Interact or die!
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Résumé:
Interaction is a defining characteristic of every living being. Bodies and objects build connections, form networks, and then, through interaction, achieve organization, structure, memory and heredity. The only selection criterion for interaction is whether it worksm that is, whether it is operational. Interactivity is on the one hand a method of bringing something into(...)
Épistémologie et réseau
janvier 2007, Rotterdam
Interact or die!
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Interaction is a defining characteristic of every living being. Bodies and objects build connections, form networks, and then, through interaction, achieve organization, structure, memory and heredity. The only selection criterion for interaction is whether it worksm that is, whether it is operational. Interactivity is on the one hand a method of bringing something into a being - a form, a structure, an organization, a body, an institute, a work of art - and on the other hand a way of dealing with it.
Épistémologie et réseau
The war of appearances
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Produced and designed by Joke Brouwer of the V2_Institute for the Unstable Media, this book presents new essays by nine contributors, among them Paul Frissen, Graham Harman, Luciana Parisi, Lars Spuybroek, and McKenzie Wark, plus artworks by Paolo Cirio, Wim Delvoye, Tomás Saraceno, and Diana Scherer. Two strategies (opacity and radiance) are developed against the(...)
The war of appearances
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$36.00
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Produced and designed by Joke Brouwer of the V2_Institute for the Unstable Media, this book presents new essays by nine contributors, among them Paul Frissen, Graham Harman, Luciana Parisi, Lars Spuybroek, and McKenzie Wark, plus artworks by Paolo Cirio, Wim Delvoye, Tomás Saraceno, and Diana Scherer. Two strategies (opacity and radiance) are developed against the Enlightenment ideal of transparency, since transformed into a global state of mediation and automation. Although they initially appear to be diametrically opposed, the strategies soon begin to overlap, together evolving into a kind of spook-phenomenology that opens up new ways of thinking and seeing.
Théorie de l’architecture
The politics of the impure
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This publication explores how the desire for "the pure" ultimately manifested as an economic process, advocating a need for technology to become an agent for the impure and the imperfect.
The politics of the impure
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This publication explores how the desire for "the pure" ultimately manifested as an economic process, advocating a need for technology to become an agent for the impure and the imperfect.
Théorie de l’architecture
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Most would agree that markets and money are crude measures when it comes to establishing the value of art. What exactly is being valued in the financial approach to culture, and what is being overlooked? Giving and Taking is an ambitious project that sets out to answer these questions. In the form of ten essays by authors from a range of disciplines, the volume represents(...)
Giving and taking: antidotes to a culture of greed
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Most would agree that markets and money are crude measures when it comes to establishing the value of art. What exactly is being valued in the financial approach to culture, and what is being overlooked? Giving and Taking is an ambitious project that sets out to answer these questions. In the form of ten essays by authors from a range of disciplines, the volume represents a collective effort to establish a value of art that escapes or transcends the monetary. With contributions from leading philosophers, anthropologists and sociologists such as Peter Sloterdijk, Lewis Hyde, Lars Spuybroek, Zygmunt Bauman and many others.
Théorie de l’art
TransUrbanism
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"TransUrbanism" describes how our cities enter a new 'atmospheric phase.' The city and its borders blur ; it is no longer a material object of which one can easily situate. The city's substance is hardly material/architectural anymore. Public squares, market places, the layout of streets seem irrelevant to how the city is experienced. "TransUrbanism" aims at a conscious(...)
Théorie de l’urbanisme
mars 2002, Rotterdam
TransUrbanism
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"TransUrbanism" describes how our cities enter a new 'atmospheric phase.' The city and its borders blur ; it is no longer a material object of which one can easily situate. The city's substance is hardly material/architectural anymore. Public squares, market places, the layout of streets seem irrelevant to how the city is experienced. "TransUrbanism" aims at a conscious practice : how can writers, artists and urban developers define new methods for inventing our future cities? "TransUrbanism" contains interviews, essays and art projects by : Arjun Appadurai, Rem Koolhaas, Knowbotic Research, Scott Lash, Rafael Lozano-Hemmer, Brett Steele, Edward Soja, Lars Spuybroek, Roemer van Toorn and Mark Wigley.
Théorie de l’urbanisme
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As defined by the great art writer John Ruskin more than 150 years ago, "vital beauty" denotes an aesthetic of "sympathies"--that is, a beauty that embodies and demonstrates affinity with sentience in all its forms. Ruskin effectively liberated beauty from classical perfectionism by envisaging a world of currents and forces, rather than immobile ideals, and by celebrating(...)
Théorie de l’art
septembre 2012
Vital Beauty: Reclaiming aesthetics in the tangle of technology and nature
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As defined by the great art writer John Ruskin more than 150 years ago, "vital beauty" denotes an aesthetic of "sympathies"--that is, a beauty that embodies and demonstrates affinity with sentience in all its forms. Ruskin effectively liberated beauty from classical perfectionism by envisaging a world of currents and forces, rather than immobile ideals, and by celebrating nature's abundant diversity. Today, this wonderful conception requires some rethinking, since sentience now encompasses technological as well as organic entities--raising the question of how we should design our environments, our objects and even our lives. In "Vital Beauty," leading philosophers, anthropologists, theorists and artists Thierry Bardini, Joke Brouwer, Gustav Fechner, Mark Frost, George Gessert, Tim Ingold, Arjen Mulder, Daniel N. Stern, Lars Spuybroek, Caroline Van Eck, Wendy Steiner and Ruskin himself examine what this idea of beauty might mean for their respective disciplines.
Théorie de l’art