$54.95
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Résumé:
Archigram, the magazine published irregularly between 1961 and 1970, and the name of the group that created it, is among the most significant phenomena to emerge in post-war architectural culture. The wired environments first advertised in the magazine's pages formulated an architectural vocabulary of metamorphosis and obsolescence. This vocabulary cross-pollinated(...)
Beyond archigram: the structure of circulation
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$54.95
(disponible sur commande)
Résumé:
Archigram, the magazine published irregularly between 1961 and 1970, and the name of the group that created it, is among the most significant phenomena to emerge in post-war architectural culture. The wired environments first advertised in the magazine's pages formulated an architectural vocabulary of metamorphosis and obsolescence. This vocabulary cross-pollinated industrial and digital technology at the same time as complex systems were becoming commercially available and more widely used.
Architecture, monographies
Neri Oxman: material ecology
$69.95
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Résumé:
The first survey on the interdisciplinary biodesign genius of Neri Oxman, pioneer of "material ecology.'' Throughout her 20-year career, Neri Oxman has invented not only new ideas for materials, buildings and construction processes, but also new frameworks for interdisciplinary—and interspecies—collaborations. She coined the term ''material ecology'' to describe her(...)
Architecture, monographies
mai 2020
Neri Oxman: material ecology
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$69.95
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Résumé:
The first survey on the interdisciplinary biodesign genius of Neri Oxman, pioneer of "material ecology.'' Throughout her 20-year career, Neri Oxman has invented not only new ideas for materials, buildings and construction processes, but also new frameworks for interdisciplinary—and interspecies—collaborations. She coined the term ''material ecology'' to describe her process of producing techniques and objects informed by the structural, systemic and aesthetic wisdom of nature, from the shells of crustaceans to the flow of human breathing. Groundbreaking for its solid technological and scientific basis, its rigorous and daring experimentation, its visionary philosophy and its unquestionable attention to formal elegance, Oxman’s work operates at the intersection of biology, engineering, architecture and artistic design, material science and computer science. This book—designed by Irma Boom and published to accompany a midcareer retrospective of Oxman’s work—highlights the interdisciplinary nature of the designer’s practice. It demonstrates how Oxman’s contributions allow us to question and redefine the idea of modernism—a concept in constant evolution—and of organic design.
Architecture, monographies