Manon de Boer
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This is the first extensive monograph on the work of Dutch artist Manon de Boer, published on the occasion of her first survey exhibition at Frankfurter Kunstverein and her solo show at Witte de With, Rotterdam. De Boer's filmic portraits sculpt a unique notion of time, meditating on the intersections of personal memory and cultural history.
septembre 2008, Frankfurt
Manon de Boer
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$44.00
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Résumé:
This is the first extensive monograph on the work of Dutch artist Manon de Boer, published on the occasion of her first survey exhibition at Frankfurter Kunstverein and her solo show at Witte de With, Rotterdam. De Boer's filmic portraits sculpt a unique notion of time, meditating on the intersections of personal memory and cultural history.
20 + years of Witte de With
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Since its inception in 1990, Witte de With has exhibited some 300 artists and, through its publications, lecture programs and participation in events such as the Venice Biennale and the Shanghai World Expo, the center continues to shape international discourse on art and its institutions. On the occasion of its twentieth anniversary, Witte de With Publishers presents a(...)
Art, époques et styles
février 2011
20 + years of Witte de With
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$39.95
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Résumé:
Since its inception in 1990, Witte de With has exhibited some 300 artists and, through its publications, lecture programs and participation in events such as the Venice Biennale and the Shanghai World Expo, the center continues to shape international discourse on art and its institutions. On the occasion of its twentieth anniversary, Witte de With Publishers presents a survey celebrating these achievements.
Art, époques et styles
Susanne Kriemann: one day
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‘One Day’ is the third book in a series of Witte de With in which the city of Rotterdam is portrayed by an artist. In order to make a portrait of the city Susanne Kriemann collected as many books as possible, published after the devastating air raids of the German Luftwaffe in 1940 on Rotterdam. From these books she selected 115 images and arranged these in a structure(...)
juillet 2011
Susanne Kriemann: one day
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$40.00
(disponible en magasin)
Résumé:
‘One Day’ is the third book in a series of Witte de With in which the city of Rotterdam is portrayed by an artist. In order to make a portrait of the city Susanne Kriemann collected as many books as possible, published after the devastating air raids of the German Luftwaffe in 1940 on Rotterdam. From these books she selected 115 images and arranged these in a structure that is radical as well as ordinary.
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Taking as its starting point Ramkinkar Baij's 1938 "Santhal Family" sculpture, this book combines critical and fictional texts with specially commissioned pages by artists from India, Europe and the U.K. Considered to be the first modernist public sculpture in India, Santhal Family combines an interest in the forms of modernism and temple sculpture with a concern for(...)
août 2008, Antwerp
Santhal family: positions around an indian sculpture
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Taking as its starting point Ramkinkar Baij's 1938 "Santhal Family" sculpture, this book combines critical and fictional texts with specially commissioned pages by artists from India, Europe and the U.K. Considered to be the first modernist public sculpture in India, Santhal Family combines an interest in the forms of modernism and temple sculpture with a concern for ground level reality. Depicting a family group from the Santhal tribe carrying their possessions with them to a new place of work, it is a portrait of labour that presents the complexity of its subject without heroism or pathos. Published on the occasion of the exhibition of the same name that has been produced by the MuHKA, Antwerp, February to May 2008, and which is currently travelling through India.
Meaning Liam Gillick
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Liam Gillick emerged as part of the generation of "Young British Artists" who energized the British art scene in the 1980s and 1990s. He is now one of the most influential (and perplexing) artists in all of contemporary art. Gillick's discursive mode of art practice—often associated with "relational aesthetics"—complicates object production, embraces the exhibition as(...)
Meaning Liam Gillick
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Liam Gillick emerged as part of the generation of "Young British Artists" who energized the British art scene in the 1980s and 1990s. He is now one of the most influential (and perplexing) artists in all of contemporary art. Gillick's discursive mode of art practice—often associated with "relational aesthetics"—complicates object production, embraces the exhibition as medium, and explores the social role and function of art. This reader coincides with a year-long, multi-venue, mid-career retrospective that serves both as a continuous investigation into Gillick's practice and an in-depth study of his work to date. The book offers a range of critical perspectives on artist's work. Introduction by Monika Szewczyk.
Théorie de l’art