Lee Friedlander : Staglieno
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The Staglieno cemetery near Genoa was created in the 19th century. It is home not only to those whose bones lie buried beneath, but also to the ornate display of sculptures erected in their memory. Printed in duotone on matte art paper and bound in velvet, with an introduction by Peter Galassi, Chief Curator, Department of Photography, The Museum of Modern Art, New York.
Lee Friedlander : Staglieno
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The Staglieno cemetery near Genoa was created in the 19th century. It is home not only to those whose bones lie buried beneath, but also to the ornate display of sculptures erected in their memory. Printed in duotone on matte art paper and bound in velvet, with an introduction by Peter Galassi, Chief Curator, Department of Photography, The Museum of Modern Art, New York.
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Lee Friedlander
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Originally published in 1970, this understated gem of a book introduces Friedlander's self-conscious posture. Lee Friedlander is recognized as one of America's premier photographers. He is the recipient of numerous awards including a John D. and Catherine T. MacArthur Foundation Award, three grants from the National Endowment for the Arts, and three Guggenheim(...)
Lee Friedlander
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Originally published in 1970, this understated gem of a book introduces Friedlander's self-conscious posture. Lee Friedlander is recognized as one of America's premier photographers. He is the recipient of numerous awards including a John D. and Catherine T. MacArthur Foundation Award, three grants from the National Endowment for the Arts, and three Guggenheim Fellowships. His book Self Portrait was published in 1970 and reissued in 1998. Friedlander's work is in the permanent collections of all major American museums.
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Lee Friedlander: Chain link
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Lee Friedlander is celebrated for his ability to weave disparate elements from ordinary life into uncanny images of great formal complexity and visual wit. And few things have attracted his attention?or been more unpredictable in their effect?than the humble chain link fence. Erected to delineate space, form protective barriers and bring order to chaos, the fences in(...)
Lee Friedlander: Chain link
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Lee Friedlander is celebrated for his ability to weave disparate elements from ordinary life into uncanny images of great formal complexity and visual wit. And few things have attracted his attention?or been more unpredictable in their effect?than the humble chain link fence. Erected to delineate space, form protective barriers and bring order to chaos, the fences in Friedlander’s pictures catch filaments of light, throw disconcerting shadows and visually interrupt scenes without fully occluding them. Sometimes the steel mesh seems as delicate as lace; at others it appears as tough as snakeskin. In this book’s 97 pictures, drawn from over four decades of work, it recurs as versatile, utilitarian and ubiquitous?not unlike the photographer himself.
Monographies photo
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American photographer Lee Friedlander has had an expansive career, photographing his subjects—from family and friends to political figures and celebrities—in their everyday environments, while simultaneously changing the very landscape of his chosen media. In his Human Clay series, images of people in their surroundings are presented together thematically. Each book(...)
Lee Friedlander: Street: the human clay
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American photographer Lee Friedlander has had an expansive career, photographing his subjects—from family and friends to political figures and celebrities—in their everyday environments, while simultaneously changing the very landscape of his chosen media. In his Human Clay series, images of people in their surroundings are presented together thematically. Each book features hundreds of photographs, many never before published, chosen and sequenced by the artist himself from his vast archive. This latest volume in the series compiles some of Friedlander’s street photography taken over the course of more than 50 years—including images of Atlanta, Buffalo, Denver, Los Angeles, Miami, New Orleans, and San Francisco, as well as more than 125 photographs of New York City.
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Friedlander first 50
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Friedlander First Fifty provides an inside look at Friedlander’s first fifty books, featuring extensive commentary directly from Friedlander on his own work. The book contains photographs from each of the first fifty books, as well as descriptions, publication information, and most notably, interviews with Friedlander and his wife, Maria, conducted by Friedlander’s(...)
Friedlander first 50
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Friedlander First Fifty provides an inside look at Friedlander’s first fifty books, featuring extensive commentary directly from Friedlander on his own work. The book contains photographs from each of the first fifty books, as well as descriptions, publication information, and most notably, interviews with Friedlander and his wife, Maria, conducted by Friedlander’s grandson, Giancarlo, and daughter, Anna, who together co-published the book.
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Lee Friedlander: Workers
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In the capstone volume of his epic series “The Human Clay,” Lee Friedlander has created an ode to people who work. Drawn from his incomparable archive are photographs of individuals laboring on the street and on stage, as well as in the field, in factories and in fluorescent-lit offices. Performers, salespeople and athletes alike are observed both in action and at rest by(...)
Lee Friedlander: Workers
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In the capstone volume of his epic series “The Human Clay,” Lee Friedlander has created an ode to people who work. Drawn from his incomparable archive are photographs of individuals laboring on the street and on stage, as well as in the field, in factories and in fluorescent-lit offices. Performers, salespeople and athletes alike are observed both in action and at rest by Friedlander’s uncanny eye. Opera singers are caught mid-aria, models primp backstage, mechanics tinker and telemarketers hustle. Spanning six decades, this humanizing compilation features over 250 photographs, many appearing here for the first time in print.
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Lee Friedlander: pickup
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In this compendium, Lee Friedlander examines the ordinary pickup truck, a quintessentially American mode of transportation. Unadorned in form as well as function, pickups have long been the vehicle of choice for farmers and tradespeople. Their well-worn beds—usually open to the elements, laid bare for all to see—have held and hauled all manner of things, from spare tires(...)
Lee Friedlander: pickup
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In this compendium, Lee Friedlander examines the ordinary pickup truck, a quintessentially American mode of transportation. Unadorned in form as well as function, pickups have long been the vehicle of choice for farmers and tradespeople. Their well-worn beds—usually open to the elements, laid bare for all to see—have held and hauled all manner of things, from spare tires and jumbles of wires to animals and the occasional person. Friedlander, in his witty and encompassing, clear-eyed idiom, has observed this most utilitarian and unapologetically personal object in its native setting: the cacophonous bricolage that is American social landscape.
Monographies photo
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The saturation of our social landscape by photographs and photographers is apparent from any public point of view. Photography is arguably the most democratic of mediums, even more accessible today across culture and class than language. In some regards, this has been Lee Friedlander’s most enduring subject—the way that average citizens interact with the world by making(...)
Lee Friedlander: the people's pictures
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The saturation of our social landscape by photographs and photographers is apparent from any public point of view. Photography is arguably the most democratic of mediums, even more accessible today across culture and class than language. In some regards, this has been Lee Friedlander’s most enduring subject—the way that average citizens interact with the world by making pictures of it, as well as how those pictures and the pictures constructed for advertising or political purposes define the public space. In ''Lee Friedlander: The people’s pictures'' we see photographs spanning six decades, most of the geographic United States and parts of Western Europe and Asia. These pictures are uniquely Friedlander photographs: as much about what’s in front of the camera as they are about the photographer’s lifelong redefining of the medium. Like his exploration of words, letters and numbers in the social landscape, these photographs of photography’s street presence seem inevitable to Friedlander’s vast visual orchestration of what our society looks like. But make no mistake, Friedlander’s photographs are not objective documents; they are intentional, authored, playful, intelligent creations made through his unprecedented collaboration with time and place.
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Parties : the human clay
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Lee Friedlander (b. 1934) is known for his candid portraits of people in their everyday environments. This volume in his Human Clay series of books highlights a lively collection of Friedlander’s photographs of celebrations—both public and private. From intimate gatherings to boisterous street parades, costume parties to black-tie affairs, Friedlander captures the spirit(...)
Parties : the human clay
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Lee Friedlander (b. 1934) is known for his candid portraits of people in their everyday environments. This volume in his Human Clay series of books highlights a lively collection of Friedlander’s photographs of celebrations—both public and private. From intimate gatherings to boisterous street parades, costume parties to black-tie affairs, Friedlander captures the spirit of these events and the ways in which they are commemorated. He documents surprisingly intimate moments—couples stealing a kiss, friends engaged in spirited conversation or laughing over drinks, guests lost in music on the dance floor. The images also feature a number of celebrities, including actors Ingrid Bergman and Sidney Poitier, enjoying the revelry at galas and parties, such as one at the famous Sardi’s restaurant in New York
Monographies photo
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Lee Friedlander has been tackling the challenge of self-portraiture throughout his prolific career. What began as an unorthodox investigation of the genre has become a masterful engagement spanning five decades. In this extraordinary compilation, which includes hundreds of previously unpublished pictures, we follow the famous photographer through the years as his personal(...)
Lee Friedlander: In the picture / self portraits 1958-2011
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Lee Friedlander has been tackling the challenge of self-portraiture throughout his prolific career. What began as an unorthodox investigation of the genre has become a masterful engagement spanning five decades. In this extraordinary compilation, which includes hundreds of previously unpublished pictures, we follow the famous photographer through the years as his personal and creative lives unfold and intertwine.
Monographies photo