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Titre:
The Russian avant-garde book : 1910-1934

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$115.00
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Résumé:
This richly-illustrated catalogue accompanies the most comprehensive exhibition ever devoted to the subject. The illustrated books made during this enormously creative period were often hand-made and hand-printed in limited editions and were, in many instances, the collaborations between poets and painters. Among the well-known artists represented are Aleksandr Rodchenko, Natalia Goncharova, and El Lissitzky. This authoritative volume is destined to be the definitive word on the subject. Features 610 color illustrations, 60 duotones. ***Épuisé / Out of Print***

Titre:
Wolfgand Laib : a retrospective

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$19.95
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Résumé:
Wolfgang Laib’s concentrated installations are touching in an immediate and fundamental way, perhaps because they also address various levels of early childhood consciousness. Beeswax tunnels are redolent with an overwhelming scent of sweet honey and pollen; powdery piles of pollen are such a luminous yellow that you want to put your hands in it and play. Visitors to the installations are "opened up" to the spiritual dimension, become aware of the energetic presence of the natural materials shown, and are prepared for a spiritual and intellectual encounter with their symbolic content. This retrospective monograph features all of the key categories of Laib’s oeuvre, establishing the unique position and great auratic power of works that consistently question crucial issues.

Titre:
Cotton puffs, Q-tips, smoke and mirrors : the drawings of Ed Ruscha

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$67.50
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Résumé:
Ed Ruscha is among the most popular American artists working today. His evocations of commonplace subjects have earned him a reputation as a Pop artist, while his interest in language and typography has aligned him with Conceptual art. This book, published to accompany Ruscha's first museum retrospective of drawings, showcases his singular vision and his wide range of highly personal mediums and techniques.

Titre:
Ed Ruscha, photographer

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$54.95
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Résumé:
Although known for his paintings and drawings, California artist Ed Ruscha has also attracted critical attention for his photography. A new exhibition and accompanying catalogue, "Ed Ruscha, photographer", depart from earlier books to explore how the artist’s different disciplines — painting, drawing, printmaking, and photography — are guided and shaped by a single vision. Ruscha’s relationship to photography is complex and ambivalent, and the work is difficult to define. He has referred to his photography as a “hobby” but from the outset it has drawn considerable critical interest. The small books of photographs that Ruscha produced in the sixties and seventies earned him a reputation as an underground artist among his peers, and have influenced subsequent generations of artists in Europe and North America. The photographs were snapshot size, with an amateurish quality that intrigued his contemporaries. Neither purely documentary nor solely artistic, their subject matter was stereotypical and banal, with motifs drawn from sites in Southern California or the western United States. This, combined with their serial presentation, created a mythical road-movie or photo-novel effect with Beat Generation innuendos and inspired interest among artists at a time when serial logic was prominent in Pop art and Minimalism, and later in Conceptual art. This volume is produced in conjunction with a traveling exhibition to be shown in Europe in 2006, organized by The Whitney Museum of American Art, New York. The exhibition photographs have been selected from the collections of the Whitney and the artist by independent curator Margit Rowell.