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''Part of a city: The work of Neave Brown Architect'' explores the ethos and ideas of the Anglo-American architect Neave Brown (1929-2018), winner of the RIBA Gold Medal 2017. Part of a City gets its title from Brown’s Gold Medal acceptance speech, when he observed: ''We weren’t making housing, we were making part of a city.'' The book brings together his writing and(...)
Architecture, monographies
décembre 2022
Part of a city: The work of Neave Brown Architect
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''Part of a city: The work of Neave Brown Architect'' explores the ethos and ideas of the Anglo-American architect Neave Brown (1929-2018), winner of the RIBA Gold Medal 2017. Part of a City gets its title from Brown’s Gold Medal acceptance speech, when he observed: ''We weren’t making housing, we were making part of a city.'' The book brings together his writing and design projects, including his celebrated large-scale urban housing work for Camden Council, and the later projects in Italy and The Netherlands, the latter undertaken in private practise with David Porter. Part of a City re-presents original critiques from the 1960s and 1970s by prominent figures such as Reyner Banham, Bob Maxwell, Christopher Woodward and Ed Jones, with new writing by architects and critics including Kenneth Frampton, Jonathan Sergsion, Simon Henley, Paul Karakuservic and Peter Barber.
Architecture, monographies
périodiques
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The latest issue is now available at the bookstore. Contributors to issue 4 of the JoCA include Peter Carl, Michael Higgins, Tim Waterman and Will Jennings, the architects Kate Macintosh, Paulo Moreira and Stephen Taylor, photographers Peter Finnemore and Jack Horton, and poet Sarah Arvio.
JoCA 4 : Journal of Civic Architecture 04
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The latest issue is now available at the bookstore. Contributors to issue 4 of the JoCA include Peter Carl, Michael Higgins, Tim Waterman and Will Jennings, the architects Kate Macintosh, Paulo Moreira and Stephen Taylor, photographers Peter Finnemore and Jack Horton, and poet Sarah Arvio.
périodiques
décembre 2019
Revues
$32.95
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This first issue of the JoCA, published on Mid-Summer's Eve 2018, somewhat deliberately brings together a series of themes that might be loosely described as portraiture. The question of architecture as autobiography reveals in fact that the civic character of Pleznik's cemetery is the fruit of a profoundly emotional and empathetic imagination. Tom de Paor's Palace cinema(...)
JoCA: Journal of Civic Architecture 01
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This first issue of the JoCA, published on Mid-Summer's Eve 2018, somewhat deliberately brings together a series of themes that might be loosely described as portraiture. The question of architecture as autobiography reveals in fact that the civic character of Pleznik's cemetery is the fruit of a profoundly emotional and empathetic imagination. Tom de Paor's Palace cinema is not only the work of a powerfully situational memory, but also somewhere where the extreme atmospheric character of Galway merges with the dream world of film: an expanded threshold that frames the town as a subject of contemplation. These, and the other projects, poems and essays in issue 1, locate creative energy in the city, in the everyday world of work and human meaning.
Revues
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In "Civic Ground", Patrick Lynch traces the philosophical background to the work of his practice, Lynch Architects, one of the most interesting young architectural offices in the UK at the moment, raising wider ethical considerations about what it means to make good architecture and good cities today. Originating as a PhD, supervised by Peter Carl, Helen Mallinson and(...)
Civic ground: rhythmic spatiality and the communicative movement between architecture, sculpture and site
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In "Civic Ground", Patrick Lynch traces the philosophical background to the work of his practice, Lynch Architects, one of the most interesting young architectural offices in the UK at the moment, raising wider ethical considerations about what it means to make good architecture and good cities today. Originating as a PhD, supervised by Peter Carl, Helen Mallinson and Joseph Rykwert, "Civic Ground" critiques the comparison of architecture with sculpture as a question of static form-making, arguing that parallels should be seen in the sense of dynamic rhythmic spatiality, which mediates and embeds a building into its site and civic context, reinforcing the communicative potential of architecture.
Architecture, monographies
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In the villa tradition, both in antiquity and at least since the 15th century, the ancient link between beauty and goodness remained more or less explicit. Riffing on Virgil's exultation of natural poetics in ''The Georgics'', Petrarch took great delight in the twin meaning of cultivation: cultivation of selfhood and of the land. A house in nature remained a practical and(...)
JoCA 2: Journal of Civic Architecture 02
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In the villa tradition, both in antiquity and at least since the 15th century, the ancient link between beauty and goodness remained more or less explicit. Riffing on Virgil's exultation of natural poetics in ''The Georgics'', Petrarch took great delight in the twin meaning of cultivation: cultivation of selfhood and of the land. A house in nature remained a practical and ideal proposition for most of the 20th century. John and Dorothy Meunier's beautiful brick house, in the village of Caldecott outside Cambridge, provides us with a vision from a seemingly distant past. The Meunier House is a first class example of Alberti's notion that architecture is lived imagination, ''Second Nature''. David Grandorge's photographs reveal that the world is still beautiful. If it still rises in us though, the world is expressive now of intentions that we hardly understand, and have little time left, to continue to ignore.
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''On intricacy'' is perhaps unusual in that it’s not a monograph, nor is it a hagiography. John Meunier is still alive. ''On intricacy'' celebrates and proselytises the ideas that John has articulated throughout his career. ''On intricacy'' is not a book about him as such, nor simply a book by him, but a book with him, and it reflects his life’s work as an architect and(...)
On intricacy: The work of John Meunier Architect
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''On intricacy'' is perhaps unusual in that it’s not a monograph, nor is it a hagiography. John Meunier is still alive. ''On intricacy'' celebrates and proselytises the ideas that John has articulated throughout his career. ''On intricacy'' is not a book about him as such, nor simply a book by him, but a book with him, and it reflects his life’s work as an architect and teacher, in the UK and USA. ''On intricacy'' continues conversations between John Meunier and Patrick Lynch that first appeared in Issue 2 of the Journal of Civic Architecture. It also includes essays by Meunier, Lynch and the architect Simon Henley, as well as new photography of The Meunier House at Cambridge by David Grandorge. Intricacy is not so much an aesthetic term, although it is a sign of quality in artistic work, as something intrinsic to human situations. Intricacy is something that architecture does or doesn’t reflect, and when it does, it tends to be life-like, vital, and therefore good. ''On intricacy'' is a visual and written polemic reflecting the hard-won wisdom of a practical life. ''On intricacy'' is also a biography of sorts of a man born into a relatively recent, but also a very different age. It tells an inspiring story from a period of hope and opportunity in the 20th century. ''On intricacy'' will be welcomed by students, historians and practising architects, and by anyone concerned with the deep reciprocity of ethics and aesthetics in human ecology and culture.
Architecture, monographies
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Contributors to issue 3 of the JoCA include the architects Francesco Venezia, Alun Jones, David Evans and Peter Youthed, novelist Tom McCarthy, artist Eva Stenram, architectural historian Nick Temple and poet Emily Hasler. 'The Necessity of Ruins, JB Jackson claimed, lies in the fact that “there has to be that interval of neglect, there has to be discontinuity; it is(...)
JoCA 3: Journal of Civic Architecture 03
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Contributors to issue 3 of the JoCA include the architects Francesco Venezia, Alun Jones, David Evans and Peter Youthed, novelist Tom McCarthy, artist Eva Stenram, architectural historian Nick Temple and poet Emily Hasler. 'The Necessity of Ruins, JB Jackson claimed, lies in the fact that “there has to be that interval of neglect, there has to be discontinuity; it is religiously and artistically essential... Many of us know the joy and excitement not so much as creating the new as of redeeming what has been neglected... that is how we reproduce the cosmic and correct history.” Jackson did not shy away from the wide horizon, the deep pull of time and the cosmic scale.
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Produced in the same format & size as ''On intricacy,'' ''Change is the reality'' is the second book in Canalside Press's Modern Architecture in Reflection series. It explores the ethos and ideas of Irish architect Robin Walker (1924-1991), a partner in the RIBA Gold Medal winning Dublin practice of Scott Tallon Walker. Produced in concert with Walker's son, the architect(...)
Change is the reality: The work of Robin Walker Architect
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Produced in the same format & size as ''On intricacy,'' ''Change is the reality'' is the second book in Canalside Press's Modern Architecture in Reflection series. It explores the ethos and ideas of Irish architect Robin Walker (1924-1991), a partner in the RIBA Gold Medal winning Dublin practice of Scott Tallon Walker. Produced in concert with Walker's son, the architect and teacher Simon Walker, ''Change is the reality'' is an archive of Robin's articles and lectures, presented alongside new and original photographs of a number of his seminal projects, including Bothar Bui, An Bord Failte, UCD restaurant, house at Kinsale, etc. The book also includes essays by Simon Walker and Patrick Lynch, Elizabeth Hatz, Tom de Paor, Douglas Carson and Laura Evans.
Théorie de l’architecture