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Titre:
Mark Manders: House with all existing words. Juliaan Lampen's Woning Van Wassenhove

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Résumé:
Sculptor Mark Manders installed an exhibition in the Woning Van Wassenhove, a post-Brutalist house designed by Juliaan Lampens in 1974. Although Manders hardly touched some spaces, he treats the bed, office, and kitchen as stages for aggregation in line with the original occupant’s mindset: drawings, architectural proposals, photographs, artworks, paint pots, and seemingly wet clay are piled on top of one another. In Manders’s words: "The aim is to show the house in a perfect situation. While some spaces derail when you zoom in on them, there is a kaleidoscopic element to it, as if you are looking inside a head."

Titre:
Mark Manders: Slide projections: Two interconnected houses/ documented assignment

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Résumé:
In 2010 – 11 the work of Dutch sculptor Mark Manders, a winner of the Dr A.H. Heineken Prize for Art, is touring the USA for the first time, with shows at the Hammer Museum Los Angeles, Aspen Art Museum, the Walker Art Center Minneapolis, and the Dallas Museum of Art. Manders' work aims to bypass language, gathering existing and self-made objects into tableaux that incorporate figures, animals, household goods, archeological debris and architectural components, and evoke a mysterious world of daydreams and fairy tales. For this travelling exhibition and artist's book Manders has created an entirely new body of work, including sculpture and works on paper.

Titre:
Mark Manders : les études d'ombres

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Résumé:
Mark Manders est sculpteur. Ses sculptures et installations intègrent la terre, le métal peint, les éléments de mobilier, le journal, la figure et les mots puisque le travail est aussi une sorte d’encyclopédie personnelle. À l’origine, Mark Manders vient de l’écriture et son travail apparaît comme une sorte de récit continu entrepris en 1986 sous le nom de Self-portrait as a building, un autoportrait mis à distance dans un monde parallèle. Les œuvres sont mises en forme lentement et peuvent être reprises. Tout au long de ces années, Mark Manders a constitué un vocabulaire immédiatement identifiable où se côtoient murs en briques, cheminées d’usines, animaux, personnages, sachets de thé. Souvent plus petites que le réel qu’elles évoquent, ces œuvres interrogent tant la question de l’échelle que la tradition de la sculpture et la position de la figure humaine dans un univers énigmatique et fascinant. Les assemblages surprenants placent immédiatement le spectateur dans la position du rêveur éveillé qui entre dans un univers qui, bien que figuré, est entièrement mental.

Titre:
Mark Manders: All words and one

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$67.00
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Résumé:
This is a book about a single word: ''Skiapod''. What started with the task to take a single word out of all existing words, and to extend and change the meaning of that word, soon became a fascinating journey through our human history and our strange human minds. In this book you can see how an idea can travel through different periods, crystallize in different artists, minds and freeze in various media. From cave drawings to a fax, from Malevich to Guston.

Titre:
Mark Manders reference book

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$63.00
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Résumé:
Dutch artist Mark Manders - who will represent the Netherlands at the 55th Venice Biennale in 2013 - was awarded the Heineken Prize for Art 2012. The jury praised him "for his ability to create a personal world with a distinct visual language that both intrigues and becomes fixed in the memory." On the occasion of this award, Roma Publications compiled this almost encyclopedic book which covers Manders' entire oeuvre from the late 1980s until the present. It contains facsimiles of the artist's publications and a focus on a large number of recent, never-published works.

Titre:
Mark Manders : isolated rooms

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Résumé:
Catalogue covering Mark Manders' double solo show "Isolated rooms" at The Art Institute of Chicago and The Renaissance Society at The University of Chicago (9.13.2003 -1.4.2004). The book (184 pp.) is accompanied by a exhibition checklist and a 56 pp. reference book. Compilation and design : Roger Willems and Mark Manders. Texts by : James Cuno and Susanne Ghez, James Rondeau, Dieter Roelstraete, Mark Manders and Marije Langelaar.