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What are the pressing questions in architecture – in teaching, research and practice? Based on their many years of experience, professors Inès Lamunière and Laurent Stalder come together in five meetings to search for answers. They describe an approach to architecture that is based on intellect as well as intuition and is both strict and pragmatic. And they sketch out(...)
Teaching architecture: a dialogue
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What are the pressing questions in architecture – in teaching, research and practice? Based on their many years of experience, professors Inès Lamunière and Laurent Stalder come together in five meetings to search for answers. They describe an approach to architecture that is based on intellect as well as intuition and is both strict and pragmatic. And they sketch out creative processes that are indispensable in the development of projects with all their constraints in order to master the future challenges faced by the art of building.
Architecture contemporaine
Valerio Olgiati
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Second unrevised edition of the 2008 monograph The book is not a typical book. It consists of plates that can be opened, one after the other. Each plate is connected to the overall book by the continuous text, to the architect’s drive through the images of an iconographic autobiography, and to his works themselves through photos and rendering. As a book, it is(...)
Valerio Olgiati
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Second unrevised edition of the 2008 monograph The book is not a typical book. It consists of plates that can be opened, one after the other. Each plate is connected to the overall book by the continuous text, to the architect’s drive through the images of an iconographic autobiography, and to his works themselves through photos and rendering. As a book, it is primarily a piece of work in its own right, an image that evokes new images in the viewer. Since the end of the 1990s, Valerio Olgiati has been regarded as one of the most independent and exceptional exponents of Swiss architecture. The book compiles all his important buildings and projects since 1996.
Architecture, monographies
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Ce recueil ne propose pas une théorie du dessin architectural, mais réunit sept essais (écrits durant ces quinze dernières années), qui explorent le potentiel du dessin architectural au cours du XXe siècle, à travers sept modes de représentation : le plan, la coupe, la flèche, la grille, les images, le diagramme, le dessin.
Un dessin n'est pas un plan et autres essais
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Ce recueil ne propose pas une théorie du dessin architectural, mais réunit sept essais (écrits durant ces quinze dernières années), qui explorent le potentiel du dessin architectural au cours du XXe siècle, à travers sept modes de représentation : le plan, la coupe, la flèche, la grille, les images, le diagramme, le dessin.
Théorie de l’architecture
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What is the nature of the interaction between architecture and machines as key objects in human design, and how does this interplay work? The contributors to this book explore this multifaceted interchange in its broad thematic manifestations and historical depth, focusing above all on three aspects: machines that assist in the design and construction of buildings, those(...)
Architecture / Machine. GTA papers 1
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What is the nature of the interaction between architecture and machines as key objects in human design, and how does this interplay work? The contributors to this book explore this multifaceted interchange in its broad thematic manifestations and historical depth, focusing above all on three aspects: machines that assist in the design and construction of buildings, those that perform their tasks inside the walls and structures of buildings, and—in particular—machines that act as models and images of architectural thought. What emerges is that the subject of machines within the architectural framework has been rooted not simply in concrete technical questions, but rather to a far greater extent in general programs, processes, and performances, and thus in fundamental categories of built space.
Théorie de l’architecture
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Modernisation in the 20th century has deeply transformed Japanese society, bringing economic wealth and social well-being, but also increasing divisions and specialisation in society. This transformation has been increasingly questioned in recent years, and finds expression in architectural projects. The catalogue for the Japanese Pavilion at the Venice Architecture(...)
janvier 2018
Architectural ethnography: Japanese pavilion Venice Biennale 2018
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Modernisation in the 20th century has deeply transformed Japanese society, bringing economic wealth and social well-being, but also increasing divisions and specialisation in society. This transformation has been increasingly questioned in recent years, and finds expression in architectural projects. The catalogue for the Japanese Pavilion at the Venice Architecture Biennale, curated by Momoyo Kaijima, one of the founders of Atelier Bow-Wow, this volume examines the role of architectural drawings in this reappraisal, as they form the basis on which a common approach in the design of individualised yet shared environments in today’s globalised society can be formulated. It proposes architectural ethnography as a methodology of social engagement.
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Entretien au cours duquel l'architecte et professeure examine les défis posés par l'architecture en termes d'enseignement, de recherche et de pratique de l'architecture. Une exploration intellectuelle, intuitive, systématique et pratique sous la forme d'un dialogue afin d'appréhender l'avenir de l'architecture.
Enseigner l'architecture : un entretien
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Entretien au cours duquel l'architecte et professeure examine les défis posés par l'architecture en termes d'enseignement, de recherche et de pratique de l'architecture. Une exploration intellectuelle, intuitive, systématique et pratique sous la forme d'un dialogue afin d'appréhender l'avenir de l'architecture.
Théorie de l’architecture
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Dallegret’s own life and work denies anything so predictable as a neat synopsis, but in essence his work, beginning in Paris in the late 1950s and early 60s, and later taking in New York and Montréal, absorbs everything from intricate line drawings for a series of astrological vehicles and designs for a number of machines (from those that assist in cooking a meal to(...)
novembre 2011
GOD & CO François Dallegret Beyond the Bubble
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Dallegret’s own life and work denies anything so predictable as a neat synopsis, but in essence his work, beginning in Paris in the late 1950s and early 60s, and later taking in New York and Montréal, absorbs everything from intricate line drawings for a series of astrological vehicles and designs for a number of machines (from those that assist in cooking a meal to others that generate literature) to the ‘A Home Is Not a House’ collaboration with the critic Reyner Banham; a drugstore/gallery in Montréal; proposals for a new Montréal Palais Metro; designs for chairs, more cars and yet more machines; a film collaborative set up to shoot a western; contributions to the Montréal 67 Expo; engraved bars of soap; subversive credit cards; ‘ironique’ villas and light installations. The book will illustrate a great many of these works and contains essays on Dallegret’s life and legacy by the historians Alessandra Ponte and Laurent Stalder. GOD & CO is published to accompany an exhibition at the Architectural Association, London.