Roy Arden against the day
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Over the past two decades, Roy Arden has become one of Canada�s most respected artists. Along with that of Jeff Wall, Ian Wallace, Rodney Graham and Stan Douglas, his work has contributed to Vancouver�s reputation as a vital centre for contemporary photographic art. This important book looks at Arden�s unique approach to photography and his investigations into(...)
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octobre 2007, Vancouver, Toronto
Roy Arden against the day
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$60.00
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Over the past two decades, Roy Arden has become one of Canada�s most respected artists. Along with that of Jeff Wall, Ian Wallace, Rodney Graham and Stan Douglas, his work has contributed to Vancouver�s reputation as a vital centre for contemporary photographic art. This important book looks at Arden�s unique approach to photography and his investigations into modern city life. Arden�s work can be divided into three periods. From 1981 to 1985 he produced Fragments, lyrical colour portraits and urban details. The years 1985 to 1990 were dedicated to what Arden calls his �meta-photography,� art about photography and its history. Since 1990 he has focused on �the landscape of the economy� in images of the city and its never-ending transformations. This handsome catalogue includes two major scholarly texts about Arden�s work along with shorter texts by six artists, curators and critics.
Monographies photo
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The most comprehensive and up-to-date survey of twentieth-century architecture ever published, this volume presents a global perspective on some of the most significant works, ideas, and directions over the past one hundred years. With essays by Zeynep Çelik, Jean-Louis Cohen, Beatriz Colomina, Jorge Francisco Liernur, Elizabeth A.T. Smith, Anthony Vidler(...)
At the end of the century : one hundred years of architecture
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The most comprehensive and up-to-date survey of twentieth-century architecture ever published, this volume presents a global perspective on some of the most significant works, ideas, and directions over the past one hundred years. With essays by Zeynep Çelik, Jean-Louis Cohen, Beatriz Colomina, Jorge Francisco Liernur, Elizabeth A.T. Smith, Anthony Vidler and Hajime Yatsuka.
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octobre 1998, Los Angeles
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Uta Barth: the long now
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Often blurred or with only one element rendered sharply, clinging to the margin of the composition, Uta Barth's deceptively simple photographs of ordinary, ambiguous places are both elegant and challenging.This publication presents an overview of her works, fully illustrated with more than 300 full-color reproductions, spanning from her earliest photographs to her most recent.
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juillet 2010
Uta Barth: the long now
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$90.00
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Often blurred or with only one element rendered sharply, clinging to the margin of the composition, Uta Barth's deceptively simple photographs of ordinary, ambiguous places are both elegant and challenging.This publication presents an overview of her works, fully illustrated with more than 300 full-color reproductions, spanning from her earliest photographs to her most recent.
Monographies photo
$65.00
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While destruction as a theme can be traced throughout art history, from the early atomic age it has remained a pervasive and compelling element of contemporary visual culture. Damage Control features the work of more than 40 international artists working in a range of media--painting, sculpture, photography, film, installation, and performance--who have used destruction(...)
octobre 2013
Damage control: art and destruction since 1950
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While destruction as a theme can be traced throughout art history, from the early atomic age it has remained a pervasive and compelling element of contemporary visual culture. Damage Control features the work of more than 40 international artists working in a range of media--painting, sculpture, photography, film, installation, and performance--who have used destruction as a means of responding to their historical moment and as a strategy for inciting spectacle and catharsis, as a form of rebellion and protest, or as an essential part of re-creation and restoration.