19 Résultats
Classification:
périodiques
périodiques
Titre:
Open 6 (in)security
Open 6 (in)security
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Résumé:
There is a yearning for security in today's public domain. The individual and the community are increasingly demanding protection from and control over the space, themselves and others. A society of control is looming, but one lacking a clear idea about the nature and the origin of its underlying fears. This cahier examines the consequences of the current preoccupation(...)
$36.00
(disponible sur commande)
Résumé:
There is a yearning for security in today's public domain. The individual and the community are increasingly demanding protection from and control over the space, themselves and others. A society of control is looming, but one lacking a clear idea about the nature and the origin of its underlying fears. This cahier examines the consequences of the current preoccupation(...)
Sujet:
Revues
Revues
Publication:
août 2004, Rotterdam
août 2004, Rotterdam
Titre:
Open 6 (in)security
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Prix:
$36.00
(disponible sur commande)
Résumé:
There is a yearning for security in today's public domain. The individual and the community are increasingly demanding protection from and control over the space, themselves and others. A society of control is looming, but one lacking a clear idea about the nature and the origin of its underlying fears. This cahier examines the consequences of the current preoccupation with security for the public space and the visual arts. What are the implications for the functioning of the public domain, for its arrangement, design and experience? And how does this influence the task and perception of art? From art, architecture, philosophy and politics come theoretical and practical scenarios, proposals and visions that expose something of today's security paradigm, advocate alternative (conceptual) models or offer insights into the current ethics and aesthetics of security. Gijs van Oenen subjects the 'new securityscape' to a critical analysis. Lieven De Cauter digs into the various strata of the new fear. Sean Snyder presents images from his Temporary Occupation project. Thomas Y. Levin looks at how artists deal with surveillance in the public space. Sven Lütticken reflects on the concept of a 'human park' in philosophy, art and media. Harm Tilman focuses on architecture in a society of control. Mark Wigley analyses the issue of security in relation to the World Trade Center buildings in New York. Hans Boutellier wishes art would apply the brakes to the security Utopia. Jouke Kleerebezem calls for vigilance in the information society. Willem van Weelden discusses the project in Kanaleneiland, Utrecht. Q.S. Serafijn shows multiple dimensions of the interactive D-Tower in Doetinchem. Mark Wigley dissects the abode of the Unabomber.
Open 6 (in)security
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Prix:
$36.00
(disponible sur commande)
Résumé:
There is a yearning for security in today's public domain. The individual and the community are increasingly demanding protection from and control over the space, themselves and others. A society of control is looming, but one lacking a clear idea about the nature and the origin of its underlying fears. This cahier examines the consequences of the current preoccupation with security for the public space and the visual arts. What are the implications for the functioning of the public domain, for its arrangement, design and experience? And how does this influence the task and perception of art? From art, architecture, philosophy and politics come theoretical and practical scenarios, proposals and visions that expose something of today's security paradigm, advocate alternative (conceptual) models or offer insights into the current ethics and aesthetics of security. Gijs van Oenen subjects the 'new securityscape' to a critical analysis. Lieven De Cauter digs into the various strata of the new fear. Sean Snyder presents images from his Temporary Occupation project. Thomas Y. Levin looks at how artists deal with surveillance in the public space. Sven Lütticken reflects on the concept of a 'human park' in philosophy, art and media. Harm Tilman focuses on architecture in a society of control. Mark Wigley analyses the issue of security in relation to the World Trade Center buildings in New York. Hans Boutellier wishes art would apply the brakes to the security Utopia. Jouke Kleerebezem calls for vigilance in the information society. Willem van Weelden discusses the project in Kanaleneiland, Utrecht. Q.S. Serafijn shows multiple dimensions of the interactive D-Tower in Doetinchem. Mark Wigley dissects the abode of the Unabomber.
Classification:
périodiques
périodiques
Publication:
août 2004, Rotterdam
août 2004, Rotterdam
Sujet:
Revues
Revues
Classification:
livres
livres
Actions:
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$71.50
(disponible sur commande)
Résumé:
An exhibition catalogue from the Migros Museum featuring 21 artists and architects including Anish Kapoor, Jane and Louise Wilson, James Casebere, and Daniel Libeskind among others. The exhibition takes as its point of departure three contexts in which space occupies a central position: Sigmund Freud’s notion of “das Unheimliche” and psychoanalytical elaboration of(...)
$71.50
(disponible sur commande)
Résumé:
An exhibition catalogue from the Migros Museum featuring 21 artists and architects including Anish Kapoor, Jane and Louise Wilson, James Casebere, and Daniel Libeskind among others. The exhibition takes as its point of departure three contexts in which space occupies a central position: Sigmund Freud’s notion of “das Unheimliche” and psychoanalytical elaboration of(...)
Publication:
novembre 2003, Zurich / Gdansk
novembre 2003, Zurich / Gdansk
Titre:
Bewitched, bothered and bewildered : spatial emotion in contemporary art and architecture
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$71.50
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Résumé:
An exhibition catalogue from the Migros Museum featuring 21 artists and architects including Anish Kapoor, Jane and Louise Wilson, James Casebere, and Daniel Libeskind among others. The exhibition takes as its point of departure three contexts in which space occupies a central position: Sigmund Freud’s notion of “das Unheimliche” and psychoanalytical elaboration of space and its emotion; Michel Foucault’s other spaces – heterotopias and their counter-site qualities of socio-political implications; and Walter Benjamin’s outmoded and repressed space with all its auratic traces (fake or authentic) of philosophical and historic charge. “Bewitched, Bothered and Bewildered” aims to exploit the psychological associations of space with its multiplicity of emotional overtones, mapping its extremes and its psychic environment. Focusing on spatial pathologies (agoraphobia, vertigo, claustrophobia...), the exhibition identifies space as a cause of mental disorder, fear or estrangement, ultimate trauma. Hysteria, panic and neurosis overlap with other spatial stories of psychic unrest and unease: distortions and perversions (warped space); anxiety and enigmas (haunted space); spatial inconvenience and discomfort, perfectly domestic and yet alienating; space half-spoken, half-pronounced: a promise, a puzzle, a magic spell, temptation.
Bewitched, bothered and bewildered : spatial emotion in contemporary art and architecture
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Prix:
$71.50
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Résumé:
An exhibition catalogue from the Migros Museum featuring 21 artists and architects including Anish Kapoor, Jane and Louise Wilson, James Casebere, and Daniel Libeskind among others. The exhibition takes as its point of departure three contexts in which space occupies a central position: Sigmund Freud’s notion of “das Unheimliche” and psychoanalytical elaboration of space and its emotion; Michel Foucault’s other spaces – heterotopias and their counter-site qualities of socio-political implications; and Walter Benjamin’s outmoded and repressed space with all its auratic traces (fake or authentic) of philosophical and historic charge. “Bewitched, Bothered and Bewildered” aims to exploit the psychological associations of space with its multiplicity of emotional overtones, mapping its extremes and its psychic environment. Focusing on spatial pathologies (agoraphobia, vertigo, claustrophobia...), the exhibition identifies space as a cause of mental disorder, fear or estrangement, ultimate trauma. Hysteria, panic and neurosis overlap with other spatial stories of psychic unrest and unease: distortions and perversions (warped space); anxiety and enigmas (haunted space); spatial inconvenience and discomfort, perfectly domestic and yet alienating; space half-spoken, half-pronounced: a promise, a puzzle, a magic spell, temptation.
Classification:
livres
livres
Publication:
novembre 2003, Zurich / Gdansk
novembre 2003, Zurich / Gdansk
Classification:
livres
livres
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$45.95
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Résumé:
In a daring revisionist history of modern architecture, Mark Wigley opens up a new understanding of the historical avant-garde. He explores the most obvious, but least discussed, feature of modern architecture: white walls. Although the white wall exemplifies the stripping away of the decorative masquerade costumes worn by nineteenth-century buildings, Wigley argues that(...)
$45.95
(disponible sur commande)
Résumé:
In a daring revisionist history of modern architecture, Mark Wigley opens up a new understanding of the historical avant-garde. He explores the most obvious, but least discussed, feature of modern architecture: white walls. Although the white wall exemplifies the stripping away of the decorative masquerade costumes worn by nineteenth-century buildings, Wigley argues that(...)
Titre:
White walls, designer dresses : the fashioning of modern architecture
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$45.95
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Résumé:
In a daring revisionist history of modern architecture, Mark Wigley opens up a new understanding of the historical avant-garde. He explores the most obvious, but least discussed, feature of modern architecture: white walls. Although the white wall exemplifies the stripping away of the decorative masquerade costumes worn by nineteenth-century buildings, Wigley argues that modern buildings are not naked. The white wall is itself a form of clothing -- the newly athletic body of the building, like that of its occupants, wears a new kind of garment and these garments are meant to match. Not only did almost all modern architects literally design dresses, Wigley points out, their arguments for a modern architecture were taken from the logic of clothing reform. Architecture was understood as a form of dress design. Wigley follows the trajectory of this key subtext by closely reading the statements and designs of most of the protagonists, demonstrating that it renders modern architecture's relationship with the psychosexual economy of fashion much more ambiguous than the architects' endlessly repeated rejections of fashion would suggest. Indeed, Wigley asserts, the very intensity of these rejections is a symptom of how deeply they are embedded in the world of clothing. By drawing on arguments about the relationship between clothing and architecture first formulated in the middle of the nineteenth century, modern architects in fact presented a sophisticated theory of the surface, modernizing architecture by transforming the status of the surface. "White Walls, Designer Dresses" shows how this seemingly incidental clothing logic actually organizes the detailed design of the modern building, dictating a system of polychromy, understood as a multicolored outfit. The familiar image of modern architecture as white turns out to be the effect of a historiographical tradition that has worked hard to suppress the color of the surfaces of the buildings that it describes. Wigley analyzes this suppression in terms of the sexual logic that invariably accompanies discussions of clothing and color, recovering those sensuously colored surfaces and the extraordinary arguments about clothing that were used to defend them.
White walls, designer dresses : the fashioning of modern architecture
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Prix:
$45.95
(disponible sur commande)
Résumé:
In a daring revisionist history of modern architecture, Mark Wigley opens up a new understanding of the historical avant-garde. He explores the most obvious, but least discussed, feature of modern architecture: white walls. Although the white wall exemplifies the stripping away of the decorative masquerade costumes worn by nineteenth-century buildings, Wigley argues that modern buildings are not naked. The white wall is itself a form of clothing -- the newly athletic body of the building, like that of its occupants, wears a new kind of garment and these garments are meant to match. Not only did almost all modern architects literally design dresses, Wigley points out, their arguments for a modern architecture were taken from the logic of clothing reform. Architecture was understood as a form of dress design. Wigley follows the trajectory of this key subtext by closely reading the statements and designs of most of the protagonists, demonstrating that it renders modern architecture's relationship with the psychosexual economy of fashion much more ambiguous than the architects' endlessly repeated rejections of fashion would suggest. Indeed, Wigley asserts, the very intensity of these rejections is a symptom of how deeply they are embedded in the world of clothing. By drawing on arguments about the relationship between clothing and architecture first formulated in the middle of the nineteenth century, modern architects in fact presented a sophisticated theory of the surface, modernizing architecture by transforming the status of the surface. "White Walls, Designer Dresses" shows how this seemingly incidental clothing logic actually organizes the detailed design of the modern building, dictating a system of polychromy, understood as a multicolored outfit. The familiar image of modern architecture as white turns out to be the effect of a historiographical tradition that has worked hard to suppress the color of the surfaces of the buildings that it describes. Wigley analyzes this suppression in terms of the sexual logic that invariably accompanies discussions of clothing and color, recovering those sensuously colored surfaces and the extraordinary arguments about clothing that were used to defend them.
Classification:
livres
livres
Publication:
octobre 2001, Cambridge, Mass.
octobre 2001, Cambridge, Mass.
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
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$50.00
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Résumé:
An ongoing program of temporary structures designed by internationally acclaimed architects, The Serpentine Gallery Pavilion for 2009 was designed by Kazuyo Sejima and Ryue Nishizawa, of the leading Japanese architecture practice SANAA. Sejima and Nishizawa created a stunning structure that resembles a reflective cloud or a pool of water, sitting atop a series of delicate(...)
$50.00
(disponible sur commande)
Résumé:
An ongoing program of temporary structures designed by internationally acclaimed architects, The Serpentine Gallery Pavilion for 2009 was designed by Kazuyo Sejima and Ryue Nishizawa, of the leading Japanese architecture practice SANAA. Sejima and Nishizawa created a stunning structure that resembles a reflective cloud or a pool of water, sitting atop a series of delicate(...)
Titre:
Sanaa: Serpentine Gallery pavillion
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$50.00
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Résumé:
An ongoing program of temporary structures designed by internationally acclaimed architects, The Serpentine Gallery Pavilion for 2009 was designed by Kazuyo Sejima and Ryue Nishizawa, of the leading Japanese architecture practice SANAA. Sejima and Nishizawa created a stunning structure that resembles a reflective cloud or a pool of water, sitting atop a series of delicate columns. The metal roof varies in height, wrapping itself around the trees in the park and sweeping down almost to the ground in some places. Open and ephemeral in structure, its reflective materials allow it to sit seamlessly within the natural environment, reflecting both the park and sky. “It works as a field of activity with no walls,” say Sejima and Nishizawa. This publication documents the conception, construction and life of this impressive temporary structure.
Sanaa: Serpentine Gallery pavillion
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Prix:
$50.00
(disponible sur commande)
Résumé:
An ongoing program of temporary structures designed by internationally acclaimed architects, The Serpentine Gallery Pavilion for 2009 was designed by Kazuyo Sejima and Ryue Nishizawa, of the leading Japanese architecture practice SANAA. Sejima and Nishizawa created a stunning structure that resembles a reflective cloud or a pool of water, sitting atop a series of delicate columns. The metal roof varies in height, wrapping itself around the trees in the park and sweeping down almost to the ground in some places. Open and ephemeral in structure, its reflective materials allow it to sit seamlessly within the natural environment, reflecting both the park and sky. “It works as a field of activity with no walls,” say Sejima and Nishizawa. This publication documents the conception, construction and life of this impressive temporary structure.
Classification:
livres
livres
Publication:
février 2010
février 2010
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
Titre:
Abstract: 2012-2013
Abstract: 2012-2013
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Résumé:
Abstract is the yearly publication of student work from Columbia University's GSAPP. The catalog is produced through the office of Dean Mark Wigley. The archive of student work, containing documentation of projects selected by faculty at the conclusion of each semester, is utilized in the making of Abstract.
$19.95
(disponible sur commande)
Résumé:
Abstract is the yearly publication of student work from Columbia University's GSAPP. The catalog is produced through the office of Dean Mark Wigley. The archive of student work, containing documentation of projects selected by faculty at the conclusion of each semester, is utilized in the making of Abstract.
Sujet:
Architecture contemporaine
Architecture contemporaine
Publication:
novembre 2014
novembre 2014
Titre:
Abstract: 2012-2013
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$19.95
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Résumé:
Abstract is the yearly publication of student work from Columbia University's GSAPP. The catalog is produced through the office of Dean Mark Wigley. The archive of student work, containing documentation of projects selected by faculty at the conclusion of each semester, is utilized in the making of Abstract.
Abstract: 2012-2013
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$19.95
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Résumé:
Abstract is the yearly publication of student work from Columbia University's GSAPP. The catalog is produced through the office of Dean Mark Wigley. The archive of student work, containing documentation of projects selected by faculty at the conclusion of each semester, is utilized in the making of Abstract.
Classification:
livres
livres
Publication:
novembre 2014
novembre 2014
Sujet:
Architecture contemporaine
Architecture contemporaine
Classification:
livres
livres
Titre:
Abstract: 2010-2011
Abstract: 2010-2011
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Résumé:
Abstract is the yearly publication of student work from Columbia University's GSAPP. The catalog is produced through the office of Dean Mark Wigley. The archive of student work, containing documentation of projects selected by faculty at the conclusion of each semester, is utilized in the making of Abstract.
$19.95
(disponible sur commande)
Résumé:
Abstract is the yearly publication of student work from Columbia University's GSAPP. The catalog is produced through the office of Dean Mark Wigley. The archive of student work, containing documentation of projects selected by faculty at the conclusion of each semester, is utilized in the making of Abstract.
Sujet:
Architecture contemporaine
Architecture contemporaine
Publication:
novembre 2014
novembre 2014
Titre:
Abstract: 2010-2011
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$19.95
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Abstract is the yearly publication of student work from Columbia University's GSAPP. The catalog is produced through the office of Dean Mark Wigley. The archive of student work, containing documentation of projects selected by faculty at the conclusion of each semester, is utilized in the making of Abstract.
Abstract: 2010-2011
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$19.95
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Résumé:
Abstract is the yearly publication of student work from Columbia University's GSAPP. The catalog is produced through the office of Dean Mark Wigley. The archive of student work, containing documentation of projects selected by faculty at the conclusion of each semester, is utilized in the making of Abstract.
Classification:
livres
livres
Publication:
novembre 2014
novembre 2014
Sujet:
Architecture contemporaine
Architecture contemporaine
Classification:
livres
livres
Titre:
Abstract: 2005-2006
Abstract: 2005-2006
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$14.95
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Résumé:
Abstract is the yearly publication of student work from Columbia University’s GSAPP. The catalog is produced through the office of Dean Mark Wigley. The archive of student work, containing documentation of projects selected by faculty at the conclusion of each semester, is utilized in the making of Abstract.
$14.95
(disponible sur commande)
Résumé:
Abstract is the yearly publication of student work from Columbia University’s GSAPP. The catalog is produced through the office of Dean Mark Wigley. The archive of student work, containing documentation of projects selected by faculty at the conclusion of each semester, is utilized in the making of Abstract.
Titre:
Abstract: 2005-2006
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$14.95
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Résumé:
Abstract is the yearly publication of student work from Columbia University’s GSAPP. The catalog is produced through the office of Dean Mark Wigley. The archive of student work, containing documentation of projects selected by faculty at the conclusion of each semester, is utilized in the making of Abstract.
Abstract: 2005-2006
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Prix:
$14.95
(disponible sur commande)
Résumé:
Abstract is the yearly publication of student work from Columbia University’s GSAPP. The catalog is produced through the office of Dean Mark Wigley. The archive of student work, containing documentation of projects selected by faculty at the conclusion of each semester, is utilized in the making of Abstract.
Classification:
livres
livres
Publication:
novembre 2014
novembre 2014
Sujet:
Architecture contemporaine
Architecture contemporaine
Classification:
livres
livres
Titre:
Abstract: 2008-2009
Abstract: 2008-2009
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$19.95
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Abstract is the yearly publication of student work from Columbia University's GSAPP. The catalog is produced through the office of Dean Mark Wigley. The archive of student work, containing documentation of projects selected by faculty at the conclusion of each semester, is utilized in the making of Abstract.
$19.95
(disponible sur commande)
Résumé:
Abstract is the yearly publication of student work from Columbia University's GSAPP. The catalog is produced through the office of Dean Mark Wigley. The archive of student work, containing documentation of projects selected by faculty at the conclusion of each semester, is utilized in the making of Abstract.
Titre:
Abstract: 2008-2009
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$19.95
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Résumé:
Abstract is the yearly publication of student work from Columbia University's GSAPP. The catalog is produced through the office of Dean Mark Wigley. The archive of student work, containing documentation of projects selected by faculty at the conclusion of each semester, is utilized in the making of Abstract.
Abstract: 2008-2009
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$19.95
(disponible sur commande)
Résumé:
Abstract is the yearly publication of student work from Columbia University's GSAPP. The catalog is produced through the office of Dean Mark Wigley. The archive of student work, containing documentation of projects selected by faculty at the conclusion of each semester, is utilized in the making of Abstract.
Classification:
livres
livres
Publication:
novembre 2014
novembre 2014
Sujet:
Architecture contemporaine
Architecture contemporaine
Classification:
livres
livres
Titre:
Abstract: 2009-2010
Abstract: 2009-2010
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$19.95
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Résumé:
Abstract is the yearly publication of student work from Columbia University's GSAPP. The catalog is produced through the office of Dean Mark Wigley. The archive of student work, containing documentation of projects selected by faculty at the conclusion of each semester, is utilized in the making of Abstract.
$19.95
(disponible sur commande)
Résumé:
Abstract is the yearly publication of student work from Columbia University's GSAPP. The catalog is produced through the office of Dean Mark Wigley. The archive of student work, containing documentation of projects selected by faculty at the conclusion of each semester, is utilized in the making of Abstract.
Titre:
Abstract: 2009-2010
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$19.95
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Résumé:
Abstract is the yearly publication of student work from Columbia University's GSAPP. The catalog is produced through the office of Dean Mark Wigley. The archive of student work, containing documentation of projects selected by faculty at the conclusion of each semester, is utilized in the making of Abstract.
Abstract: 2009-2010
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$19.95
(disponible sur commande)
Résumé:
Abstract is the yearly publication of student work from Columbia University's GSAPP. The catalog is produced through the office of Dean Mark Wigley. The archive of student work, containing documentation of projects selected by faculty at the conclusion of each semester, is utilized in the making of Abstract.
Classification:
livres
livres
Publication:
novembre 2014
novembre 2014
Sujet:
Architecture contemporaine
Architecture contemporaine
Classification:
livres
livres
Titre:
Abstract: 2006-2007
Abstract: 2006-2007
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$19.95
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Abstract is the yearly publication of student work from Columbia University's GSAPP. The catalog is produced through the office of Dean Mark Wigley. The archive of student work, containing documentation of projects selected by faculty at the conclusion of each semester, is utilized in the making of Abstract.
$19.95
(disponible sur commande)
Résumé:
Abstract is the yearly publication of student work from Columbia University's GSAPP. The catalog is produced through the office of Dean Mark Wigley. The archive of student work, containing documentation of projects selected by faculty at the conclusion of each semester, is utilized in the making of Abstract.
Titre:
Abstract: 2006-2007
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$19.95
(disponible sur commande)
Résumé:
Abstract is the yearly publication of student work from Columbia University's GSAPP. The catalog is produced through the office of Dean Mark Wigley. The archive of student work, containing documentation of projects selected by faculty at the conclusion of each semester, is utilized in the making of Abstract.
Abstract: 2006-2007
Actions:
Prix:
$19.95
(disponible sur commande)
Résumé:
Abstract is the yearly publication of student work from Columbia University's GSAPP. The catalog is produced through the office of Dean Mark Wigley. The archive of student work, containing documentation of projects selected by faculty at the conclusion of each semester, is utilized in the making of Abstract.
Classification:
livres
livres
Publication:
novembre 2014
novembre 2014
Sujet:
Architecture contemporaine
Architecture contemporaine
