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In 2005 a BMW H2R hydrogen-powered vehicle was delivered to Studio Olafur Eliasson and then stripped bare of its outer shell. To create a new skin several form studies have been carried out in a temporary geodesic dome, constructed in the yard of the studio. The final surface of the car consists of layers of ice, frozen around two intricate nets, mirrored plates and(...)
Olafur Eliasson: your mobile expectations. BMW H2R project
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In 2005 a BMW H2R hydrogen-powered vehicle was delivered to Studio Olafur Eliasson and then stripped bare of its outer shell. To create a new skin several form studies have been carried out in a temporary geodesic dome, constructed in the yard of the studio. The final surface of the car consists of layers of ice, frozen around two intricate nets, mirrored plates and light. The “Climate car” can only exist in a microclimate with a temperature of minus 6 degrees Celsius or below. Including conversations between Olafur Eliasson and a number of distinguished thinkers, such as architect and artist Yona Friedman, urban theorist Bart Lootsma, and Head of Design BMW Christopher Bangle.
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This inspirational and practical guide on how to live a creative life has been devised by thought-provoking artists + writers.
Akademie X: lessons in Art + Life
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This inspirational and practical guide on how to live a creative life has been devised by thought-provoking artists + writers.
Théorie de l’art
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The Serpentine Gallery has commissioned Olafur Eliasson and architect Kjetil Thorsen to design its Pavilion in 2007. Based on the principle of a winding ramp, the Pavilion explores the idea of vertical circulation within a single space. “Our collaboration on the Serpentine Pavilion 2007 is defined by our mutual focus on the experience of space and on temporality as a(...)
juillet 2007, London, Baden
Serpentine Gallery Pavillon 2007
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The Serpentine Gallery has commissioned Olafur Eliasson and architect Kjetil Thorsen to design its Pavilion in 2007. Based on the principle of a winding ramp, the Pavilion explores the idea of vertical circulation within a single space. “Our collaboration on the Serpentine Pavilion 2007 is defined by our mutual focus on the experience of space and on temporality as a constitutive element of spaces, private or public. We both work within a field of spatial experimentation that renders conceptual differences between art and architecture superfluous.” The publication comprises extensive visual material documenting the development and realisation of the pavilion; two essays by Doreen Massey, Professor of Geography at The Open University (UK), and Andreas Ruby, architecture critic; a conversation between Olafur Eliasson, Kjetil Thorsen, Hans Ulrich Obrist and Julia Peyton-Jones (Co-directors, Serpentine Gallery).
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juillet 2007, London, Baden
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Ce livre regroupe des photographies du Studio Olafur Eliasson.
TYT (Take your time) vol. 1: Small spatial experiments
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Ce livre regroupe des photographies du Studio Olafur Eliasson.
Architecture, monographies
$48.00
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Since the 1990's, Olafur Eliasson has been exploring cognitive and physical phenomena as we know them from the natural sciences and nature. He uses both technically sophisticated equipment and deceptively simple means such as water or light to create artificial landscapes and moments of perception that let viewers perceive or reenact natural phenomena. Their strongly(...)
Olafur Eliasson : sonne statt regen
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Since the 1990's, Olafur Eliasson has been exploring cognitive and physical phenomena as we know them from the natural sciences and nature. He uses both technically sophisticated equipment and deceptively simple means such as water or light to create artificial landscapes and moments of perception that let viewers perceive or reenact natural phenomena. Their strongly atmospheric but entirely constructed nature makes viewers become painfully conscious of how far modern civilization has progressed from immediate experience; they question the acceptance of authenticity in the area of perception. This book, published in an edition of only 1,500 copies and conceived in cooperation with the artist, features a series of landscape photographs by Eliasson from his native Iceland, exploring the limits and conventions of our traditional view of landscape. They show that our perception of nature has been fundamentally affected by cultural influences, memories, and expectations.
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$32.95
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Preface: Hans Ulrich Obrist, Visuals: Olafur Eliasson, Afterword: Sven-Olov Wallenstein
mars 2008, New York / Berlin
The hospitality of presence: problems of otherness in Husserl's phenomenology
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Preface: Hans Ulrich Obrist, Visuals: Olafur Eliasson, Afterword: Sven-Olov Wallenstein
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mars 2008, New York / Berlin
$46.00
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Center for Contemporary Art, CCA, Kitakyushu
Olafur Eliasson: your difference & repetition
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Center for Contemporary Art, CCA, Kitakyushu
Olafur Eliasson: Contact
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This striking catalog, designed by Irma Boom, showcases the spectacular work of world-renowned contemporary artist Olafur Eliasson. Contact, Olafur Eliasson’s inaugural exhibition at the Fondation Louis Vuitton in Paris, addresses the themes of light—or rather, darkness and shadows—space, and time in installations that create a visceral experience for the spectator. The(...)
septembre 2015
Olafur Eliasson: Contact
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This striking catalog, designed by Irma Boom, showcases the spectacular work of world-renowned contemporary artist Olafur Eliasson. Contact, Olafur Eliasson’s inaugural exhibition at the Fondation Louis Vuitton in Paris, addresses the themes of light—or rather, darkness and shadows—space, and time in installations that create a visceral experience for the spectator. The book features critical essays, an interview between the artist and curators, and sketches and preparatory drawings. It showcases the artist’s works in full color on black paper, emphasizing the luminosity of the show, accentuating the interplay of shadow and light, and rendering this volume a collectible artist’s book.
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Catalogue documentant la rencontre entre les œuvres sensorielles d'Olafur Eliasson et l'écrin baroque du palace d'hiver du prince Eugène à Vienne. Publié à l'occasion de l'exposition «Olafur Eliasson: Baroque Baroque», Winterpalais, Vienne, du 21 novembre 2015 au 6 mars 2016.
janvier 2015
Olafur Eliasson: Baroque Baroque
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Catalogue documentant la rencontre entre les œuvres sensorielles d'Olafur Eliasson et l'écrin baroque du palace d'hiver du prince Eugène à Vienne. Publié à l'occasion de l'exposition «Olafur Eliasson: Baroque Baroque», Winterpalais, Vienne, du 21 novembre 2015 au 6 mars 2016.
$123.00
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Unspoken Spaces explores the artist’s driving interest in finding visionary shapes to represent abstract ideas. It is a richly illustrated journey through spheres, tunnels, towers, walkways and archways, as well as pavilions and larger buildings realized by Eliasson and his studio since the late 1990s.
Studio Olafur Eliasson: unspoken spaces
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Unspoken Spaces explores the artist’s driving interest in finding visionary shapes to represent abstract ideas. It is a richly illustrated journey through spheres, tunnels, towers, walkways and archways, as well as pavilions and larger buildings realized by Eliasson and his studio since the late 1990s.