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''Photography and Architecture: 1839–1939'' presents works that show aspects of the history of architecture seen through photography, and the history of photography through architecture. One hundred and forty-eight photographs from the collection of the CCA have been selected to demonstrate the great richness of the subject, including the origins of(...)
Photography and architecture: 1839-1939
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$75.00
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''Photography and Architecture: 1839–1939'' presents works that show aspects of the history of architecture seen through photography, and the history of photography through architecture. One hundred and forty-eight photographs from the collection of the CCA have been selected to demonstrate the great richness of the subject, including the origins of photography in Britain and France, the pioneering expeditions accompanied by photographers who recorded the great monuments of the world from the Mediterranean to the Far East, and the great surveys of the nineteenth century. Individual images document the expansion of the United States in works that reflect the growth of American cities. Urban renewal is seen in works from the Second Empire in France and from the 1880s in England and Scotland. Works from the American renaissance in photography of the 1920s and 1930s explore new aspects of the modern vertical city. The final section of the book is devoted to works that reflect the architectural ideas developped in Germany between the two world wars. Introduction by Phyllis Lambert.
Publications du CCA
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Photographie et architecture: 1839-1939 regroupe des oeuvres qui montrent divers aspects de l'histoire de l'architecture vus à travers la photographie, et de l'histoire de la photographie vus à travers l'architecture. Cette sélection de cent quarante-huit photographies originales de la collection du Centre Canadien d'Architecture démontre la grande richesse du sujet, qui(...)
Photographie et architecture 1839-1939
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Photographie et architecture: 1839-1939 regroupe des oeuvres qui montrent divers aspects de l'histoire de l'architecture vus à travers la photographie, et de l'histoire de la photographie vus à travers l'architecture. Cette sélection de cent quarante-huit photographies originales de la collection du Centre Canadien d'Architecture démontre la grande richesse du sujet, qui comprend les origines de la photographie en Angleterre et en France, les premières expéditions accompagnées de photographes qui ramenèrent des images des monuments les plus célèbres, de la Méditerreanée jusqu'à l'Etrême-Orient, enfin les grands documentaires photographiques du dix-neuvième siècle. Des oeuvres de la renaissance américaine en photographie, au cours des années 1920 et 1930, explorent sous divers angles la verticalité de la ville moderne. La dernière partie du livre est consacrée à des oeuvres qui reflètent les idées architecturales développées en Allemagne entre les deux guerres mondiales.
Publications du CCA
The lost vanguard
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The Lost Vanguard documents the work of modernist architects in the Soviet Union during the years following the 1917 revolution and civil war. In little more than a decade, some of the most radical buildings of the twentieth century were completed by a small group of architects who developed a new architectural language in support of new social goals of communal life.(...)
Modernisme
juin 2007, New York
The lost vanguard
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The Lost Vanguard documents the work of modernist architects in the Soviet Union during the years following the 1917 revolution and civil war. In little more than a decade, some of the most radical buildings of the twentieth century were completed by a small group of architects who developed a new architectural language in support of new social goals of communal life. Rarely published and virtually inaccessible until the collapse of the Soviet regime, these important buildings have remained unknown and unappreciated. Richard Pare's photographs reveal the powerful forms of these structures, some still in use but many now abandoned and decayed. Massive industrial complexes like the Dnieper River Dam and MoGES, which supplies electricity to the city of Moscow; vast communal houses for workers, including Ginzburg's Narkomfin; commercial buildings and government offices; and smaller clubs and theaters were all built in this brief period. In an incisive essay, architectural historian Jean-Louis Cohen surveys the history of the period, providing a context for the emergence of this startling new architecture in parallel to contemporary experiments in Europe.
Modernisme
Le Corbusier: the built work
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Le Corbusier is widely acknowledged as the most influential architect of the twentieth century. As extensively researched and documented as his works are, however, they have never been exhaustively surveyed in photographs until now. Photographer Richard Pare has crossed the globe for years to document the extant works of Le Corbusier- from his first villas in Switzerland(...)
Le Corbusier: the built work
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Le Corbusier is widely acknowledged as the most influential architect of the twentieth century. As extensively researched and documented as his works are, however, they have never been exhaustively surveyed in photographs until now. Photographer Richard Pare has crossed the globe for years to document the extant works of Le Corbusier- from his first villas in Switzerland to his mid-career works in his role as the first global architect in locations as far-flung as Argentina and Russia, and his late works, including his sole North American project, at Harvard University, and an extensive civic plan for Chandigarh, India.
Monographies photo
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Since 2007, American photographer Jade Doskow has been documenting the remains of World’s Fair sites, once iconic global attractions that have often been repurposed for less noble aspirations or neglected and fallen into decay. Lost Utopias brings together the substantial body of work that Doskow has completed over the past decade, including iconic monuments such as the(...)
Lost utopias: photographs by Jade Doscow
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Since 2007, American photographer Jade Doskow has been documenting the remains of World’s Fair sites, once iconic global attractions that have often been repurposed for less noble aspirations or neglected and fallen into decay. Lost Utopias brings together the substantial body of work that Doskow has completed over the past decade, including iconic monuments such as the Seattle Space Needle, the Eiffel Tower, Brussels’ Palais des Expositions and New York’s Unisphere. Doskow’s large-scale colour photographs poignantly illustrate the utopian architecture and art that has surrounded the World’s Fairs, across both the nineteenth and twentieth centuries. Presented in a handsome, large-scale hardback book, Doskow’s work carries a unique sense of both grandeur and dreaminess, whilst also reflecting upon the often temporary purposes that these structures once held.
Monographies photo
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The County Court House, symbolic center of each community from the Colonial era to the present, reflects the attitudes and aspirations of each generation up to our time. This exploration of a vital part of American life tells us much about the people who left their mark on these spaces over a period of two and a half centuries and makes an important contribution to the(...)
janvier 1978
Court house: a photographic document
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The County Court House, symbolic center of each community from the Colonial era to the present, reflects the attitudes and aspirations of each generation up to our time. This exploration of a vital part of American life tells us much about the people who left their mark on these spaces over a period of two and a half centuries and makes an important contribution to the knowledge of the architecture of the United States. From log cabin to high rise, the photographs and texts encompass modest Colonial buildings and flamboyant structures which are the reflections of properity and pride. The court house stands for the dignity of the law and the democratic principle and is the most significant single building widely distributed across the country.