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One of the most prized categories of early photography was the reproduction of artworks, a role in which photographs largely replaced engravings in book imagery during the mid-19th century. Photographs of paintings, sculptures, and other works were compiled in albums, ranging from surveys of museum collections and catalogues of works by single artists to illustrated(...)
Art and the early photographic album
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One of the most prized categories of early photography was the reproduction of artworks, a role in which photographs largely replaced engravings in book imagery during the mid-19th century. Photographs of paintings, sculptures, and other works were compiled in albums, ranging from surveys of museum collections and catalogues of works by single artists to illustrated travel guides and archaeological reports. While such albums have often been valued for documentary purposes, their broader role in the institutional development of art has, until now, been overlooked. The first book on the subject, this collection of twelve essays explores topics such as how the acclaim of artists like Rubens grew because their paintings reproduced so well in photographs, how Michelangelo's Sistine Chapel frescoes were given a new public identity by the photographer's choice of striking details never explored in traditional prints, and other important ways in which photographically illustrated publications influenced the experience and the history of art.
Photographie- collections
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Over the last half century, Bernard Lassus has developed his theory and practice of the conditions that enable our appropriation of urban spaces. Light, colour and movement are the main elements forming his art installations and urban spatial designs. In this previously unpublished analysis, art historian Stephen Bann scrutinises Lassuss professional and creative(...)
Le destin paysager de Bernard Lassus / Bernard Lassus, the landscape approach
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Over the last half century, Bernard Lassus has developed his theory and practice of the conditions that enable our appropriation of urban spaces. Light, colour and movement are the main elements forming his art installations and urban spatial designs. In this previously unpublished analysis, art historian Stephen Bann scrutinises Lassuss professional and creative trajectory as it intersects with other leading artistic and intellectual figures, from kinetic art to garden design and landscapes. Appearances in the everyday environment are crucial in this reflection on the meaning of being an integral part of the shifts of contemporary society, in architecture, urbanism and beyond.
Relocating Victor Burgin
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Over the past 30 years Victor Burgin’s work has established him as both a highly influential artist and a renowned theorist of the still and moving image. After 13 years in the United States, Burgin recently returned to live and work in Britain. Burgin came to prominence as an originator of conceptual art, and was nominated for the Turner Prize shortly before his(...)
Monographies photo
mars 2003, Bristol
Relocating Victor Burgin
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Over the past 30 years Victor Burgin’s work has established him as both a highly influential artist and a renowned theorist of the still and moving image. After 13 years in the United States, Burgin recently returned to live and work in Britain. Burgin came to prominence as an originator of conceptual art, and was nominated for the Turner Prize shortly before his departure for the USA. This book offers a critical overview of a body of work that combines conceptual rigour with poetic elegance, and remains an essential reference for succeeding generations of artists. Includes text by Catsou Roberts, Stephen Bann, Peter Osbourne, Françoise Parfait and Victor Burgin
Monographies photo
Interlacing words and things : bridging the nature-culture opposition in garden and landscape
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This illustrated volume examines how the natural world is transformed through the creative use of language. Its contributors do not assume that there is an opposition between nature and culture, but rather emphasize that forms of language are embedded in our understanding and appreciation of the natural environment across cultures and time periods.
Interlacing words and things : bridging the nature-culture opposition in garden and landscape
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This illustrated volume examines how the natural world is transformed through the creative use of language. Its contributors do not assume that there is an opposition between nature and culture, but rather emphasize that forms of language are embedded in our understanding and appreciation of the natural environment across cultures and time periods.
Théorie du paysage
Vera Röhm
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Vera Röhm’s name comes up in discussions of contemporary constructive art as an unorthodox example of the sculptural approach. Since the beginning of her artistic career she has been concerned with a repertoire of elementary geometric shapes. Her approach plays upon different kinds of distortion: incisions, cross-sections, mutilation and restoration/reconstruction; which(...)
avril 2006, London
Vera Röhm
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Vera Röhm’s name comes up in discussions of contemporary constructive art as an unorthodox example of the sculptural approach. Since the beginning of her artistic career she has been concerned with a repertoire of elementary geometric shapes. Her approach plays upon different kinds of distortion: incisions, cross-sections, mutilation and restoration/reconstruction; which bring about an increased richness of form and complexity, and challenge the viewer’s imagination. Metamorphosis of materials in "Integrations", multiplication of shapes in "Shadow Objects", not to forget her photographs of the Jaipur Observatory – all of these offer unexpected angles on the real world. When her works include written words – as is the case with her cube-series bearing the inscription "Night Is The Shadow of The Earth" – this can be associated with Concrete Poetry. Her work in general also falls within the tradition of Constructivism, although there is an almost temperamental inclination to geometrical form, which is always manifest in the rich variations of shape that inform her sculptures. This first comprehensive presentation of the artist’s work in the English language is accompanied by essays by the poet and critic Eugen Gomringer and the art historian Stephen Bann.