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In Wanderlust: A History of Walking, Rebecca Solnit draws together many histories, of anatomical evolution and city design, of treadmills and labyriths, of walking clubs and sexual mores, to create a portrait of the range of possibilities for this most basic act. Arguing that walking as history signifies walking for pleasure and for political, aesthetic, and social(...)
Wanderlust: a history of walking
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In Wanderlust: A History of Walking, Rebecca Solnit draws together many histories, of anatomical evolution and city design, of treadmills and labyriths, of walking clubs and sexual mores, to create a portrait of the range of possibilities for this most basic act. Arguing that walking as history signifies walking for pleasure and for political, aesthetic, and social meaning, Solnit hones in on the walkers whose everyday and extreme acts have shaped our culture, from the peripatetic philosophers of ancient Greece to the poets of the romantic Age, from the perambulations of the Surrealists to the ascents of the mountaineers. Solnit's book finds a profound relationship between walking and thinking, walking and culture, and argues for the necessity of preserving the time and space in which to walk in an evermore automobile-dependent and accelerated world.
Trajets
L'art de marcher
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Au fil de son étude, Rebecca Solnit évoque les pèlerinages, les marches de protestation, les flâneries urbaines, les promenades propices à la réflexion des écrivains ou des philosophes, le nomadisme des comédiens et des musiciens, les voyages à pied des compagnons du devoir et différentes pérégrinations qui, parfois, constituent de véritables rites de passage. S'appuyant(...)
L'art de marcher
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Au fil de son étude, Rebecca Solnit évoque les pèlerinages, les marches de protestation, les flâneries urbaines, les promenades propices à la réflexion des écrivains ou des philosophes, le nomadisme des comédiens et des musiciens, les voyages à pied des compagnons du devoir et différentes pérégrinations qui, parfois, constituent de véritables rites de passage. S'appuyant sur des citations et des anecdotes, elle montre à quel point on saisit le monde à travers le corps, et le corps à travers le monde.
Trajets
Garder l'espoir
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Qui aurait pu imaginer, il y a vingt ans, que le mur de Berlin tomberait ? Et que Nelson Mandela deviendrait le président d'une Afrique du Sud transformée en profondeur ? Qui aurait deviné que les Indiens du Mexique se révolteraient et que les débats sur l'écologie seraient suivis, un peu partout dans le monde, de réels progrès ? L'écrivain et activiste politique Rebecca(...)
Garder l'espoir
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Qui aurait pu imaginer, il y a vingt ans, que le mur de Berlin tomberait ? Et que Nelson Mandela deviendrait le président d'une Afrique du Sud transformée en profondeur ? Qui aurait deviné que les Indiens du Mexique se révolteraient et que les débats sur l'écologie seraient suivis, un peu partout dans le monde, de réels progrès ? L'écrivain et activiste politique Rebecca Solnit plaide, dans cette analyse des grands mouvements contestataires récents (de 1989 à nos jours) pour un changement radical de notre point de vue : Et si l'espoir était de mise ?
Théorie/ philosophie
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Rebecca Solnit has made a vocation of journeying into difficult territory and reporting back, as an environmentalist, antiglobalization activist, and public intellectual. Storming the Gates of Paradise, an anthology of her essential essays from the past ten years, takes the reader from the Pyrenees to the U.S.-Mexican border, from San Francisco to London, from open sky to(...)
Storming the gates of paradise: Landscapes for politics
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Rebecca Solnit has made a vocation of journeying into difficult territory and reporting back, as an environmentalist, antiglobalization activist, and public intellectual. Storming the Gates of Paradise, an anthology of her essential essays from the past ten years, takes the reader from the Pyrenees to the U.S.-Mexican border, from San Francisco to London, from open sky to the deepest mines, and from the antislavery struggles of two hundred years ago to today's street protests. The nearly forty essays collected here comprise a unique guidebook to the American landscape after the millennium–not just the deserts, skies, gardens, and wilderness areas that have long made up Solnit's subject matter, but the social landscape of democracy and repression, of borders, ruins, and protests. She ventures into territories as dark as prison and as sublime as a broad vista, revealing beauty in the harshest landscape and political struggle in the most apparently serene view. Her introduction sets the tone and the book's overarching themes as she describes Thoreau, leaving the jail cell where he had been confined for refusing to pay war taxes and proceeding directly to his favorite huckleberry patch. In this way she links pleasure to politics, brilliantly demonstrating that the path to paradise has often run through prison.
Théorie de l’architecture
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These photographs and essays reconsider the iconic status of Yosemite in America's conception of wilderness, examining how the place was appropriated by its early Euro-American visitors and showing how conceptions of landscape have altered and how land has changed, or not, over time.
Yosemite in time: ice ages, tree clocks, ghost rivers
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These photographs and essays reconsider the iconic status of Yosemite in America's conception of wilderness, examining how the place was appropriated by its early Euro-American visitors and showing how conceptions of landscape have altered and how land has changed, or not, over time.
Jardins
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To Rebecca Solnit, the word 'landscape' implies not only literal places but also the ground on which we invent our lives and confront our innermost troubles and desires. The organic world, to Solnit, gives rise to the social, political, and philosophical landscapes we inhabit. In these nineteen quirky, smart, and wryly humorous pieces, Solnit ranges across disciplines to(...)
As Eve said to the serpent: on landscape, gender, and art
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To Rebecca Solnit, the word 'landscape' implies not only literal places but also the ground on which we invent our lives and confront our innermost troubles and desires. The organic world, to Solnit, gives rise to the social, political, and philosophical landscapes we inhabit. In these nineteen quirky, smart, and wryly humorous pieces, Solnit ranges across disciplines to explore nuclear test sites, deserts, clouds, caves, and the meaning of national borders - as weel as ideas of the feminine and the sublime as they relate to our physical and psychological terrains.
Théorie du paysage
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In Recollections of My Nonexistence, Rebecca Solnit describes her formation as a writer and as a feminist in 1980s San Francisco, in an atmosphere of gender violence on the street and throughout society and the exclusion of women from cultural arenas. She tells of being poor, hopeful, and adrift in the city that became her great teacher, and of the small apartment that,(...)
Recollections of my nonexistence: a memoir
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In Recollections of My Nonexistence, Rebecca Solnit describes her formation as a writer and as a feminist in 1980s San Francisco, in an atmosphere of gender violence on the street and throughout society and the exclusion of women from cultural arenas. She tells of being poor, hopeful, and adrift in the city that became her great teacher, and of the small apartment that, when she was nineteen, became the home in which she transformed herself. She explores the forces that liberated her as a person and as a writer–books themselves; the gay community that presented a new model of what else gender, family, and joy could mean; and her eventual arrival in the spacious landscapes and overlooked conflicts of the American West.
Théorie/ philosophie
Elin Hansdottir: path
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Elín Hansdóttir's installation “Path” consists of a narrow tunnel that zigzags through a gallery or a museum. Light enters through vertical and horizontal slits that resemble cracks in the structure; sound effects further add to the disorientation. This volume examines the work, and contains an introduction by Rebecca Solnit, author of Wanderlust and A Field Guide to Getting Lost.
Elin Hansdottir: path
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Elín Hansdóttir's installation “Path” consists of a narrow tunnel that zigzags through a gallery or a museum. Light enters through vertical and horizontal slits that resemble cracks in the structure; sound effects further add to the disorientation. This volume examines the work, and contains an introduction by Rebecca Solnit, author of Wanderlust and A Field Guide to Getting Lost.
The faraway nearby
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In this book, Rebecca Solnit explores the ways we make our lives out of stories, and how we are connected by empathy, by narrative, by imagination. In the course of unpacking some of her own stories—of her mother and her decline from memory loss, of a trip to Iceland, of an illness—Solnit revisits fairytales and entertains other stories: about arctic explorers, Che(...)
The faraway nearby
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In this book, Rebecca Solnit explores the ways we make our lives out of stories, and how we are connected by empathy, by narrative, by imagination. In the course of unpacking some of her own stories—of her mother and her decline from memory loss, of a trip to Iceland, of an illness—Solnit revisits fairytales and entertains other stories: about arctic explorers, Che Guevara among the leper colonies, and Mary Shelley’s Dr. Frankenstein, about warmth and coldness, pain and kindness, decay and transformation, making art and making self. Woven together, these stories create a map which charts the boundaries and territories of storytelling, reframing who each of us is and how we might tell our story.
Théorie de l’architecture
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An energizing case for hope about the climate, from Rebecca Solnit ("the voice of the resistance"—New York Times), climate activist Thelma Young Lutunatabua, and a chorus of voices calling on us to rise to the moment. "Not too late" brings strong climate voices from around the world to address the political, scientific, social, and emotional dimensions of the most(...)
Not too late: Changing the climate Story from Despair to Possibility
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An energizing case for hope about the climate, from Rebecca Solnit ("the voice of the resistance"—New York Times), climate activist Thelma Young Lutunatabua, and a chorus of voices calling on us to rise to the moment. "Not too late" brings strong climate voices from around the world to address the political, scientific, social, and emotional dimensions of the most urgent issue human beings have ever faced. Accessible, encouraging, and engaging, it's an invitation to everyone to understand the issue more deeply, participate more boldly, and imagine the future more creatively. In concise, illuminating essays and interviews, "Not too late" features the voices of Indigenous activists, such as Guam-based attorney and writer Julian Aguon; climate scientists, among them Jacquelyn Gill and Edward Carr; artists, such as Marshall Islands poet and activist Kathy Jeñtil-Kijiner; and longtime organizers, including "The Tyranny of Oil" author Antonia Juhasz and Emergent Strategy author adrienne maree brown.