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The Unknown City takes its place in the emerging architectural literature that looks beyond design process and buildings to discover new ways of looking at the urban experience. A multistranded contemplation of the notion of "knowing a place," it is about both the existence and the possibilities of architecture and the city. An important inspiration for the book is the(...)
Théorie de l’urbanisme
juin 2000, Cambridge, Mass.
The unknown city : contesting architecture and social space
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$74.95
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The Unknown City takes its place in the emerging architectural literature that looks beyond design process and buildings to discover new ways of looking at the urban experience. A multistranded contemplation of the notion of "knowing a place," it is about both the existence and the possibilities of architecture and the city. An important inspiration for the book is the work of Henri Lefebvre, in particular his ideas on space as a historical production. Many of the essays also draw on the social critique and tactics of the Situationist movement. The international gathering of contributors includes art, architectural, and urban historians and theorists; urban geographers; architects, artists, and filmmakers; and literary and cultural theorists. The essays range from abstract considerations of spatial production and representation to such concrete examples of urban domination as video surveillance and Regency London as the site of male pleasure. Although many of the essays are driven by social, cultural, and urban theory, they also tell real stories about real places. Each piece is in some way a critique of capitalism and a thought experiment about how designers and city dwellers working together can shape the cities of tomorrow.
livres
juin 2000, Cambridge, Mass.
Théorie de l’urbanisme
$103.50
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Over the last decade, various critical theories have had an enormous impact on different disciplines and practices. Intersections is the first book to comprehensively survey this impact on architecture, providing 16 essays that intersect a particular critical theory with specific architectural ideas, projects and events. Authors are from Europe and the United States.
Intersections : architectural histories and critical theories
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Over the last decade, various critical theories have had an enormous impact on different disciplines and practices. Intersections is the first book to comprehensively survey this impact on architecture, providing 16 essays that intersect a particular critical theory with specific architectural ideas, projects and events. Authors are from Europe and the United States.
Théorie de l’architecture
$42.00
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Résumé:
"The Unknown City" takes its place in the emerging architectural literature that looks beyond design process and buildings to discover new ways of looking at the urban experience. A multistranded contemplation of the notion of "knowing a place," it is about both the existence and the possibilities of architecture and the city. An important inspiration for the book is(...)
Théorie de l’urbanisme
octobre 2002, Cambridge, Massachusetts
The unknown city : contesting architecture and social space
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$42.00
(disponible sur commande)
Résumé:
"The Unknown City" takes its place in the emerging architectural literature that looks beyond design process and buildings to discover new ways of looking at the urban experience. A multistranded contemplation of the notion of "knowing a place," it is about both the existence and the possibilities of architecture and the city. An important inspiration for the book is the work of Henri Lefebvre, in particular his ideas on space as a historical production. Many of the essays also draw on the social critique and tactics of the Situationist movement. The international gathering of contributors includes art, architectural, and urban historians and theorists; urban geographers; architects, artists, and filmmakers; and literary and cultural theorists. The essays range from abstract considerations of spatial production and representation to such concrete examples of urban domination as video surveillance and Regency London as the site of male pleasure. Although many of the essays are driven by social, cultural, and urban theory, they also tell real stories about real places. Each piece is in some way a critique of capitalism and a thought experiment about how designers and city dwellers working together can shape the cities of tomorrow.
Théorie de l’urbanisme
Critical Architecture
$71.50
(disponible en magasin)
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Critical Architecture examines the relationship between design and criticism in architecture. Placing architecture in an interdisciplinary context, the book explores architectural criticism with reference to fields such as art, cultural and literary criticism, and considers how critical practice in design operates through a number of different modes: buildings, drawings(...)
Théorie de l’architecture
octobre 2007, London, New York
Critical Architecture
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Critical Architecture examines the relationship between design and criticism in architecture. Placing architecture in an interdisciplinary context, the book explores architectural criticism with reference to fields such as art, cultural and literary criticism, and considers how critical practice in design operates through a number of different modes: buildings, drawings and texts. With thirty-six essays by an international cast of leading academics and designers, organised under four thematic headings, Critical Architecture brings together a diverse range of projects and writings, which taken together challenge the view that the terms 'design' and 'criticism' should be divided.
Théorie de l’architecture
$69.00
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Psycho Buildings: Artists and Architecture marks the fortieth anniversary of London's Hayward gallery--itself an architectural icon, and one of the few remaining examples of the 1960s Brutalist style. The exhibition brings together the work of artists--including Atelier Bow-Wow, Michael Beutler, Los Carpinteros, Gelitin, Mike Nelson, Ernesto Neto, Tobias Putrih, Tomas(...)
août 2008, London
Psycho Buildings: Artists Take On Architecture
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Psycho Buildings: Artists and Architecture marks the fortieth anniversary of London's Hayward gallery--itself an architectural icon, and one of the few remaining examples of the 1960s Brutalist style. The exhibition brings together the work of artists--including Atelier Bow-Wow, Michael Beutler, Los Carpinteros, Gelitin, Mike Nelson, Ernesto Neto, Tobias Putrih, Tomas Saraceno, Do-Ho Suh and Rachel Whiteread--who create habitat-like structures and architectural environments that are mental and perceptual spaces as much as physical ones. The works in this book revisit and reanimate the history of Modernist design while reminding us that built spaces can be defined in social, political, psychological, physical and aesthetic terms. An invaluable exploration of this contemporary trend, the volume includes essays by Hayward Director Ralph Rugoff, Jane Rendell and Brian Dillon. In addition, each artist profile includes a text by a different author, including Francis McKee, Tumelo Mosaka, Midori Matsui, Brian Dillon, Paulo Herkenhoff, David Greene, Francesco Manacorda, Tom Morton, Miwon Kwon and Iain Sinclair.