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Titre:
Maxime Delvaux: Châteai de Chambord, Dilmun burial Mounds, Joze Plecnik, Rio Tinto, Victora Horta

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Prix:
$60.00
(disponible en magasin)

Résumé:
The story of this book was built over time, through the many exchanges that took place between a photographer, the editors, graphic designers and authors. The publication is structured around five photographic series, each devoted to a particular building, site or architect: Château de Chambord in France, Dilmun Burial Mounds in Bahrain, Joze Plecnik’s buildings in and around Ljubljana, Rio Tinto in Spain, and Victor Horta’s Centre for Fine Arts in Brussels. It is, especially, a book of (hi)stories in which the series by Maxime Delvaux are accompanied by texts. For these, various authors have been invited to react to the images with the idea of experimenting with the text: fiction, historical essay, round-table discussion, scientific text and photonovel. Graphic designers played with text and images to give them form. The reader is in turn invited to create possible alliances between images and texts. Like Maxime Delvaux’s photographic approach, these texts and their articulation with the photographs are specific to each subject, illustrating five ways of showing and telling about places near and far.

Titre:
Objects of fascination

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Prix:
$50.00
(disponible en magasin)

Résumé:
During the pandemic, 45 people were invited to take part in a "serious game": each participant selected the image of a personal object of fascination, out of which a shape was extracted, redrawn, scaled and sent to a CNC machine to be cut out of a 5 mm thick aluminium sheet and become a low table. Each table is here presented through the original image that generated it, the selected contour, a text by its author and photographs of the prototype taken by Maxime Delvaux and printed in silver. 'Objects of Fascination' explores digital technology and craftsmanship through found forms. It can be seen as a collection of personal worldviews by an emerging generation of architects, as much as an attempt to give a physical form to the multiplicity of our collective cultural background.