Olafur Eliasson
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Né au Danemark, Eliasson travaille aujourd hui à Berlin. Il reconstitue dans l'espace de la galerie les fragments d'une contrée lointaine et transforme en sculptures des sensations immatérielles ou des phénomènes invisibles. Une simple ouverture circulaire au plafond d'une galerie de Los Angeles, par exemple, suffit à donner l'illusion d'un pâle soleil scandinave et à(...)
juin 2007, Paris
Olafur Eliasson
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Né au Danemark, Eliasson travaille aujourd hui à Berlin. Il reconstitue dans l'espace de la galerie les fragments d'une contrée lointaine et transforme en sculptures des sensations immatérielles ou des phénomènes invisibles. Une simple ouverture circulaire au plafond d'une galerie de Los Angeles, par exemple, suffit à donner l'illusion d'un pâle soleil scandinave et à fabriquer un cadran solaire géant, évoquant à la fois les découpes architecturales de Gordon Matta-Clark et l'oculus du Panthéon de Rome. Les ouvres sereines et magnifiques d'Eliasson, inspirées par les thèmes de la nature, de la solitude et de l'introspection, ont été présentées dans les grandes manifestations internationales d'art contemporain, dont la Biennale de Venise en 1999. Dans son essai, la conservatrice Madeleine Grynsztejn étudie la démarche singulière d un artiste qui mêle l'innovation technologique à son art. Le critique et conservateur Daniel Birnbaum s'entretient avec l'artiste de l'implantation des ouvres et de leur environnement immédiat, dans et à l'extérieur du musée. Dans «Focus», le théoricien de l'architecture Michael Speaks se penche sur l'intervention d'Eliasson «Green river» (1998), qu'il compare au film tourné par Antonioni en 1964, «Le Désert rouge». L'artiste a choisi un extrait de L'Évolution créatrice d'Henri Bergson (1907) qui traite de notre rapport subjectif et visuel à la nature, thème également central de son art. Les écrits d'Olafur Eliasson rassemblent un essai sur le plus banal des sujets, le temps qu il fait, et une lettre ouverte intitulée «Chers tous», adressée à tous les spectateurs de ses ouvres sensuelles et sophistiquées.
Luc Tuymans
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Luc Tuymans is one of today's most widely admired painters, a continuation of the great tradition of Northern European painting and an enduring influence on younger and emerging artists. As a European child of the 1950s, his relationship to painting is inevitably structured by television, cinema and by the lingering effects of World War II; more recent historical(...)
octobre 2009
Luc Tuymans
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Luc Tuymans is one of today's most widely admired painters, a continuation of the great tradition of Northern European painting and an enduring influence on younger and emerging artists. As a European child of the 1950s, his relationship to painting is inevitably structured by television, cinema and by the lingering effects of World War II; more recent historical preoccupations have included the dramatic turn of world events post-9/11. Tuymans combines a muted palette with deteriorated surface effect and a singular use of cropping, close-up and sequencing--perfect devices with which to undertake his investigation of the pathological, the banal and the conspiratorial. Published in conjunction with the artist's first full-scale American survey, this is without question the authoritative publication on Tuymans. It features approximately 75 key works from 1978 to the present, and is accompanied by essays analyzing the painter's main concerns, with particular attention paid to his working process and his adaptation of source materials.
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Alfredo Jaar's immersive site-specific installation in the Chilean pavilion at the 55th Venice Biennale, Venezia Venezia is a call to examine how today's culture, composed of increasingly complex global networks, can be adequately represented on a world stage. This publication features essays by 18 prominent, international authors from different fields of work and(...)
Alfredo Jaar: Venezia Venezia
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Alfredo Jaar's immersive site-specific installation in the Chilean pavilion at the 55th Venice Biennale, Venezia Venezia is a call to examine how today's culture, composed of increasingly complex global networks, can be adequately represented on a world stage. This publication features essays by 18 prominent, international authors from different fields of work and thought, including political and philosophical thinkers, critics, theorists, art historians and curators.
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In the work of Icelandic artist Olafur Eliasson, the sun can rise inside a museum and rainbows can appear indoors. His immersive installations explore the intersection of nature and artifice, transforming ordinary spaces into sites of wonder and spectacle. From kaleidoscopes to waterfalls to mirrored passageways, the projects invite the viewer's active participation while(...)
novembre 2007, San Francisco
Oliafur Eliasson Take your time
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In the work of Icelandic artist Olafur Eliasson, the sun can rise inside a museum and rainbows can appear indoors. His immersive installations explore the intersection of nature and artifice, transforming ordinary spaces into sites of wonder and spectacle. From kaleidoscopes to waterfalls to mirrored passageways, the projects invite the viewer's active participation while posing provocative questions about the workings of human perception. This catalogue is published in association with the San Francisco Museum of Modern Art and accompanies a major touring exhibition. More than two hundred color reproductions offer a rich visual survey of Eliasson's most significant works from 1990 to the present, while a series of original essays investigate the complex origins and implications of his practice, from the legacy of the Light and Space movement to the artist's recent forays into architectural design. 200+ color illustrations.
Doris Salcedo
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A mountain of chairs piled between buildings. Shoes sewn behind animal membranes into a wall. A massive crack running through the floor of Tate Modern. These works by sculptor Doris Salcedo evoke the significance of bearing witness and processes of collective healing. Salcedo, who lives and works in Bogotá, roots her art in Colombia’s social and political landscape —(...)
mars 2015
Doris Salcedo
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A mountain of chairs piled between buildings. Shoes sewn behind animal membranes into a wall. A massive crack running through the floor of Tate Modern. These works by sculptor Doris Salcedo evoke the significance of bearing witness and processes of collective healing. Salcedo, who lives and works in Bogotá, roots her art in Colombia’s social and political landscape — including its long history of civil wars — with a poetic sensibility that balances the gravitas of her subjects.