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Titre:
La mère de toutes les questions

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Résumé:
Qui a été historiquement réduit au silence, et pourquoi ? Comment les femmes et les minorités sont-elles parvenues à récupérer, ou non, leur parole ? En quoi un changement politique est-il avant tout un changement de récit ?Pour répondre à ces questions, Rebecca Solnit balaye un grand nombre de sujets, de l'histoire des droits civiques et de l'esclavage à la culture du viol dans les campus américains, en passant par la masculinité toxique.On retrouve ici la vivacité d'esprit de l'auteure, son opiniâtreté à déjouer tout ce qui, dans la culture, dans les institutions, dans la sphère publique, entend amoindrir la parole des femmes et réduire leur place. Rebecca Solnit met au jour les normes sous-jacentes contenues dans nos discours.

Titre:
Hope in the dark: untold histories, wild possibilities

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Résumé:
When Hope in the Dark was first published, it resonated with readers everywhere. In these days of cultural and political pessimism, Rebecca Solnit's impassioned defense of hope is both necessary and inspiring. Now, in this new, significantly expanded edition, Solnit explores the political territory of America following George Bush's re-election, and the ongoing consequences of the war in Iraq.

Titre:
Yosemite in time: ice ages, tree clocks, ghost rivers

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These photographs and essays reconsider the iconic status of Yosemite in America's conception of wilderness, examining how the place was appropriated by its early Euro-American visitors and showing how conceptions of landscape have altered and how land has changed, or not, over time.

Titre:
A book of migrations: some passages in Ireland

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A Book of Migrations is a postcolonial revision of conventional travel literature. In her journey through Ireland, Rebecca Solnit portrays in microcosm a history made up of great tides of invasion, colonization, emigration, nomadism, and tourism. Her observations carve a new route through Ireland's history, literature and landscape.

Titre:
As Eve said to the serpent: on landscape, gender, and art

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To Rebecca Solnit, the word 'landscape' implies not only literal places but also the ground on which we invent our lives and confront our innermost troubles and desires. The organic world, to Solnit, gives rise to the social, political, and philosophical landscapes we inhabit. In these nineteen quirky, smart, and wryly humorous pieces, Solnit ranges across disciplines to explore nuclear test sites, deserts, clouds, caves, and the meaning of national borders - as weel as ideas of the feminine and the sublime as they relate to our physical and psychological terrains.

Titre:
A field guide to getting lost

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Résumé:
The virtues of being open to new and transformative experiences are rhapsodized but not really illuminated in this discursive and somewhat gauzy set of linked essays. Cultural historian Solnit, an NBCC award winner for River of Shadows: Eadweard Muybridge and the Technological Wild West, allows the subject of getting lost to lead her where it will, from early American captivity narratives to the avant-garde artist Yves Klein. She interlaces personal and familial histories of disorientation and reinvention, writing of her Russian Jewish forebears' arrival in the New World, her experiences driving around the American west and listening to country music, and her youthful immersion in the punk rock demimonde. Unfortunately, the conceit of embracing the unknown is not enough to impart thematic unity to these essays; one piece ties together the author's love affair with a reclusive man, desert fauna, Hitchcock's Vertigo and the blind seer Tiresias in ways that will indeed leave readers feeling lost. Solnit's writing is as abstract and intangible as her subject, veering between oceanic lyricism ("Blue is the color of longing for the distance you never arrive in") and pensées about the limitations of human understanding ("Between words is silence, around ink whiteness, behind every map's information is what's left out, the unmapped and unmappable") that seem profound but are actually banal once you think about them.

Titre:
Accommodating Nature: the photographs of Frank Gohlke

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Résumé:
Wind, water, fire and molten rock constantly tear apart and resculpt the natural world we live in, and people have always struggled to create structures that will permanently establish their existence on the land. For more than four decades, Frank Gohlke has committed his camera lens to documenting that fraught relationship between people and place, and this retrospective collection of his work by curator John Rohrbach reveals how people carve out their spaces, accommodating nature. Published by the Amon Carter Museum and the Center for American Places.

Titre:
Storming the gates of paradise: Landscapes for politics

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Résumé:
Rebecca Solnit has made a vocation of journeying into difficult territory and reporting back, as an environmentalist, antiglobalization activist, and public intellectual. Storming the Gates of Paradise, an anthology of her essential essays from the past ten years, takes the reader from the Pyrenees to the U.S.-Mexican border, from San Francisco to London, from open sky to the deepest mines, and from the antislavery struggles of two hundred years ago to today's street protests. The nearly forty essays collected here comprise a unique guidebook to the American landscape after the millennium–not just the deserts, skies, gardens, and wilderness areas that have long made up Solnit's subject matter, but the social landscape of democracy and repression, of borders, ruins, and protests. She ventures into territories as dark as prison and as sublime as a broad vista, revealing beauty in the harshest landscape and political struggle in the most apparently serene view. Her introduction sets the tone and the book's overarching themes as she describes Thoreau, leaving the jail cell where he had been confined for refusing to pay war taxes and proceeding directly to his favorite huckleberry patch. In this way she links pleasure to politics, brilliantly demonstrating that the path to paradise has often run through prison.

Titre:
Whose story is this? Essays at the intersection

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Résumé:
Who gets to shape the narrative of our times? The current moment is a battle royale over that foundational power, one in which women, people of color, non-straight people are telling other versions, and white people and men and particularly white men are trying to hang onto the old versions and their own centrality. In 'Whose Story Is This?' Rebecca Solnit appraises what's emerging and why it matters and what the obstacles are.

Titre:
Inifinite cities: a trilogy of Atlases. San Francisco, New Orleans, New York

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$100.00
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Résumé:
In the past decade, Rebecca Solnit, Rebecca Snedeker, and Joshua Jelly-Schapiro—aided by local writers, artists, historians, urbanists, ethnographers, and cartographers—have compiled three atlases that have radically changed the way we think about place. Each atlas provides a vivid, complex look at the multi-faceted nature of a city—San Francisco, New Orleans, and New York—as experienced by its different inhabitants, replete with the celebrations and contradictions that make up urban life.