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Walker Evans
$97.50
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Résumé:
Although his work has received many awards, been collected by museums, and been exhibited on several continents, Evans's total corpus is only now being fully examined. This important book revises our appreciation of Evans by presenting(...)
Monographies photo
février 2000, New York
Walker Evans
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Prix:
$97.50
(disponible sur commande)
Résumé:
Although his work has received many awards, been collected by museums, and been exhibited on several continents, Evans's total corpus is only now being fully examined. This important book revises our appreciation of Evans by presenting previously unknown material in an accessible context. Essays by Maria Morris Hambourg, Jeff L. Rosenheim, Doug Eklund, and Mia Fineman offer novel insights into the sources and legacy of Evans's work. This beautiful volume accompanies the travelling exhibition organised by the Metropolitan Museum of Art in New York.
livres
février 2000, New York
Monographies photo
$66.50
(disponible sur commande)
Résumé:
By tracing the history of manipulated photography from the earliest days of the medium to the release of Photoshop 1.0 in 1990, Mia Fineman offers a corrective to the dominant narrative of photography's development, in which champions of photographic "purity," such as Paul Strand, Edward Weston, and Henri Cartier-Bresson, get all the glory, while devotees of manipulation,(...)
Faking it: manipulated photography before photoshop
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Prix:
$66.50
(disponible sur commande)
Résumé:
By tracing the history of manipulated photography from the earliest days of the medium to the release of Photoshop 1.0 in 1990, Mia Fineman offers a corrective to the dominant narrative of photography's development, in which champions of photographic "purity," such as Paul Strand, Edward Weston, and Henri Cartier-Bresson, get all the glory, while devotees of manipulation, including Henry Peach Robinson, Edward Steichen, and John Heartfield, are treated as conspicuous anomalies. Among the techniques discussed on these pages--abundantly illustrated with works from an international array of public and private collections--are multiple exposure, combination printing, photomontage, composite portraiture, over-painting, hand coloring, and retouching.
Théorie de la photographie