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"One place after another" offers a critical history of site-specific art since the late 1960s and a theoretical framework for examining the rhetoric of aesthetic vanguardism and political progressivism associated with its many permutations. Informed by urban theory, postmodernist criticism in art and architecture, and debates concerning identity politics and the public(...)
novembre 2001, Cambridge, Mass.
One place after another : site-specific art and locational identity
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"One place after another" offers a critical history of site-specific art since the late 1960s and a theoretical framework for examining the rhetoric of aesthetic vanguardism and political progressivism associated with its many permutations. Informed by urban theory, postmodernist criticism in art and architecture, and debates concerning identity politics and the public sphere, the book addresses the siting of art as more than an artistic problem. It examines site specificity as a complex cipher of the unstable relationship between location and identity in the era of late capitalism. The book addresses the work of, among others, John Ahearn, Mark Dion, Andrea Fraser, Donald Judd, Renée Green, Suzanne Lacy, Iñigo Manglano-Ovalle, Richard Serra, Mierle Laderman Ukeles, and Fred Wilson.
$66.00
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Japanese publisher Tetsuhiko Fukutake has transformed the island of Naoshima into an art lover's paradise. Located off the west coast of Japan, the island is home to Ando-designed museums showcasing works by Walter De Maria, James Turrell, Jackson Pollock, Cy Twombly, Bruce Nauman and David Hockney, as well as public installations by Cai Guo-Qiang and Yayoi Kusama.
janvier 2011
Naoshima: Nature, art, architecture
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$66.00
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Japanese publisher Tetsuhiko Fukutake has transformed the island of Naoshima into an art lover's paradise. Located off the west coast of Japan, the island is home to Ando-designed museums showcasing works by Walter De Maria, James Turrell, Jackson Pollock, Cy Twombly, Bruce Nauman and David Hockney, as well as public installations by Cai Guo-Qiang and Yayoi Kusama.
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The illustrated catalogue documents the history of Land art from its emergence during the early 1960s through 1974. A companion volume to the first large-scale exhibition on Land art, this book traces the emergence of the artistic impulses to use the earth as material, land as medium, and to locate works in remote sites, beyond familiar art contexts.
Ends of the earth: Land art to 1974
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The illustrated catalogue documents the history of Land art from its emergence during the early 1960s through 1974. A companion volume to the first large-scale exhibition on Land art, this book traces the emergence of the artistic impulses to use the earth as material, land as medium, and to locate works in remote sites, beyond familiar art contexts.
Land Art
$22.95
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Résumé:
"One Place after Another" offers a critical history of site-specific art since the late 1960s and a theoretical framework for examining the rhetoric of aesthetic vanguardism and political progressivism associated with its many permutations. Informed by urban theory, postmodernist criticism in art and architecture, and debates concerning identity politics and the public(...)
One place after another : site-specific art and locational identity
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$22.95
(disponible sur commande)
Résumé:
"One Place after Another" offers a critical history of site-specific art since the late 1960s and a theoretical framework for examining the rhetoric of aesthetic vanguardism and political progressivism associated with its many permutations. Informed by urban theory, postmodernist criticism in art and architecture, and debates concerning identity politics and the public sphere, the book addresses the siting of art as more than an artistic problem. It examines site specificity as a complex cipher of the unstable relationship between location and identity in the era of late capitalism. The book addresses the work of, among others, John Ahearn, Mark Dion, Andrea Fraser, Donald Judd, René¥ Green, Suzanne Lacy, Iñ©§¯ Manglano-Ovalle, Richard Serra, Mierle Laderman Ukeles, and Fred Wilson.
Théorie de l’art
James Turrell
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This Gagosian Gallery catalog of James Turrell’s recent exhibition with the London gallery features installations, light works, sculptures, and prints by the artist. For more than forty-five years, Turrell has explored the myriad possibilities of using light as a medium of perception. His formally simple works draw attention to the limits of seeing, while seeking to(...)
James Turrell
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$100.00
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This Gagosian Gallery catalog of James Turrell’s recent exhibition with the London gallery features installations, light works, sculptures, and prints by the artist. For more than forty-five years, Turrell has explored the myriad possibilities of using light as a medium of perception. His formally simple works draw attention to the limits of seeing, while seeking to expand the wordless thought that they provoke. Throughout these permutations, the light that is normally used to illuminate other objects is assigned form and structure, making it the subject of the revelation. He continues to use light as his primary subject and material, with its inherent allusions to painting and sculpture.