Michalis Pichler Hearts
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A collection and archival documentation of discarded commodities, which carried depictions of hearts, found in public space mostly in Berlin, but also in Greece and New York City. The photo documentation is accompanied by transcriptions of every text carried by the found objects. A solid piece of conceptual photography and concrete poetry. This book is volume 2 of an(...)
Michalis Pichler Hearts
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$45.00
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A collection and archival documentation of discarded commodities, which carried depictions of hearts, found in public space mostly in Berlin, but also in Greece and New York City. The photo documentation is accompanied by transcriptions of every text carried by the found objects. A solid piece of conceptual photography and concrete poetry. This book is volume 2 of an encyclopedia (volume 1: stars & stripes aka 'new york garbage flag profile' / ISBN 978-3-865880-94-9)
$29.00
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contributions: AA Bronson, Anonymus*, Inaki Bonillas, Mel Bochner, Marcel Broodthaers*, Heath Bunting, Alice Creischer, Brad Downey, Kenneth Goldsmith, Ellen Harvey, Burkhard Holdorff, Douglas Huebler*, Deborah Kelly, Sol LeWitt*, nature*, Akim Nguyen, Edgar Orlaineta, Grisha Perelman*, Michalis Pichler, Peter Piller, Adrian Piper, Johannes Raether, Allen Ruppersberg,(...)
Michalis Pichler working drawing and other visible things on paper not neccesarily meant to be viewed.
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contributions: AA Bronson, Anonymus*, Inaki Bonillas, Mel Bochner, Marcel Broodthaers*, Heath Bunting, Alice Creischer, Brad Downey, Kenneth Goldsmith, Ellen Harvey, Burkhard Holdorff, Douglas Huebler*, Deborah Kelly, Sol LeWitt*, nature*, Akim Nguyen, Edgar Orlaineta, Grisha Perelman*, Michalis Pichler, Peter Piller, Adrian Piper, Johannes Raether, Allen Ruppersberg, Stefan Schuster, Andreas Siekmann, Evgenia Tsalagrada, Xerox*, Haegue Yang, Adam Zaretsky * “found” material The title is a paraphrase of Mel Bochners landmark project from 1966 as organized with the SVA. The last two words "As Art" have been omitted from the title. put together by Michalis Pichler
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"Un coup de dés jamais n’abolira le hasard" / "A Throw of the Dice will Never Abolish Chance" (Sculpture) is a close copy of the 1914 edition of the French symbolist poet Stéphane Mallarmé’s poem of the same name, but with all the words cut out by laser, in a way that corresponds directly to the typographic layout used by Mallarmé to articulate the text. "A Preface"(...)
Michalis Pichler: Un coup de dés jamais n'abolira le hasard
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"Un coup de dés jamais n’abolira le hasard" / "A Throw of the Dice will Never Abolish Chance" (Sculpture) is a close copy of the 1914 edition of the French symbolist poet Stéphane Mallarmé’s poem of the same name, but with all the words cut out by laser, in a way that corresponds directly to the typographic layout used by Mallarmé to articulate the text. "A Preface" features the entire poem written as a block of text with each line separated by a slash (/). This block-transcription of the Mallarme-Text was carried out 1969 by Broodthaers. 12 double spreads follow, with immaculately cut out windows standing in for the text. When turning the pages, numerous shadows are being generated by the cutouts.
Littérature et poésie
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Independent publishing, art publishing, publishing as artistic practice, publishing counterculture, and the zine, DIY, and POD scenes have proliferated over the last two decades. So too have art book fairs, an increasingly important venue?or even medium?for art. Art publishing experienced a similar boom in the 1960s and 1970s, in response to the culture's "linguistic(...)
Publishing manifestos: an international anthology from artists and writers
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Independent publishing, art publishing, publishing as artistic practice, publishing counterculture, and the zine, DIY, and POD scenes have proliferated over the last two decades. So too have art book fairs, an increasingly important venue?or even medium?for art. Art publishing experienced a similar boom in the 1960s and 1970s, in response to the culture's "linguistic turn." Today, art publishing confronts the internet and the avalanche of language and images that it enables. The printed book offers artists both visibility and tangibility. "Publishing Manifestos" gathers texts by artists, authors, editors, publishers, designers, zinesters, and activists to explore this rapidly expanding terrain for art practice.
Théorie de l’art