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Classification:
livres
livres
Prix:
$55.00
(disponible sur commande)
Résumé:
Since 1986, Dutch artist Mark Manders has been developing an ongoing project titled Self-Portrait as a Building. Taking the form of sculptures, installations, drawings and projections, these works map Manders' artistic persona through the conceptual model of a built edifice, in the fashion of the Renaissance memory theater. Inspired by writings on this subject and by(...)
$55.00
(disponible sur commande)
Résumé:
Since 1986, Dutch artist Mark Manders has been developing an ongoing project titled Self-Portrait as a Building. Taking the form of sculptures, installations, drawings and projections, these works map Manders' artistic persona through the conceptual model of a built edifice, in the fashion of the Renaissance memory theater. Inspired by writings on this subject and by(...)
Publication:
novembre 2010
novembre 2010
Titre:
Mark Manders: Parallel occurrences / documented assignments
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Prix:
$55.00
(disponible sur commande)
Résumé:
Since 1986, Dutch artist Mark Manders has been developing an ongoing project titled Self-Portrait as a Building. Taking the form of sculptures, installations, drawings and projections, these works map Manders' artistic persona through the conceptual model of a built edifice, in the fashion of the Renaissance memory theater. Inspired by writings on this subject and by other literature, Manders' earliest works in this project were primarily written, but over time, Manders found ways to deploy everyday three-dimensional objects--epoxy figures, animals, teabags, pencils, household furniture--to build a portrait of his own mind as an architectural space. This publication accompanies the first North American touring exhibition of Manders' work.
Mark Manders: Parallel occurrences / documented assignments
Actions:
Prix:
$55.00
(disponible sur commande)
Résumé:
Since 1986, Dutch artist Mark Manders has been developing an ongoing project titled Self-Portrait as a Building. Taking the form of sculptures, installations, drawings and projections, these works map Manders' artistic persona through the conceptual model of a built edifice, in the fashion of the Renaissance memory theater. Inspired by writings on this subject and by other literature, Manders' earliest works in this project were primarily written, but over time, Manders found ways to deploy everyday three-dimensional objects--epoxy figures, animals, teabags, pencils, household furniture--to build a portrait of his own mind as an architectural space. This publication accompanies the first North American touring exhibition of Manders' work.
Classification:
livres
livres
Publication:
novembre 2010
novembre 2010
