Soviet bus stops 2
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Photographer Christopher Herwig has returned to the former Soviet Union in this second volume of Soviet Bus Stops, discovering new stops in the remotest areas of Georgia and Ukraine. Following exhaustive research, he drove more than 9,000 miles from coast to coast across the largest country in the world, in pursuit of new examples of this singular architectural form. A(...)
Soviet bus stops 2
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Photographer Christopher Herwig has returned to the former Soviet Union in this second volume of Soviet Bus Stops, discovering new stops in the remotest areas of Georgia and Ukraine. Following exhaustive research, he drove more than 9,000 miles from coast to coast across the largest country in the world, in pursuit of new examples of this singular architectural form. A foreword by renowned architecture and culture critic Owen Hatherley reveals new information on the origins of the Soviet bus stop.
Monographies photo
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In ''Modern Forms'', Nicolas Grospierre traveled the globe to sample the best modernist buildings from the 20th century. Now, in ''Modern Spaces'', he takes his camera indoors to show how modernist ideas are manifested within the walls of buildings both famous and obscure. Rather than a chronological or geographical tour, these photographs are organized in a visual flow,(...)
Modern spaces: a subjective atlas of 20th-century interiors
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In ''Modern Forms'', Nicolas Grospierre traveled the globe to sample the best modernist buildings from the 20th century. Now, in ''Modern Spaces'', he takes his camera indoors to show how modernist ideas are manifested within the walls of buildings both famous and obscure. Rather than a chronological or geographical tour, these photographs are organized in a visual flow, that allows readers to appreciate similar characteristics in interiors that would normally never be grouped together. Shot in the same distinctive and striking manner as his previous book, these images reveal the forms that define modernism.
Modernisme
Militant modernism
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This book is a defence of Modernism against its defenders. In readings of modern design, film and especially architecture, it attempts to reclaim a revolutionary modernism against its absorption into the heritage industry and the aesthetics of the luxury flat. This publication argues for a Modernism of everyday life, immersed in questions of socialism, sexual politics(...)
Militant modernism
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This book is a defence of Modernism against its defenders. In readings of modern design, film and especially architecture, it attempts to reclaim a revolutionary modernism against its absorption into the heritage industry and the aesthetics of the luxury flat. This publication argues for a Modernism of everyday life, immersed in questions of socialism, sexual politics and technology. It features new readings of some familiar names - Bertolt Brecht, Le Corbusier, Vladimir Mayakovsky - and much more on the lesser known, quotidian modernists of the 20th century. The chapters range from a study of industrial and brutalist aesthetics in Britain, Russian Constructivism in architecture, the Sexpol of Wilhelm Reich in film and design, and the alienation effects of Brecht and Hanns Eisler on record and on screen. Against the world of 'there is no alternative', this book tries to excavate Modernism’s other futures.
Théorie de l’architecture
The Chaplin machine: Slapstick, Fordism and the international Communist avant-garde, 1917-1937
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"The Chaplin Machine" reveals the lighter side of the Communist avant-garde and its unlikely passion for American slapstick. Set against the backdrop of the great Russian revolutionary experiment, Owen Hatherley tells the tragic-comedic story of the cinema, art and architecture of the early 20th Century and spotlights the unlikely intersections of East and West.
The Chaplin machine: Slapstick, Fordism and the international Communist avant-garde, 1917-1937
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"The Chaplin Machine" reveals the lighter side of the Communist avant-garde and its unlikely passion for American slapstick. Set against the backdrop of the great Russian revolutionary experiment, Owen Hatherley tells the tragic-comedic story of the cinema, art and architecture of the early 20th Century and spotlights the unlikely intersections of East and West.
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In this Eurasian post-Soviet space, we try to find the continuities with Communism - if there are any - and the remnants of revolutions both distant and recent. Instead of a wistful journey through ruins, this intends to be an engaged travelogue, a subjective, personal Marxist Humanist guidebook to somewhere that actually exists, but which is constantly haunted by what it(...)
The adventures of Owen Hatherley In the post-soviet space
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In this Eurasian post-Soviet space, we try to find the continuities with Communism - if there are any - and the remnants of revolutions both distant and recent. Instead of a wistful journey through ruins, this intends to be an engaged travelogue, a subjective, personal Marxist Humanist guidebook to somewhere that actually exists, but which is constantly haunted by what it didn't become, whether a real Communist utopia or a successful or fair capitalism. In the course of this transcontinental account of what used to be the Soviet Union and is now a patchwork of EU democracies, neoliberal dictatorships and Soviet nostalgic enclaves (often found in the same countries) we might just find the outlines of a way of building cities that is a powerful alternative, both in the past and present.
Expositions en cours
The ministry of nostalgia
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Author Owen Hatherley shows how our past is being resold in order to defend the indefensible. From the marketing of a “make do and mend” aesthetic to the growing nostalgia for a utopian past that never existed, a cultural distraction scam prevents people grasping the truth of their condition. The Ministry of Nostalgia looks at the creation of a false history -(...)
The ministry of nostalgia
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Author Owen Hatherley shows how our past is being resold in order to defend the indefensible. From the marketing of a “make do and mend” aesthetic to the growing nostalgia for a utopian past that never existed, a cultural distraction scam prevents people grasping the truth of their condition. The Ministry of Nostalgia looks at the creation of a false history - examining the austerity of the 1940s and 1950s, which saw the development of a welfare state while the nation crawled recovered from the war. Hatherley examines how this period has been recast to offer consolation for the violence of neoliberalism, an ideology dedicated to the privatisation of common wealth.
Théorie/ philosophie
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This seventh volume in Afterall’s Exhibitions Histories series focuses on the radical project ‘an Exhibit’ (at the ICA, London in 1957), which emerged from a decade of testing the formats and possibilities of exhibition-making. A collaboration between two artists, Richard Hamilton and Victor Pasmore, and a critic and curator, Lawrence Alloway, the show was(...)
Exhibition, design, participation: 'an exhibit' 1957 and related projects
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This seventh volume in Afterall’s Exhibitions Histories series focuses on the radical project ‘an Exhibit’ (at the ICA, London in 1957), which emerged from a decade of testing the formats and possibilities of exhibition-making. A collaboration between two artists, Richard Hamilton and Victor Pasmore, and a critic and curator, Lawrence Alloway, the show was simultaneously an investigation into abstract environmental forms and a participatory experiment that would fundamentally transform the role of the viewer.
Muséologie
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From the grandiose histories of monumental state building projects to the minutiae of street signs and corner cafés, from the rebuilding of capital cities to the provision of the humble public toilet, "Clean living under difficult circumstances" argues for the city as a socialist project. This essay collection spans a period from immediately before the 2008 financial(...)
Clean living in difficult circumstances
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From the grandiose histories of monumental state building projects to the minutiae of street signs and corner cafés, from the rebuilding of capital cities to the provision of the humble public toilet, "Clean living under difficult circumstances" argues for the city as a socialist project. This essay collection spans a period from immediately before the 2008 financial crash to the year of the pandemic. Against the business-as-usual responses to both crises, Owen Hatherley outlines a vision of the city as both a venue for political debate and dispute as well as a space of everyday experience, one that we shape as much as it shapes us. Incorporated here are the genres of memoir, history, music and film criticism, as well as portraits of figures who have inspired new ways of looking at cities, such as the architect Zaha Hadid, the activist and urbanist Jane Jacobs, and thinkers such as Mark Fisher and Adam Curtis. Throughout these pieces, Hatherley argues that the only way out of our difficult circumstances is to imagine and try to construct a better modernity.
Théorie de l’urbanisme
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In A Guide to the New Ruins of Great Britain, Owen Hatherley skewered New Labour’s architectural legacy in all its witless swagger. Now, in the year of the Diamond Jubilee and the London Olympics, he sets out to describe what the Coalition’s altogether different approach to economic mismanagement and civic irresponsibility is doing to the places where the British live. (...)
A new kind of bleak : journeys through urban Britain
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In A Guide to the New Ruins of Great Britain, Owen Hatherley skewered New Labour’s architectural legacy in all its witless swagger. Now, in the year of the Diamond Jubilee and the London Olympics, he sets out to describe what the Coalition’s altogether different approach to economic mismanagement and civic irresponsibility is doing to the places where the British live. In a journey that begins and ends in the capital, Hatherley takes us from Plymouth and Brighton to Belfast and Aberdeen, by way of the eerie urbanism of the Welsh valleys and the much-mocked splendour of modernist Coventry. Everywhere outside the unreal Southeast, the building has stopped in towns and cities, which languish as they wait for the next bout of self-defeating austerity. Hatherley writes with unrivalled aggression about the disarray of modern Britain, and yet this remains a book about possibilities remembered, about unlikely successes in the midst of seemingly inexorable failure. For as well as trash, ancient and modern, Hatherley finds signs of the hopeful country Britain once was and hints of what it might become.
Théorie de l’urbanisme
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New Labour came to power in 1997 amid much talk of regenerating the inner cities left to rot under successive Conservative governments. Over the next decade, urban environments became the laboratories of the new enterprise economy: of finance, property speculation, and the service industry. Now, with New Labour capsized, Owen Hatherley sets out to explore the wreckage —(...)
A guide to the new ruins of Great Britain (Paperback)
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New Labour came to power in 1997 amid much talk of regenerating the inner cities left to rot under successive Conservative governments. Over the next decade, urban environments became the laboratories of the new enterprise economy: of finance, property speculation, and the service industry. Now, with New Labour capsized, Owen Hatherley sets out to explore the wreckage — the architecture that epitomized an age of greed and selfish aspiration. From riverside apartment complexes, art galleries and amorphous interactive “centers” to shopping malls, call centers and factories turned into expensive lofts, Hatherley maps the derelict Britain of the 2010s, an emphatic expression of a failed politics.
Théorie de l’urbanisme