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Titre:
CAC : Hadid Studio Yale

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In spring 2000, as the Eero Saarinen Visiting Professor at Yale University, Zaha Hadid led an intense studio on the topic of the contemporary art center. Such centers are proliferating across the United States and around the world, yet their architectural form remains abstract and open-ended, subject to continual reinterpretation. Hadid’s studio - one leader, three studio assistants, twelve students, and numerous critics - interpreted the contemporary art center as an invitation to experiment with new forms of public space. Specific contemporary works of art became the programme for a series of radical architectural concepts that expand the space of the art, taking on the scale and materiality of full-scale architectural constructs. The studio - and this volume - was divided into ten segments, addressing such issues as programme analysis, spatialities, system conditions, current contemporary art centers, building types, sites, and linearities. Each segment is represented by original renderings, including computer images. The accompanying text is drawn from transcripts of the studio reviews by the critics: Robert A. M. Stern, dean of the Yale School of Architecture; Terence Riley and Paola Antonelli of the Museum of Modern Art; and architects, critics, and scholars Jeffrey Kipnis, Thomas Krens, Sulan Kolatan, William MacDonald, Fabian Marcaccio, Rebeca Mendez, Paola Sanguinetti, Joseph Giovannini, Marc Cousins, Greg Lynn, and Gail Witwer.

Titre:
Ezra Stoller, photographer

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Ezra Stoller's iconic photographs of 20th-century architectural masterpieces, such as Frank Lloyd Wright's Fallingwater and Mies van der Rohe's Seagram Building, are often cited in aiding the rise of modernism in America. Stoller (1915–2004) elevated architectural photography to an art form, capturing the mood of numerous buildings in their best light. Living and working in New York from the early 1940s to the mid-1970s, Stoller photographed buildings by such architects as Alvar Aalto, Eero Saarinen, Marcel Breuer, Paul Rudolph, and Louis I. Kahn. His striking images earned him the admiration of critics and contemporaries, but few people are aware of the stunning breadth of his oeuvre, which also included domestic and industrial spaces and important editorial depictions of American labor in the 1950s and 1960s. Ezra Stoller, Photographer, a survey of Stoller's artistic accomplishments, examines the photographer's full range with a fresh eye and unprecedented scope, offering a unique commentary on postwar America's changing landscape.

Titre:
Ken Smith, landscape architect : urban projects 2

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"Ken Smith landscape architect / urban projects" focuses on three prominent works in New York City : the East River Ferry Landings, P.S. 19, and a roof garden for the Museum of Modern Art. Featuring an interview with Ken Smith and extensive photographic documentation and drawings, as well as an essay by Nina Rappaport and a foreword by Peter Reed. The book reveals how each project espresses new relationships between landscape and place within the city.

Titre:
The millenium house

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In the academic year 2000-2001, Yale professor and New York City based architect Peggy Deamer led two innovative courses: first, a focused seminar on the state of contemporary residential design; second, a creative studio offering house designs that drew on the discoveries of the seminar. This book, the second in a series documenting work at the Yale School of Architecture, combines work from both courses in a thoughtful and provocative study of the state of the house at the turn of the millennium.   Deamer introduces the volume with an essay on three issues vital to a discussion of millennial design: newness, uniqueness, and design innovation. Designs of visiting seminar critics -- Steven Holl, Elizabeth Diller and Ricardo Scofidio, William McDonough, LOT/EK, Winy Maas, and Jacques Herzog -- are showcased along with descriptive and analytical texts. Work from the studio course is divided into various themes explored by the students: image, standardization and modularity, networks and diagrams. The hybrid quality of this volume -- designs by practicing architects and students; observation and interpretation -- reflects debates and issues at the heart of early-twenty-first-century architecture.  

Titre:
Urban intersections: Sao Paulo

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Urban Intersections: Sao Paulo analyzes and provides solutions for a new mixed-use neighborhood in Sao Paulo.

Titre:
Layered urbanisms

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Layered Urbanisms features the work of the first three Louis I. Kahn Visiting Assistant Professors, a chairman-ship endowed in 2004 to bring young innovators in architectural design to the Yale School of Architecture. This book includes the projects of the advanced studios of Gregg Pasquarelli in 'Versionning-6.0,' Galia Solomonoff in 'Brooklyn Civic Space', and Mario Gooden in 'Global Topologies.' Interviews with the architects and studio strategies provide insight into the pedagological approach of the three practitioner-educator.

Titre:
Composites, surfaces, and software: high performance architecture

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Boat, airplane, and automobile design tools and software are now applied to architectural projects using robotics and high-strength, low-weight, carbon fiber composites. Greg Lynn's studio and Mark Foster Gage's seminar at Yale--with participants Frank Gehry, Lise Ann Couture, Chris Bangle, and Greg Foley, among others--generated a lively dialogue invigorating the future of design.

Titre:
Support and Resist : Structural engineers and design innovation

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Résumé:
As architectural projects have grown larger and more complex, as materials have become more specialized and advanced, as the world's cities have developed in size and density, the collaborative partnership of architects and structural engineers has gained prominence. Many of the major works of the early twenty-first century would have been difficult to build or even conceive without the contribution of firms like Ove Arup and Partners, Buro Happold, and Mutsuro Sasaki and Partners, to name just a few. Support and Resist is the first book to focus on the revolution in engineering culture in which structure shares the stage with design.

Titre:
Learning in Las Vegas

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The fifth in a series documenting the Edward P. Bass Visiting Fellowship in Architecture at Yale, this book chronicles the collaboration of Fellow Chuck Atwood, the former vice chairman of Harrah's board of directors, with Davenport Visiting Professor David M. Schwarz, assisted by Brook Denison and Darin Cook. Focusing on Las Vegas's lack of pedestrianism, they asked the students to investigate vital urban sites around the world and then apply theses lessons learned to the automobile-centric Strip. The students met with Las Vegas Mayor Oscar Goodman, Harrah's CEO Gary Loveman, and private-equity managers David Bonderman and Marc Rowman as they devised ways to transform the world's premiere themed playground into a livable and pedestrian-oriented city.

Titre:
Hybrid factory, hybrid city

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Now that urban industry is often clean, green, small, and quiet it can be integrated at the city and building scale with other uses. Although little explored as of yet, we don’t yet know what this new hybrid will look like and how can it support new entrepreneurs, equitable jobs, and vital urban forms? How can hybrid models change with new technologies, sustainable manufacturing, and advanced production systems to create new open city? Can we break the planning and land-use patterns of segregated zoning by class and function and encourage mixed-use zoning that transforms new building and zoning codes and this the mix in the city? These questions and more are addressed in Hybrid Factory / Hybrid City, through a collection of essays by participants in the eponymous symposium organized by Nina Rappaport at the Future Urban Legacy Lab of the Politecnico di Torino. Divided into two sections, the essays describes projects and research by architects and urbanists regarding the aura of industry and its smells, its place in relationship to the body, building structures, logistics centers, reused factory buildings, and their current and future potential for mixed-use. Social and economic equity can be integrated through light manufacturing jobs, community uses, and affordable housing.