an international group of scholars, an annotated chronology and many reproductions of conceptual artworks produced in Canada. Co-published by the Vancouver Art Gallery, Art Gallery of Alberta, Justina M. Barnicke Gallery (Hart House, University of Toronto), Leonard & Bina Ellen Gallery (Concordia University) and Halifax, INK
Classification:
livres
livres
Publication:
janvier 2012
janvier 2012
Classification:
livres
livres
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$55.95
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Résumé:
Trafic : l’art conceptuel au Canada 1965–1980 est la première publication et exposition à explorer les manifestations complexes, rigoureuses et diverses de l’art conceptuel au pays. Présentant le travail de plus de 90 artistes, Trafic s’attarde aux besoins et intérêts locaux et géographiques particuliers exprimés par des artistes, collectifs et communautés artistiques de(...)
$55.95
(disponible sur commande)
Résumé:
Trafic : l’art conceptuel au Canada 1965–1980 est la première publication et exposition à explorer les manifestations complexes, rigoureuses et diverses de l’art conceptuel au pays. Présentant le travail de plus de 90 artistes, Trafic s’attarde aux besoins et intérêts locaux et géographiques particuliers exprimés par des artistes, collectifs et communautés artistiques de(...)
Titre:
Trafic : l'art conceptuel au Canada 1965-1980
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$55.95
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Résumé:
Trafic : l’art conceptuel au Canada 1965–1980 est la première publication et exposition à explorer les manifestations complexes, rigoureuses et diverses de l’art conceptuel au pays. Présentant le travail de plus de 90 artistes, Trafic s’attarde aux besoins et intérêts locaux et géographiques particuliers exprimés par des artistes, collectifs et communautés artistiques de partout au Canada.
Trafic : l'art conceptuel au Canada 1965-1980
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$55.95
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Résumé:
Trafic : l’art conceptuel au Canada 1965–1980 est la première publication et exposition à explorer les manifestations complexes, rigoureuses et diverses de l’art conceptuel au pays. Présentant le travail de plus de 90 artistes, Trafic s’attarde aux besoins et intérêts locaux et géographiques particuliers exprimés par des artistes, collectifs et communautés artistiques de partout au Canada.
Classification:
livres
livres
Publication:
février 2013
février 2013
Sujet:
Art canadien
Art canadien
