Le regard des sens
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Qu'est ce qui fait qu'un dessin, séduisant sur la table à dessin ou l'écran d'ordinateur, est décevant une fois construit? La réponse est à chercher dans la domination - le règne - de la vue dans notre civilisation technicienne et consumériste. La négligence des autres sens a perverti la pratique de l'architecture. L'auteur relate d'abord l'histoire de la progression de(...)
Le regard des sens
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Qu'est ce qui fait qu'un dessin, séduisant sur la table à dessin ou l'écran d'ordinateur, est décevant une fois construit? La réponse est à chercher dans la domination - le règne - de la vue dans notre civilisation technicienne et consumériste. La négligence des autres sens a perverti la pratique de l'architecture. L'auteur relate d'abord l'histoire de la progression de la domination de l'oeil dans la culture occidentale depuis les Grecs, avant d'analyser le rôle des autres sens dans l'expérience architecturale
Théorie de l’architecture
Erieta Attali : In extremis
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Israeli photographer Erieta Attali (born 1966) is a cartographer of contemporary global architecture, focusing upon the relationship between building types and the landscapes they inhabit. Attentive to subtle changes in light and weather conditions, Attali illuminates unlikely affinities between projects in seemingly disparate locales from the Chilean desert to the Norwegian arctic.
Monographies photo
février 2011
Erieta Attali : In extremis
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Israeli photographer Erieta Attali (born 1966) is a cartographer of contemporary global architecture, focusing upon the relationship between building types and the landscapes they inhabit. Attentive to subtle changes in light and weather conditions, Attali illuminates unlikely affinities between projects in seemingly disparate locales from the Chilean desert to the Norwegian arctic.
Monographies photo
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The Herning Museum of Contemporary Art (HEART) in Herning, Denmark, inhabits a new building designed by American architect Steven Holl, who was drawn to the project by the institution's collection of works by the Italian Conceptual artist Piero Manzoni. Holl's complex museum is surrounded by a landscape of hills and ponds that meshes with his structures; the single-story(...)
Steven Holl: Heart, Herning Museum of Contemporary Art
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The Herning Museum of Contemporary Art (HEART) in Herning, Denmark, inhabits a new building designed by American architect Steven Holl, who was drawn to the project by the institution's collection of works by the Italian Conceptual artist Piero Manzoni. Holl's complex museum is surrounded by a landscape of hills and ponds that meshes with his structures; the single-story building itself, with its natural light and innovative roof construction, refers to the formal vocabulary of the 1960s factory opposite. In reference to its origins, an overhead view of the museum recalls outstretched shirtsleeves while the façade resembles wrinkled fabric.
Architecture, monographies
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The Eyes of the Skin has become a classic of architectural theory and consists of two extended essays. The first surveys the historical development of the ocular-centric paradigm in western culture since the Greeks, and its impact on the experience of the world and the nature of architecture. The second examines the role of the other senses in authentic architectural(...)
Pallasmaa : the eyes of the skin, architecture and the senses (3rd edition)
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The Eyes of the Skin has become a classic of architectural theory and consists of two extended essays. The first surveys the historical development of the ocular-centric paradigm in western culture since the Greeks, and its impact on the experience of the world and the nature of architecture. The second examines the role of the other senses in authentic architectural experiences, and points the way towards a multi-sensory architecture which facilitates a sense of belonging and integration.
Théorie de l’architecture
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Architecture is usually analysed and taught as a discipline that articulates space and geometry, but the mental impact of architecture arises significantly from its image quality that integrates the various aspects and dimensions of experience into a singular, internalised and remembered entity. The material reality is fused with our mental and imaginative realm. The(...)
The embodied image : imagination and imagery in architecture
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Architecture is usually analysed and taught as a discipline that articulates space and geometry, but the mental impact of architecture arises significantly from its image quality that integrates the various aspects and dimensions of experience into a singular, internalised and remembered entity. The material reality is fused with our mental and imaginative realm. The book is organised into five main parts that look at in turn: the image in contemporary culture; language, thought and the image; the many faces of the image; the poetic image; and finally the architectural image. The Embodied Image is illustrated with over sixty images in pairs, which are diverse in subject. Artworks span Michelangelo and Vermeer to Gordon Matta-Clark and architecture takes in Modern Masters such as Mies van der Rohe, Le Corbusier and Alvar Aalto, as well as significant contemporary works by Steven Holl and Daniel Libeskind.
Théorie de l’architecture
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Architecture is late in discovering the richness of neuroscientific research. As scientists were finding evidence for the bodily basis of mind and meaning, architecture was caught up in convoluted cerebral games that denied emotional and bodily reality altogether. This volume maps the extraordinary opportunity that engagement with cutting-edge neuroscience offers(...)
Mind in architecture : neuroscience, embodiment, and the future of design
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Architecture is late in discovering the richness of neuroscientific research. As scientists were finding evidence for the bodily basis of mind and meaning, architecture was caught up in convoluted cerebral games that denied emotional and bodily reality altogether. This volume maps the extraordinary opportunity that engagement with cutting-edge neuroscience offers present-day architects.
Théorie de l’architecture
Mind in architecture
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Although we spend more than ninety percent of our lives inside buildings, we understand very little about how the built environment affects our behavior, thoughts, emotions, and well-being. We are biological beings whose senses and neural systems have developed over millions of years; it stands to reason that research in the life sciences, particularly neuroscience, can(...)
Mind in architecture
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Although we spend more than ninety percent of our lives inside buildings, we understand very little about how the built environment affects our behavior, thoughts, emotions, and well-being. We are biological beings whose senses and neural systems have developed over millions of years; it stands to reason that research in the life sciences, particularly neuroscience, can offer compelling insights into the ways our buildings shape our interactions with the world. This expanded understanding can help architects design buildings that support both mind and body. In Mind in Architecture, leading thinkers from architecture and other disciplines, including neuroscience, cognitive science, psychiatry, and philosophy, explore what architecture and neuroscience can learn from each other. They offer historical context, examine the implications for current architectural practice and education, and imagine a neuroscientifically informed architecture of the future.
Théorie de l’architecture
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This intimate portrait of eight houses by the Maine architect Carol A. Wilson illustrates how "local" is an idea as close to architecture as it is to food. Focusing on climate, seasons, views, local materials, the ecological history of building sites, and collaborations with local artisans, Wilson crafts exquisitely designed and built houses that celebrate the beauty of(...)
Northern exposure: works of Carol A. Wilson Architect
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This intimate portrait of eight houses by the Maine architect Carol A. Wilson illustrates how "local" is an idea as close to architecture as it is to food. Focusing on climate, seasons, views, local materials, the ecological history of building sites, and collaborations with local artisans, Wilson crafts exquisitely designed and built houses that celebrate the beauty of New England and the power of architecture to combine modern forms with a traditional built landscape. Following introductory texts by Enrico Pinna and Juhani Pallasmaa, and a conversation between Wilson and John Leroux, each project opens with a foldout of plans---transitioning from hand-drawn to computer-aided---and information about the house, before culminating in a selection of exterior, interior, and detail photographs. The book closes with an interview in twenty questions that elaborates on Wilson's working principles and the history of her studio for the past thirty years.
Architecture, monographies
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Over the past 30 years, the French Swiss architectural photographer Hélène Binet has traveled the world to photograph historic and contemporary buildings, as well as projects in the making. Considered by many the premier “architect’s photographer,” Binet has worked closely with Zaha Hadid, Daniel Libeskind and Peter Zumthor among others, who have turned to her to(...)
Light lines: the architectural photographs of Hélène Binet
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Over the past 30 years, the French Swiss architectural photographer Hélène Binet has traveled the world to photograph historic and contemporary buildings, as well as projects in the making. Considered by many the premier “architect’s photographer,” Binet has worked closely with Zaha Hadid, Daniel Libeskind and Peter Zumthor among others, who have turned to her to interpret their work. Using only analogue techniques, Binet’s photographs are both a representation and a discovery of her subjects, all of them buildings that break the mold, pushing daringly at the boundaries of their time.
Monographies photo
Som journal 7
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Som journal 7 includes the essays “Notes on the Techno-Aesthetic Evolution of High-Rise Form, 1896–1997” by Kenneth Frampton, “The Myth of Natural Growth II” by Thomas van Leeuwan, “Building Tall” by William Baker, “Emergence and the Power of One” by Mark Sarkisian, and “How the Leopard Got Its Spots: Lever House as a Skyscraper” by Nicholas Adams.
Som journal 7
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Som journal 7 includes the essays “Notes on the Techno-Aesthetic Evolution of High-Rise Form, 1896–1997” by Kenneth Frampton, “The Myth of Natural Growth II” by Thomas van Leeuwan, “Building Tall” by William Baker, “Emergence and the Power of One” by Mark Sarkisian, and “How the Leopard Got Its Spots: Lever House as a Skyscraper” by Nicholas Adams.
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