12 Résultats
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In 2006, Italian photographer Armin Linke was given a commission by the Ministry of Cultural Heritage and Activities, and proposed a photographic mapping of all the institutions now housed in various historical buildings in Rome. The result is a portrait of the Italian State through its architecture, revealing rarely-seen interiors and clandestine functions. With text by(...)
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In 2006, Italian photographer Armin Linke was given a commission by the Ministry of Cultural Heritage and Activities, and proposed a photographic mapping of all the institutions now housed in various historical buildings in Rome. The result is a portrait of the Italian State through its architecture, revealing rarely-seen interiors and clandestine functions. With text by(...)
Titre:
Armin Linke: The body of the state
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In 2006, Italian photographer Armin Linke was given a commission by the Ministry of Cultural Heritage and Activities, and proposed a photographic mapping of all the institutions now housed in various historical buildings in Rome. The result is a portrait of the Italian State through its architecture, revealing rarely-seen interiors and clandestine functions. With text by Giorgio Agamben.
Armin Linke: The body of the state
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In 2006, Italian photographer Armin Linke was given a commission by the Ministry of Cultural Heritage and Activities, and proposed a photographic mapping of all the institutions now housed in various historical buildings in Rome. The result is a portrait of the Italian State through its architecture, revealing rarely-seen interiors and clandestine functions. With text by Giorgio Agamben.
Classification:
livres
livres
Publication:
janvier 2011
janvier 2011
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
vidéo
vidéo
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DVD : Ericka Beckman began making super-8 films in New York’s late-1970s No Wave scene, alongside artists of the “Pictures Generation.” This DVD contains her Super-8 Piaget trilogy: We Imitate; We Break Up (1978); The Broken Rule (1979); and Out of Hand (1980): three giddy, game-playing choreographies whose hypnotic rhythms draw inspiration from child psychology and early(...)
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DVD : Ericka Beckman began making super-8 films in New York’s late-1970s No Wave scene, alongside artists of the “Pictures Generation.” This DVD contains her Super-8 Piaget trilogy: We Imitate; We Break Up (1978); The Broken Rule (1979); and Out of Hand (1980): three giddy, game-playing choreographies whose hypnotic rhythms draw inspiration from child psychology and early(...)
Titre:
(DVD) Ericka Beckman : the Super-8 Trilogy 1978-1981
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DVD : Ericka Beckman began making super-8 films in New York’s late-1970s No Wave scene, alongside artists of the “Pictures Generation.” This DVD contains her Super-8 Piaget trilogy: We Imitate; We Break Up (1978); The Broken Rule (1979); and Out of Hand (1980): three giddy, game-playing choreographies whose hypnotic rhythms draw inspiration from child psychology and early cartoons, and star such artist-friends as Mike Kelley, Matt Mullican and James Casebere.
(DVD) Ericka Beckman : the Super-8 Trilogy 1978-1981
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DVD : Ericka Beckman began making super-8 films in New York’s late-1970s No Wave scene, alongside artists of the “Pictures Generation.” This DVD contains her Super-8 Piaget trilogy: We Imitate; We Break Up (1978); The Broken Rule (1979); and Out of Hand (1980): three giddy, game-playing choreographies whose hypnotic rhythms draw inspiration from child psychology and early cartoons, and star such artist-friends as Mike Kelley, Matt Mullican and James Casebere.
Classification:
vidéo
vidéo
Publication:
juin 2012
juin 2012
Sujet:
DVD vidéo
DVD vidéo
Classification:
livres
livres
Titre:
Paulina Olowska: book
Paulina Olowska: book
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Paulina Olowska's work demonstrates an interest on Communist Poland's fascination with Western consumerism and celebrates the spirit and stylish improvisations of the "Applied Fantastic"—a term coined by Polish writer Leopold Tyrmand in 1954, to describe the vernacular re-creations of Western styles. In her paintings, collages, and knitted works, Olowska incorporates text(...)
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Paulina Olowska's work demonstrates an interest on Communist Poland's fascination with Western consumerism and celebrates the spirit and stylish improvisations of the "Applied Fantastic"—a term coined by Polish writer Leopold Tyrmand in 1954, to describe the vernacular re-creations of Western styles. In her paintings, collages, and knitted works, Olowska incorporates text(...)
Publication:
novembre 2012
novembre 2012
Titre:
Paulina Olowska: book
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Résumé:
Paulina Olowska's work demonstrates an interest on Communist Poland's fascination with Western consumerism and celebrates the spirit and stylish improvisations of the "Applied Fantastic"—a term coined by Polish writer Leopold Tyrmand in 1954, to describe the vernacular re-creations of Western styles. In her paintings, collages, and knitted works, Olowska incorporates text and graphics from found illustrations or images that have a decidedly "behind the Iron Curtain" look, while paying tribute to American Pattern and Decoration art of the 1970s and its use of non-traditional contemporary art mediums such as tiles and textiles. This publication is the first monograph to offer an overview of her work. It includes an interview with Adam Szymczyk and an essay by Jan Verwoert.
Paulina Olowska: book
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Résumé:
Paulina Olowska's work demonstrates an interest on Communist Poland's fascination with Western consumerism and celebrates the spirit and stylish improvisations of the "Applied Fantastic"—a term coined by Polish writer Leopold Tyrmand in 1954, to describe the vernacular re-creations of Western styles. In her paintings, collages, and knitted works, Olowska incorporates text and graphics from found illustrations or images that have a decidedly "behind the Iron Curtain" look, while paying tribute to American Pattern and Decoration art of the 1970s and its use of non-traditional contemporary art mediums such as tiles and textiles. This publication is the first monograph to offer an overview of her work. It includes an interview with Adam Szymczyk and an essay by Jan Verwoert.
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livres
livres
Publication:
novembre 2012
novembre 2012
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livres
livres
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This publication is a result of visits and discussions carried out by Hans Ulrich Obrist in artists’ studios in Prague around 2001 and 2008. Interviews with Milan Grygar, Jií Kovanda, Karel Malich, Zdenk Sýkora, and many others, map the historical events as well as unknown stories of the actors of the Czech “second avant-garde” or “neo-modernism” of the former socialist(...)
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Résumé:
This publication is a result of visits and discussions carried out by Hans Ulrich Obrist in artists’ studios in Prague around 2001 and 2008. Interviews with Milan Grygar, Jií Kovanda, Karel Malich, Zdenk Sýkora, and many others, map the historical events as well as unknown stories of the actors of the Czech “second avant-garde” or “neo-modernism” of the former socialist(...)
Titre:
Hans Ulrich Obrist : the Czech files
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This publication is a result of visits and discussions carried out by Hans Ulrich Obrist in artists’ studios in Prague around 2001 and 2008. Interviews with Milan Grygar, Jií Kovanda, Karel Malich, Zdenk Sýkora, and many others, map the historical events as well as unknown stories of the actors of the Czech “second avant-garde” or “neo-modernism” of the former socialist block. The artists and intellectuals of this generation were born in between 1920–1945. They lived through the 1960s cultural upheaval known as the Prague Spring, becoming part of international cultural movements for a limited time, and witnessed the “normalization” of the 1970s when censorship was re-introduced. This series of interviews contextualize a generation of Czech artists within the historical events that marked their lives and careers, and draw attention to their urgency to resist historical events while keeping their artistic practices sustained, radical, and vital.
Hans Ulrich Obrist : the Czech files
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This publication is a result of visits and discussions carried out by Hans Ulrich Obrist in artists’ studios in Prague around 2001 and 2008. Interviews with Milan Grygar, Jií Kovanda, Karel Malich, Zdenk Sýkora, and many others, map the historical events as well as unknown stories of the actors of the Czech “second avant-garde” or “neo-modernism” of the former socialist block. The artists and intellectuals of this generation were born in between 1920–1945. They lived through the 1960s cultural upheaval known as the Prague Spring, becoming part of international cultural movements for a limited time, and witnessed the “normalization” of the 1970s when censorship was re-introduced. This series of interviews contextualize a generation of Czech artists within the historical events that marked their lives and careers, and draw attention to their urgency to resist historical events while keeping their artistic practices sustained, radical, and vital.
Classification:
livres
livres
Publication:
février 2015
février 2015
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
Ecart, Genève 1969-1982
Ecart, Genève 1969-1982
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En 1969, John M Armleder cofonde à Genève l'Ecart Performance Group avec Patrick Lucchini et Claude Rychner. Cette aventure artistique collective, placée dans la continuité du mouvement Fluxus, se développe ensuite pour devenir une galerie autogérée, une maison d'édition, une librairie… Basé à Genève, le groupe Ecart est reconnu comme l'un des relais importants de l'art(...)
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Résumé:
En 1969, John M Armleder cofonde à Genève l'Ecart Performance Group avec Patrick Lucchini et Claude Rychner. Cette aventure artistique collective, placée dans la continuité du mouvement Fluxus, se développe ensuite pour devenir une galerie autogérée, une maison d'édition, une librairie… Basé à Genève, le groupe Ecart est reconnu comme l'un des relais importants de l'art(...)
Publication:
mars 2019
mars 2019
Titre:
Ecart, Genève 1969-1982
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Résumé:
En 1969, John M Armleder cofonde à Genève l'Ecart Performance Group avec Patrick Lucchini et Claude Rychner. Cette aventure artistique collective, placée dans la continuité du mouvement Fluxus, se développe ensuite pour devenir une galerie autogérée, une maison d'édition, une librairie… Basé à Genève, le groupe Ecart est reconnu comme l'un des relais importants de l'art expérimental des années 1970 en Suisse. Le MAMCO propose la réédition augmentée de l'ouvrage de référence sur une période de l'art suisse et européen particulièrement foisonnante et provocante, encore trop peu documentée.
Ecart, Genève 1969-1982
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Résumé:
En 1969, John M Armleder cofonde à Genève l'Ecart Performance Group avec Patrick Lucchini et Claude Rychner. Cette aventure artistique collective, placée dans la continuité du mouvement Fluxus, se développe ensuite pour devenir une galerie autogérée, une maison d'édition, une librairie… Basé à Genève, le groupe Ecart est reconnu comme l'un des relais importants de l'art expérimental des années 1970 en Suisse. Le MAMCO propose la réédition augmentée de l'ouvrage de référence sur une période de l'art suisse et européen particulièrement foisonnante et provocante, encore trop peu documentée.
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livres
livres
Publication:
mars 2019
mars 2019
Classification:
livres
livres
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$17.50
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Résumé:
Vern Blosum does not exist. The story can be told in just a few lines: in 1961 an artist paints five canvases inspired by pages in a horticulture book; then came parking meters bearing temporal commentaries, water hydrants, and animals. Some of them were shown at Leo Castelli Gallery, sold to collectors and public institutions, included in seminal exhibitions or books on(...)
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Résumé:
Vern Blosum does not exist. The story can be told in just a few lines: in 1961 an artist paints five canvases inspired by pages in a horticulture book; then came parking meters bearing temporal commentaries, water hydrants, and animals. Some of them were shown at Leo Castelli Gallery, sold to collectors and public institutions, included in seminal exhibitions or books on(...)
Titre:
Vern Blosum : planned obsolescence
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Vern Blosum does not exist. The story can be told in just a few lines: in 1961 an artist paints five canvases inspired by pages in a horticulture book; then came parking meters bearing temporal commentaries, water hydrants, and animals. Some of them were shown at Leo Castelli Gallery, sold to collectors and public institutions, included in seminal exhibitions or books on Pop art: a seemingly normal progression in an artist’s career, were it not for a rumor that emerged regarding his true identity. Alfred H. Barr, the director of MoMA, started to worry about it in 1964 and, after extensive inquiries, came to the conclusion that Vern Blosum did not exist. His paintings were taken down or sent back to storage, and the artist’s name fell into oblivion. Vern Blosum does not exist, but his work does. And that is precisely what this book aims to reveal.
Vern Blosum : planned obsolescence
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Résumé:
Vern Blosum does not exist. The story can be told in just a few lines: in 1961 an artist paints five canvases inspired by pages in a horticulture book; then came parking meters bearing temporal commentaries, water hydrants, and animals. Some of them were shown at Leo Castelli Gallery, sold to collectors and public institutions, included in seminal exhibitions or books on Pop art: a seemingly normal progression in an artist’s career, were it not for a rumor that emerged regarding his true identity. Alfred H. Barr, the director of MoMA, started to worry about it in 1964 and, after extensive inquiries, came to the conclusion that Vern Blosum did not exist. His paintings were taken down or sent back to storage, and the artist’s name fell into oblivion. Vern Blosum does not exist, but his work does. And that is precisely what this book aims to reveal.
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livres
livres
Publication:
février 2015
février 2015
Classification:
livres
livres
Titre:
Yto Barrada
Yto Barrada
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$75.00
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Résumé:
Un panorama complet de l'œuvre de l'artiste franco-marocaine.
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Résumé:
Un panorama complet de l'œuvre de l'artiste franco-marocaine.
Titre:
Yto Barrada
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$75.00
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Un panorama complet de l'œuvre de l'artiste franco-marocaine.
Yto Barrada
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Un panorama complet de l'œuvre de l'artiste franco-marocaine.
Classification:
livres
livres
Publication:
octobre 2013
octobre 2013
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
L'appartement
L'appartement
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$46.95
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Résumé:
Présent au MAMCO depuis l'ouverture de l'institution au public, L'Appartement est un espace particulier dans le parcours du musée. Il s'agit de la reconstitution de l'appartement de Ghislain Mollet-Viéville situé à l'origine au 26 de la rue Beaubourg à Paris. Occupé et aménagé par ce dernier de 1975 à 1991, ce lieu de vie était aussi un lieu d'échanges et d'exposition(...)
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Résumé:
Présent au MAMCO depuis l'ouverture de l'institution au public, L'Appartement est un espace particulier dans le parcours du musée. Il s'agit de la reconstitution de l'appartement de Ghislain Mollet-Viéville situé à l'origine au 26 de la rue Beaubourg à Paris. Occupé et aménagé par ce dernier de 1975 à 1991, ce lieu de vie était aussi un lieu d'échanges et d'exposition(...)
Publication:
février 2020
février 2020
Titre:
L'appartement
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Présent au MAMCO depuis l'ouverture de l'institution au public, L'Appartement est un espace particulier dans le parcours du musée. Il s'agit de la reconstitution de l'appartement de Ghislain Mollet-Viéville situé à l'origine au 26 de la rue Beaubourg à Paris. Occupé et aménagé par ce dernier de 1975 à 1991, ce lieu de vie était aussi un lieu d'échanges et d'exposition d'œuvres précisément choisies. L'art minimal et conceptuel y tenaient une place essentielle pas simplement à travers des œuvres mais aussi comme forme de vie. Désormais partie intégrante de la collection du MAMCO, L'Appartement propose, entre autres, des pièces de Donald Judd, Carl Andre, Claude Rutault, Art & Language, Joseph Kosuth, Lawrence Weiner et André Cadere. Cet ouvrage en est la présentation détaillée à travers un essai de Patricia Falguières, un entretien avec Ghislain Mollet-Viéville et une étude de chaque œuvre par Thierry Davila. Il montre aussi combien collectionner signifie inventer un type singulier de fréquentation de l'art.
L'appartement
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Résumé:
Présent au MAMCO depuis l'ouverture de l'institution au public, L'Appartement est un espace particulier dans le parcours du musée. Il s'agit de la reconstitution de l'appartement de Ghislain Mollet-Viéville situé à l'origine au 26 de la rue Beaubourg à Paris. Occupé et aménagé par ce dernier de 1975 à 1991, ce lieu de vie était aussi un lieu d'échanges et d'exposition d'œuvres précisément choisies. L'art minimal et conceptuel y tenaient une place essentielle pas simplement à travers des œuvres mais aussi comme forme de vie. Désormais partie intégrante de la collection du MAMCO, L'Appartement propose, entre autres, des pièces de Donald Judd, Carl Andre, Claude Rutault, Art & Language, Joseph Kosuth, Lawrence Weiner et André Cadere. Cet ouvrage en est la présentation détaillée à travers un essai de Patricia Falguières, un entretien avec Ghislain Mollet-Viéville et une étude de chaque œuvre par Thierry Davila. Il montre aussi combien collectionner signifie inventer un type singulier de fréquentation de l'art.
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livres
livres
Publication:
février 2020
février 2020
Classification:
livres
livres
Titre:
Pierre Charpin
Pierre Charpin
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The furniture, objects and exhibition designs of French designer Pierre Charpin (born 1962) deal with notions of landscape and autonomy, humor and surprise, poetic presence and minimalism. Illustrated with both objects and drawings, this monograph gathers together essays by former Centre Pompidou Head of Design Françoise Guichon and design critic Alessandra Fanari, a(...)
$55.00
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Résumé:
The furniture, objects and exhibition designs of French designer Pierre Charpin (born 1962) deal with notions of landscape and autonomy, humor and surprise, poetic presence and minimalism. Illustrated with both objects and drawings, this monograph gathers together essays by former Centre Pompidou Head of Design Françoise Guichon and design critic Alessandra Fanari, a(...)
Titre:
Pierre Charpin
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The furniture, objects and exhibition designs of French designer Pierre Charpin (born 1962) deal with notions of landscape and autonomy, humor and surprise, poetic presence and minimalism. Illustrated with both objects and drawings, this monograph gathers together essays by former Centre Pompidou Head of Design Françoise Guichon and design critic Alessandra Fanari, a conversation with design historian Marco Romanelli and an index of Charpin's creations of the past 25 years.
Pierre Charpin
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The furniture, objects and exhibition designs of French designer Pierre Charpin (born 1962) deal with notions of landscape and autonomy, humor and surprise, poetic presence and minimalism. Illustrated with both objects and drawings, this monograph gathers together essays by former Centre Pompidou Head of Design Françoise Guichon and design critic Alessandra Fanari, a conversation with design historian Marco Romanelli and an index of Charpin's creations of the past 25 years.
Classification:
livres
livres
Publication:
août 2014
août 2014
Sujet:
Design, monographies
Design, monographies
Classification:
livres
livres
Titre:
Karen Kilimnik
Karen Kilimnik
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$65.00
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This monograph is devoted to the American artist (*1955) who lives and works in Philadelphia. In the 1980s her narrative and jumbled installations were compared by the critics to the “scatter art” of the previous decade, but have become cult for a younger generation of artists and exhibition curators. Her drawings and paintings from the beginning of the 1990s were(...)
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Résumé:
This monograph is devoted to the American artist (*1955) who lives and works in Philadelphia. In the 1980s her narrative and jumbled installations were compared by the critics to the “scatter art” of the previous decade, but have become cult for a younger generation of artists and exhibition curators. Her drawings and paintings from the beginning of the 1990s were(...)
Titre:
Karen Kilimnik
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$65.00
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Résumé:
This monograph is devoted to the American artist (*1955) who lives and works in Philadelphia. In the 1980s her narrative and jumbled installations were compared by the critics to the “scatter art” of the previous decade, but have become cult for a younger generation of artists and exhibition curators. Her drawings and paintings from the beginning of the 1990s were included in the then current discussions on art and glamour, and on the emergence of women artists whose sensibility was not that of feminist theory. The source of numerous misunderstandings, the diversity of her work has veiled the internal coherence of a practice of which the most recent pieces attest to the continuous links between all these mediums. This book offers the complete panorama of Kilimnik’s production and allows a vision that goes beyond the distinctions between painting, drawing, or installation.
Karen Kilimnik
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$65.00
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Résumé:
This monograph is devoted to the American artist (*1955) who lives and works in Philadelphia. In the 1980s her narrative and jumbled installations were compared by the critics to the “scatter art” of the previous decade, but have become cult for a younger generation of artists and exhibition curators. Her drawings and paintings from the beginning of the 1990s were included in the then current discussions on art and glamour, and on the emergence of women artists whose sensibility was not that of feminist theory. The source of numerous misunderstandings, the diversity of her work has veiled the internal coherence of a practice of which the most recent pieces attest to the continuous links between all these mediums. This book offers the complete panorama of Kilimnik’s production and allows a vision that goes beyond the distinctions between painting, drawing, or installation.
Classification:
livres
livres
Publication:
février 2015
février 2015
