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Titre:
Supermodernism : architecture in the age of globalization / enlarged edition

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Résumé:
There are all kinds of indications that architecture in the nineties has set off in a new direction after the domination of the two last decades by postmodernism as a style or attitude. This trend, which can be seen in the work of architectural firms like OMA, Jean Nouvel, Dominique Perrault, Herzog & De Meuron and Toyo Ito, can be connected with one of the dominant forces of the present time: the globalization that is taking place in virtually every field. One of the consequences for architecture is the erosion of the postmodern (and deconstructivist) axiom of the uniqueness of the site. The context, let alone contextualism, no longer seems to play an important role in an increasing number of designs and buildings. Semiotic expressiveness - another postmodern theme - is also often lacking in this architecture. The author explores this new trend towards abstract, neutral architecture, which in various respects can be seen as the last word of modern architecture of the postwar International Style. This enlarged edition of "Supermodernism" includes a new final chapter in which Ibelings charts the latest examples of supermodernism, as well as a revised introduction and conclusion in which he responds to the numerous reactions his provocative stance has triggered.

Titre:
Nicolas Faure : landscape A

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Published on the occasion of the exhibition " Nicolas Faure, Landscape A " - Musée de l'Élysée, Lausanne, 17 november 2005 - 5 february 2006. Nicolas Faure has been working on the theme of Swiss landscape since the 1990s, concentrating in particular on the blend between the Traditional and the Modern. The motorway is the meeting point of technology, architecture and a certain concept of Nature, and through his photographs, Faure elicits aspects that characterise Switzerland. A landscape always has a cultural component and landscape is one of the major concerns of Swiss culture. The motorways, which criss-cross the country virtually, divide it. They constitute a whole “new territory”, enlivened by apparently natural but essentially man-made surroundings. These “natural surroundings” are but illusions. These places are the epitome of paradox: built amidst concrete artefacts, they are not accessible to visitors and almost invisible to motorists.

Titre:
Studio 44

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Studio 44 Architects is one of the largest private architectural firms in St Petersburg and in Russia. Founded in 1991 and led by Nikita Yavein, the company now employs over 140 highly qualified specialists, including architects, restoration experts, structural designers and engineers. Studio 44 has won over sixty prestigious awards and implemented over twenty-five public and residential building projects, including Ladozhsky Railway Station, the Atrium Business Centre at Nevsky 25, Nevsky 38 and Linkor business centres, the Grand Palace shopping gallery, the Novy Peterhof hotel and the Boris Eifman Dance Academy in St Petersburg; the Palace of Schoolchildren in Astana (Kazakhstan); and the Olympic Park Railway Station in Sochi. Studio 44 designed the new museum complex of the State Hermitage Museum in the General Staff Building (Stage 1, 2010) that was profiled in the book 'The Hermitage XXI' (Thames & Hudson, 2014).

Titre:
Bedaux De Brouwer Architecten: Works 2021-2003

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The Architecture Observer and Bedaux de Brouwer Architecten offer an homage to this multigenerational office based in North Brabant. Despite a number of prestigious commissions, the firm has always remained somewhat peripheral in the landscape of Dutch post-war architecture. Its prevailing attitude behind architecture is not to cause rifts, to break neither with its past nor with its context. Beginning with the most recent works and moving back through time, this attractive monograph outlines how Bedaux de Brouwer is at its best when the architects do not try to surprise, or to leave an unforgettable impression. With texts by Hans Ibelings, Dick van Gameren, Antonio Cruz.

Titre:
Stedelijk architecture

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Grand celebrations marked the reopening of Amsterdam’s Stedelijk Museum in September 2012, following a renovation that took eight years. Published for the occasion, Stedelijk Architecture examines the renovation, in photographs by the photographer Iwan Baan, plus floor plans, cross sections and details of the new structure. Architecture critic Hans Ibelings relates the museum’s history from the 1895 inauguration of the original building to the completion of the extension.

Titre:
Casa Poli: Pezo von Ellrichshausen

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Dutch photographer Jeroen Lok went to Coliumo, Chile, to visit Casa Poli, designed by the firm Pezo von Ellrichshausen. In this book, Jeroen Lok documents the weathering of the house during almost a decade of existence, and places it in its context, which underwent big changes after an earthquake in 2010.

Titre:
Modern architectures in Central America

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The Architecture Observer offers an overview of different forms of modern architecture in Central America since the outset of the 20th century. Although modern architectures constituted only a small percentage of the total building production in Guatemala, Honduras, El Salvador, Nicaragua, Costa Rica, and Panama, they hold in these countries an evident symbolic significance. Such buildings functioned as models for the desired societal, economic, and cultural changes, or as aspirational placeholders for a future state of modernity. With contributions by Mauricio Quirós Pacheco, Andrés Fernández, Hans Ibelings, Gloria Grimaldi, Sandra Gutiérrez, Martín Majewsky, and others.

Titre:
Parasite paradise : a manifesto for temporary architecture and flexible urbanism

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Parasites are flexible and temporary structures, designed by artists or architects, that feed off existing infrastructure. "Parasite Paradise" documents 23 projects that offer new ways of designing the public domain outside the existing rules. Many of these parasites have settled in the government-designated 'Vinex' district of Leidsche Rijn near Utrecht. There they have introduced new and unforeseen functions, turning a district almost exclusively concerned with dwelling into a more urban entity. What do these small, mobile architectural interventions mean for our strictly regulated society and for the planning of architecture and urbanism? What sense (or nonsense) is there in mobile architecture from a historical perspective? And how does it divide up the roles of art and architecture? Essays by Gijs van Oenen, Ivan Nio, Hans Ibelings, Jennifer Allen and Olof Koekebakker examine these issues in depth. The project descriptions and essays encourage us to consider another approach to planning, one where not everything is fixed beforehand. This makes Parasite Paradise required reading for architects, urban planners and artists whose concern is designing the public realm. "Parasite Paradise" features projects by a.o. Inge Roseboom and Mark Weemen, Shigeru Ban, Atelier van Lieshout, Exilhäuser Architekten, Hans Peter Wörndl, 2012 Architecten, Bik VanderPol with Korteknie Stuhlmacher Architecten, Alicia Framis, Eduard Böhtlingk, Luc Deleu, Attila Foundation (Kas Oosterhuis, Menno Rubbens, Ilona Lénárd), Daniel Milohnic & Dirk Paschke, Maurer United Architects and Dré Wapenaar.

Titre:
Hans van Heeswijk : architecture, 1995-2005

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Résumé:
The Hans van Heeswijk architecture firm was founded in Amsterdam in 1985, and it has designed and realized a great variety of projects, among them offices, public buildings, museums, bridges, renovations, refurbishments, interiors and product design. Those projects are without exception matchlessly lucid and crafted to a standard rarely seen, particularly in an economy where tight budgets are the rule. Their forms, reticent at first, become articulate at close range. Each encounter with them seems right--thus the aura of tranquility, typical for buildings composed with great care and attention. This monograph deals with the works and ideas of Hans van Heeswijk architects over the last decade, including the recent commission for the refurbishment of the Hermitage Museum in Amsterdam.

Titre:
Gert Boon

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$35.00
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Résumé:
This monograph sheds light on the little-known work of the idiosyncratic Dutch architect Gert Boon (1921 – 2009), who throughout his career sought coherence through geometry. Boon, who belonged to the same Forum generation as Aldo van Eyck, Herman Hertzberger and Piet Blom, had quite definite views on architecture, but he rarely gave voice to them other than in his designs and his buildings.