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Résumé:
The Neue Nationalgalerie in Berlin is not only a museum but also an architectural milestone. The last building of the great German architect Ludwig Mies van der Rohe (1886-1969 is widely considered one of the most perfect statements of his aesthetic, with its monumental steel columns and cantilevered roof with glass enclosure. The Neue Nationalgalerie is especially famous(...)
Mies van der Rohe: Neue Nationalgalerie Berlin
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$30.00
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Résumé:
The Neue Nationalgalerie in Berlin is not only a museum but also an architectural milestone. The last building of the great German architect Ludwig Mies van der Rohe (1886-1969 is widely considered one of the most perfect statements of his aesthetic, with its monumental steel columns and cantilevered roof with glass enclosure. The Neue Nationalgalerie is especially famous for its 50 x 50-meter hall. There is no other van der Rohe structure in which the boundary between inside and outside is as porous as in this famous hall. This publication presents the building from today's perspectives, but also features historical photographs taken during the construction period, the building's opening in 1968 and the spectacular early exhibitions that took place there.
Architecture, monographies
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For five years the renowned Neue Nationalgalerie in Berlin was closed to the public for renovation. Nevertheless, the acclaimed German photographer Michael Wesely (born 1963), best known for his long-exposure technique and publications such as ''Open Shutter'' and ''Time Works,'' was permitted to bring four ''guests'' inside the iconic building. Wesely’s four cameras,(...)
Monographies photo
juillet 2021
Michael Wesely: Neue Nationalgalerie 160401-201209
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$102.00
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Résumé:
For five years the renowned Neue Nationalgalerie in Berlin was closed to the public for renovation. Nevertheless, the acclaimed German photographer Michael Wesely (born 1963), best known for his long-exposure technique and publications such as ''Open Shutter'' and ''Time Works,'' was permitted to bring four ''guests'' inside the iconic building. Wesely’s four cameras, each one pointing in a different direction, were installed on the ceiling. Every day they took between 600 and 1,100 pictures with an exposure time of two minutes each. Edited into sequences of bewitching montages, this fascinating compendium allows readers to envision the building’s metamorphosis while undergoing renovations. The long exposure time is an aesthetic coup, for ephemeral, restless, rapid movements contrast with the still, timeless quality of the architecture, presenting a sophisticated interplay of identity and change.
Monographies photo