3 Résultats
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livres
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$37.00
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Résumé:
Here is the flip-side of John Chamberlain's well-known crushed car sculptures: his work in foam. Just as revelatory in their formal sophistication, these works, primarily made from 1966 to 1970, with a few made in the late 1970s and early 1980s, boggle the eye with their simplicity. To make them, Chamberlain looped rope around a mass of plain or painted urethane foam and(...)
$37.00
(disponible sur commande)
Résumé:
Here is the flip-side of John Chamberlain's well-known crushed car sculptures: his work in foam. Just as revelatory in their formal sophistication, these works, primarily made from 1966 to 1970, with a few made in the late 1970s and early 1980s, boggle the eye with their simplicity. To make them, Chamberlain looped rope around a mass of plain or painted urethane foam and(...)
Publication:
mars 2008, Texas
mars 2008, Texas
Titre:
John Chamberlain The Foam Sculpture
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$37.00
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Résumé:
Here is the flip-side of John Chamberlain's well-known crushed car sculptures: his work in foam. Just as revelatory in their formal sophistication, these works, primarily made from 1966 to 1970, with a few made in the late 1970s and early 1980s, boggle the eye with their simplicity. To make them, Chamberlain looped rope around a mass of plain or painted urethane foam and tightened it to create dynamic tensions, which resulted in seductively rounded volumes. These sculptures are essential to Chamberlain's oeuvre, and this is the first publication to address them. Its first section is based on the Marfa, Texas, Chinati Foundation exhibition of 2005-2006, with installation shots and photographs of each exhibited piece; the second section assembles a total of 85 foam sculptures, constituting an almost complete catalogue of this group, and an update to Chamberlain's catalogue raisonne of 1986. Essays by Klaus Kertess, Iris Winkelmeyer and Marianne Stockebrand treat the sculptures in the larger context of Chamberlain's oeuvre and discuss the issue of conservation.
John Chamberlain The Foam Sculpture
Actions:
Prix:
$37.00
(disponible sur commande)
Résumé:
Here is the flip-side of John Chamberlain's well-known crushed car sculptures: his work in foam. Just as revelatory in their formal sophistication, these works, primarily made from 1966 to 1970, with a few made in the late 1970s and early 1980s, boggle the eye with their simplicity. To make them, Chamberlain looped rope around a mass of plain or painted urethane foam and tightened it to create dynamic tensions, which resulted in seductively rounded volumes. These sculptures are essential to Chamberlain's oeuvre, and this is the first publication to address them. Its first section is based on the Marfa, Texas, Chinati Foundation exhibition of 2005-2006, with installation shots and photographs of each exhibited piece; the second section assembles a total of 85 foam sculptures, constituting an almost complete catalogue of this group, and an update to Chamberlain's catalogue raisonne of 1986. Essays by Klaus Kertess, Iris Winkelmeyer and Marianne Stockebrand treat the sculptures in the larger context of Chamberlain's oeuvre and discuss the issue of conservation.
Classification:
livres
livres
Publication:
mars 2008, Texas
mars 2008, Texas
Classification:
livres
livres
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$69.95
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Résumé:
The Chinati Foundation (Marfa, Texas) is widely considered one of the world’s most important destinations for experiencing large-scale contemporary art. It was founded by Donald Judd (1928–1994), whose specific ambition was to preserve and present a select number of permanent installations that were inextricably linked to the surrounding landscape. The book describes how(...)
$69.95
(disponible sur commande)
Résumé:
The Chinati Foundation (Marfa, Texas) is widely considered one of the world’s most important destinations for experiencing large-scale contemporary art. It was founded by Donald Judd (1928–1994), whose specific ambition was to preserve and present a select number of permanent installations that were inextricably linked to the surrounding landscape. The book describes how(...)
Titre:
Chinati: The vision of Donald Judd
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$69.95
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Résumé:
The Chinati Foundation (Marfa, Texas) is widely considered one of the world’s most important destinations for experiencing large-scale contemporary art. It was founded by Donald Judd (1928–1994), whose specific ambition was to preserve and present a select number of permanent installations that were inextricably linked to the surrounding landscape. The book describes how Judd developed his ideas of the role of art and museums from the early 1960s onward, culminating in the creation of Chinati, and also features writings by Judd relating to Chinati and Marfa, and a complete catalogue of the collection.
Chinati: The vision of Donald Judd
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$69.95
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Résumé:
The Chinati Foundation (Marfa, Texas) is widely considered one of the world’s most important destinations for experiencing large-scale contemporary art. It was founded by Donald Judd (1928–1994), whose specific ambition was to preserve and present a select number of permanent installations that were inextricably linked to the surrounding landscape. The book describes how Judd developed his ideas of the role of art and museums from the early 1960s onward, culminating in the creation of Chinati, and also features writings by Judd relating to Chinati and Marfa, and a complete catalogue of the collection.
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livres
livres
Publication:
octobre 2010
octobre 2010
Classification:
livres
livres
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$54.95
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Résumé:
One of the most important American artists of the 20th century, Donald Judd (1928–1994) pioneered the use of industrial materials and fabrication in serial forms to redefine the relationships between artist, art object, viewer, and space, and usher in the Minimalist style. His signature work transformed in 1984 when he radically revised his approach to color after(...)
$54.95
(disponible sur commande)
Résumé:
One of the most important American artists of the 20th century, Donald Judd (1928–1994) pioneered the use of industrial materials and fabrication in serial forms to redefine the relationships between artist, art object, viewer, and space, and usher in the Minimalist style. His signature work transformed in 1984 when he radically revised his approach to color after(...)
Titre:
Donald Judd: the multicolored works
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$54.95
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One of the most important American artists of the 20th century, Donald Judd (1928–1994) pioneered the use of industrial materials and fabrication in serial forms to redefine the relationships between artist, art object, viewer, and space, and usher in the Minimalist style. His signature work transformed in 1984 when he radically revised his approach to color after learning of an industrial process for shaping and enameling aluminum in an array of colors from a commercial color chart. In the last decade of his life, he created multicolored works of serial forms, both wall-mounted and free-standing, which reveal an entirely new engagement with color. Focusing entirely on Judd’s multicolored works, this book features essays by leading scholars that illuminate this body of work and examine its relationship to his oeuvre as a whole. Judd was an important theorist in his own right, and his 1993 text, “Some Aspects of Color in General and Red and Black in Particular,” is reproduced here. An essential book on a groundbreaking artist, the volume includes images of dozens of multicolored works accompanied by preparatory drawings and collages, as well as photographs from the studio and the factory.
Donald Judd: the multicolored works
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Prix:
$54.95
(disponible sur commande)
Résumé:
One of the most important American artists of the 20th century, Donald Judd (1928–1994) pioneered the use of industrial materials and fabrication in serial forms to redefine the relationships between artist, art object, viewer, and space, and usher in the Minimalist style. His signature work transformed in 1984 when he radically revised his approach to color after learning of an industrial process for shaping and enameling aluminum in an array of colors from a commercial color chart. In the last decade of his life, he created multicolored works of serial forms, both wall-mounted and free-standing, which reveal an entirely new engagement with color. Focusing entirely on Judd’s multicolored works, this book features essays by leading scholars that illuminate this body of work and examine its relationship to his oeuvre as a whole. Judd was an important theorist in his own right, and his 1993 text, “Some Aspects of Color in General and Red and Black in Particular,” is reproduced here. An essential book on a groundbreaking artist, the volume includes images of dozens of multicolored works accompanied by preparatory drawings and collages, as well as photographs from the studio and the factory.
Classification:
livres
livres
Publication:
novembre 2014
novembre 2014
