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Classification:
livres
livres
Prix:
$41.95
(disponible sur commande)
Résumé:
The advent of photography opened up new worlds to 19th century viewers, who were able to visualize themselves and the world beyond in unprecedented detail. But the emphasis on the photography's objectivity masked the subjectivity inherent in deciding what to record, from what angle and when. This text examines this inherent subjectivity. Drawing on photographs that come(...)
$41.95
(disponible sur commande)
Résumé:
The advent of photography opened up new worlds to 19th century viewers, who were able to visualize themselves and the world beyond in unprecedented detail. But the emphasis on the photography's objectivity masked the subjectivity inherent in deciding what to record, from what angle and when. This text examines this inherent subjectivity. Drawing on photographs that come(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
février 2002, London / New York
février 2002, London / New York
Titre:
Picturing place : photography and the geographical imagination
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Prix:
$41.95
(disponible sur commande)
Résumé:
The advent of photography opened up new worlds to 19th century viewers, who were able to visualize themselves and the world beyond in unprecedented detail. But the emphasis on the photography's objectivity masked the subjectivity inherent in deciding what to record, from what angle and when. This text examines this inherent subjectivity. Drawing on photographs that come from personal albums, corporate archives, commercial photographers, government reports and which were produced as art, as record, as data, the work shows how the photography shaped and was shaped by geographical concerns.
Picturing place : photography and the geographical imagination
Actions:
Prix:
$41.95
(disponible sur commande)
Résumé:
The advent of photography opened up new worlds to 19th century viewers, who were able to visualize themselves and the world beyond in unprecedented detail. But the emphasis on the photography's objectivity masked the subjectivity inherent in deciding what to record, from what angle and when. This text examines this inherent subjectivity. Drawing on photographs that come from personal albums, corporate archives, commercial photographers, government reports and which were produced as art, as record, as data, the work shows how the photography shaped and was shaped by geographical concerns.
Classification:
livres
livres
Publication:
février 2002, London / New York
février 2002, London / New York
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Titre:
Photography and exploration
Photography and exploration
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$34.95
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Résumé:
In Photography and Exploration, James R. Ryan uses a variety of examples, from polar journeys to space missions, to show how exploration photographs have been created, circulated, and consumed as objects of both scientific research and art.
$34.95
(disponible sur commande)
Résumé:
In Photography and Exploration, James R. Ryan uses a variety of examples, from polar journeys to space missions, to show how exploration photographs have been created, circulated, and consumed as objects of both scientific research and art.
Titre:
Photography and exploration
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Prix:
$34.95
(disponible sur commande)
Résumé:
In Photography and Exploration, James R. Ryan uses a variety of examples, from polar journeys to space missions, to show how exploration photographs have been created, circulated, and consumed as objects of both scientific research and art.
Photography and exploration
Actions:
Prix:
$34.95
(disponible sur commande)
Résumé:
In Photography and Exploration, James R. Ryan uses a variety of examples, from polar journeys to space missions, to show how exploration photographs have been created, circulated, and consumed as objects of both scientific research and art.
Classification:
livres
livres
Publication:
juin 2013
juin 2013
Sujet:
Théorie de la photographie
Théorie de la photographie
