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''Sensing Earth'' states that our environmental issues are in the first place a matter of culture and aesthetics. Technology and science are not enough to solve these problems. Our globe is facing an escalation of ecological problems, with no quick solutions in sight. We seem to be caught in a spiral of health issues, burnout, sensory overload, depression, and somatic(...)
Théorie de l’art
octobre 2023
Sensing earth: Cultural quests across a heated globe
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''Sensing Earth'' states that our environmental issues are in the first place a matter of culture and aesthetics. Technology and science are not enough to solve these problems. Our globe is facing an escalation of ecological problems, with no quick solutions in sight. We seem to be caught in a spiral of health issues, burnout, sensory overload, depression, and somatic deprivation. Artists faced with these crises are looking for ways to articulate the ongoing emergencies and explore possible ways out. However, the arts and culture are caught in a double bind. Artists and cultural initiatives need circulation to let ideas intersect and create meaningful connections. However, this globalized system also contributes to the planet’s ecological decline: by countless journeys from one biennale, international residency, touring exhibition, and networking event to the next. After the Covid-19 pandemic ‘business as usual’ seems to prevail.
Théorie de l’art
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How do the arts contribute to the formation of democratic processes? How does culture constitute public space and a civil domain? ''The art of civil action'' argues that cultural initiatives play an underappreciated but crucial role in unlocking dormant democratic potential in our societies. Arts and culture can be a cornerstone of the civil domain, and an anchor as(...)
The art of civil action: political space and cultural dissent
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How do the arts contribute to the formation of democratic processes? How does culture constitute public space and a civil domain? ''The art of civil action'' argues that cultural initiatives play an underappreciated but crucial role in unlocking dormant democratic potential in our societies. Arts and culture can be a cornerstone of the civil domain, and an anchor as communities reconcile their local and global identities and roles. ''The art of civil action'' considers how to establish a sustainable, transnational civil space, and what role culture and the arts can play in this process, through a colourful mix of case studies on citizen-led cultural initiatives from Europe and around the world. Social scientists, cultural theorists, activists and artists contribute conceptual perspectives on how the arts and culture can help build a locally rooted civil society in a globally connected context.
Théorie de l’art
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Collecting writings from artists, theorists and artist residency facilitators, “Contemporary Artist Residencies” examines the present role of the residency for artists and the international art ecosystem. With a range of discussions on the continuously evolving role of residencies in our political and historical moment, the book also examines residencies’ varied attempts(...)
Contemporary artist residencies: reclaiming time and space
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Collecting writings from artists, theorists and artist residency facilitators, “Contemporary Artist Residencies” examines the present role of the residency for artists and the international art ecosystem. With a range of discussions on the continuously evolving role of residencies in our political and historical moment, the book also examines residencies’ varied attempts at “reclaiming time and space” for artistic practice while serving as nodes for collaboration, research, and critical thinking—not to mention a crucial and sought-after means of promoting artists’ career development and the international circulation of their work. The book features contributions by Pascal Gielen, Livia Alexander, Nathalie Anglès, Helmut Batista and Taru Elfving, among others. The latest of Valiz’s “Antennae” series of books designed by Metahaven, “Contemporary Artist Residencies” helps to fill the surprising gap in books about how and why residencies function in today’s art world.
Théorie de l’art
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''The Ethics of Art'' explores the growing ethical consciousness within the artistic community, as it relates to art's production and distribution mechanisms. It attempts to show how the artistic community engages in creative, social dialogue based upon the potential of the body. The first of this book's two sections, "Ecosophy," focuses on eco-art practices and the ways(...)
The ethics of art: ecological turns in the performing arts
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''The Ethics of Art'' explores the growing ethical consciousness within the artistic community, as it relates to art's production and distribution mechanisms. It attempts to show how the artistic community engages in creative, social dialogue based upon the potential of the body. The first of this book's two sections, "Ecosophy," focuses on eco-art practices and the ways in which the ethical turn in the arts implies a greater receptivity to our environment. The second section addresses the contemporary dance scene as an example of this phenomenon, showing how it exhibits renewed interest in "caring" for one's body, rather than transgressing it, both on the individual level and on that of the larger "body politic" of cooperation and collaboration. In this volume, the singular voices of artists are as important as the scholarly contributions.
Théorie de l’art
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After half a century of neoliberalism, a new radical, practice-based ideology is making its way from the margins: commonism, with an o in the middle. It is based on the values of sharing, common (intellectual) ownership and new social co-operations. Commoners assert that social relationships can replace money (contract) relationships. They advocate solidarity and they(...)
Commonism: a new aesthetics of the real
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After half a century of neoliberalism, a new radical, practice-based ideology is making its way from the margins: commonism, with an o in the middle. It is based on the values of sharing, common (intellectual) ownership and new social co-operations. Commoners assert that social relationships can replace money (contract) relationships. They advocate solidarity and they trust in peer-to-peer relationships to develop new ways of production.
Théorie de l’art
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In an era of intense competition and individualism, we tend to hide our weak spots. When something comes too close and threatens to touch us, we shield our vulnerability. This means that there is less and less room for real human encounter. The forces of quantification and evaluation push people back further and further into a virtual shell. In this intimate volume,(...)
Fragility: To touch and be touched
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In an era of intense competition and individualism, we tend to hide our weak spots. When something comes too close and threatens to touch us, we shield our vulnerability. This means that there is less and less room for real human encounter. The forces of quantification and evaluation push people back further and further into a virtual shell. In this intimate volume, authors Marlies De Munck and Pascal Gielen and artist Lotte Lara Schröder make a plea for openness and compassion—because all this sheltering keeps us from touching and from being touched. Alongside Schröder’s drawings, De Munck and Gielen warmly advocate an aesthetic skill: the ability to experience and embrace a ramshackle and fragile reality, and still understand it as a coherent whole. This is the power of culture: to reconcile us with life, even amid its turbulence, incoherence and precarity.
Théorie de l’art
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Italian philosopher Antonio Negri has declared that “Every kind of change belongs to a form of community art,” inverting the convention that community art can be an integral component of social change and extending the rubric of art to propose a commons of all those striving to effect change in social, economic, technological and ecological arenas. So how do these(...)
Community art : the politics of trespassing
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Italian philosopher Antonio Negri has declared that “Every kind of change belongs to a form of community art,” inverting the convention that community art can be an integral component of social change and extending the rubric of art to propose a commons of all those striving to effect change in social, economic, technological and ecological arenas. So how do these endeavors influence and act upon one another? In Community Art, artists and theorists explore the practices of artistic and social movements in western and non-western societies.
Théorie de l’art
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Can art express questions about justice? Could art, perhaps, even create justice? In Aesthetic Justice, sociologist Pascal Gielen and curator Niels Van Tomme invite a variety of artists and critical thinkers—including Zoe Beloff, Arne De Boever, Mark Fisher, Matt Fraser, Tessa Overbeek, Kerry James Marshall, Viktor Misiano, Carlos Motta, Nat Muller, Julie Atlas Muz,(...)
Aesthetic justice: artistic and moral perspectives
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Can art express questions about justice? Could art, perhaps, even create justice? In Aesthetic Justice, sociologist Pascal Gielen and curator Niels Van Tomme invite a variety of artists and critical thinkers—including Zoe Beloff, Arne De Boever, Mark Fisher, Matt Fraser, Tessa Overbeek, Kerry James Marshall, Viktor Misiano, Carlos Motta, Nat Muller, Julie Atlas Muz, Gerald Raunig, Dieter Roelstraete, Hito Steyerl, Julia Svetlichnaja, Hakan Topal, Samuel Vriezen and Christian Wolff—to reflect on new futures for the notion and practice of justice. The book offers thought-provoking views on the ways in which art may confront and potentially redirect social and political futures. Incorporating analyses of contemporary artworks that challenge the social, political or economic status quo, as well as interviews with artists and theoretical reflections, Aesthetic Justice considers the liberating potential of aesthetic frameworks and suggests alternatives for a more just future.
Théorie de l’art
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In this third edition of The Murmuring of the Artistic Multitude, art sociologist Pascal Gielen's hypothesis that the globalized art scene is an ideal production entity for economic exploitation is updated with the author's latest insights into the political dimensions of art, autonomy and the relationship between art, ethics and democracy.This publication attempts to(...)
The murmuring of the artistic multitude: global art, politics and post-fordism
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In this third edition of The Murmuring of the Artistic Multitude, art sociologist Pascal Gielen's hypothesis that the globalized art scene is an ideal production entity for economic exploitation is updated with the author's latest insights into the political dimensions of art, autonomy and the relationship between art, ethics and democracy.This publication attempts to provide alternatives to the current model of economic exploitation, exploring places of intimacy and "slowability" in the hectic global flow of artistic events and artistically minded trends.
Théorie de l’art