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How can you navigate towards something when there are no fixed points when you cannot determine your position? How do you know where to go, or even know when you have got there? This fourth volume in the Archifutures series investigates how architecture, traditionally considered to be a future?oriented activity, can best respond as we find ourselves on the threshold of a(...)
Archifutures Vol. 4: Thresholds. A field guide to making the future of architecture
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How can you navigate towards something when there are no fixed points when you cannot determine your position? How do you know where to go, or even know when you have got there? This fourth volume in the Archifutures series investigates how architecture, traditionally considered to be a future?oriented activity, can best respond as we find ourselves on the threshold of a “post-futurist” condition where the future is not necessarily ahead of us, but everywhere and – perhaps most especially – “now”.
Architecture contemporaine
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This volume is a call to practical action leading on from the theoretical approaches seen in Volume 2: The Studio. It presents a further selection from the Future Architecture platform call for ideas, and focuses firmly on the nitty-gritty of practice with projects and strategies that are on-site or site ready to shake up that future. These are the inspirational solutions(...)
Architecture contemporaine
octobre 2016
Archifutures Vol. 3: The site. A field guide to making the future of architecture
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This volume is a call to practical action leading on from the theoretical approaches seen in Volume 2: The Studio. It presents a further selection from the Future Architecture platform call for ideas, and focuses firmly on the nitty-gritty of practice with projects and strategies that are on-site or site ready to shake up that future. These are the inspirational solutions and ideas, which could soon be transforming the landscape of architecture and our cities, reasserting the agency of what architecture in its widest sense can offer and mean.
Architecture contemporaine
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This volume focus in particular on the cutting-edge thinking and wider theoretical questions and themes that underpin the series, from reflections upon what our ideas of “future” really mean to the changing role of the architecture profession as a whole. Comprising speculative visions, essays and texts, this volume serves as a theoretical backdrop for the practical(...)
Architecture contemporaine
octobre 2016
Archifutures Vol. 2: the studio. A field guide to making the future of architecture
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This volume focus in particular on the cutting-edge thinking and wider theoretical questions and themes that underpin the series, from reflections upon what our ideas of “future” really mean to the changing role of the architecture profession as a whole. Comprising speculative visions, essays and texts, this volume serves as a theoretical backdrop for the practical approaches seen in Volume 3: The Site. Includes visions, essays and texts from contributors: Ana Jeinic, Miloš Kosec, Clément Blanchet, Amateur Cities, Liam Young, Something Fantastic, Merve Bedir, Tomaž Pipan, Davide Tommaso Ferrando, Tiago Torres-Campos and Reinier de Graaf.
Architecture contemporaine
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The first volume of the collection maps the work of the institutions and organisations involved in communicating the new and innovative thought and practice leading architecture today, highlighting the strategies they use and programmes they run to support this. Essays and interviews from the Museum of Architecture and Design, Ljubljana, the National Museum of XXI Century(...)
Architecture contemporaine
octobre 2016
Archifutures Vol. 1: The museum. A field guide to making the future of architecture
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The first volume of the collection maps the work of the institutions and organisations involved in communicating the new and innovative thought and practice leading architecture today, highlighting the strategies they use and programmes they run to support this. Essays and interviews from the Museum of Architecture and Design, Ljubljana, the National Museum of XXI Century Arts, Rome, the Swiss Architecture Museum, Basel, CANactions, Kiev, Prishtina Architecture Week, Kosovo, the Lisbon Architecture Triennale and others give working examples of the roles that these organisations and institutions play in communication and education for those both within and beyond the field of architecture. A particular highlight of the book is a “collage conversation”, a visual dialogue between Superstudio co-founder Cristiano Toraldo di Francia and Guillermo López of MAIO, with some images specially commissioned for the publication.
Architecture contemporaine
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The occupation of space is a trend that can currently be recognized in many creative fields. While furniture and product design were once largely driven by classical industrial and interior design, these disciplines are now also being shaped by the visual culture of graphic design and high-tech production processes. These new influences are contributing to the creation of(...)
Furnish: Furniture and interior design for the 21st century
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The occupation of space is a trend that can currently be recognized in many creative fields. While furniture and product design were once largely driven by classical industrial and interior design, these disciplines are now also being shaped by the visual culture of graphic design and high-tech production processes. These new influences are contributing to the creation of furniture and interiors that go beyond anything previously designed or imagined. Furnish presents domestic territories that expand upon our current understanding of interior design. The book documents recent work by designers, artists and architects that shows how they are using furniture in pioneering ways: as environment, as art object, as digital-organic growth, as mutation or as insertion. These cutting-edge examples are a sure indicator of the trends that will be influencing interiors as well as hotel, restaurant and club design for the next several years. Furnish also explores the new hybrid nature of occupied spaces, where the domestic enters the realm of fine art and where objects from pimped heirlooms to rapid prototypes find their homes. The book also presents surprising interdisciplinary work, for example, the results of architects engineering tables, graphic designers creating soft furniture and industrial designers making concept art. The experimental spaces that are shown in Furnish are not only interesting for interior designers, but also contain innovative examples of interdisciplinary design work that are relevant and inspiring for anyone working creatively.
Design industriel